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	<title>STUDIO for Creative Inquiry</title>
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	<link>http://studioforcreativeinquiry.org</link>
	<description>The STUDIO for Creative Inquiry supports atypical, anti-disciplinary, and inter-institutional projects at the intersections of arts, science, technology and culture.</description>
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		<title>NEUROPHOTO Exhibition</title>
		<link>http://studioforcreativeinquiry.org/events/neurophoto-exhibit</link>
		<comments>http://studioforcreativeinquiry.org/events/neurophoto-exhibit#comments</comments>
		<pubDate>Thu, 03 May 2012 18:40:45 +0000</pubDate>
		<dc:creator>Amisha Gadani</dc:creator>
				<category><![CDATA[events]]></category>

		<guid isPermaLink="false">http://studioforcreativeinquiry.org/?p=3975</guid>
		<description><![CDATA[4:00pmEST, Thursday May 3 2012
Mellon Institute
4400 Fifth Avenue
Pittsburgh, PA 15213
An exhibition of photographs inspired and informed by neuroscience opens at the Mellon Institute on Thursday, May 3! Join members of the community for a reception ...]]></description>
			<content:encoded><![CDATA[<p>4:00pmEST, Thursday May 3 2012<br />
<strong>Mellon Institute<br />
4400 Fifth Avenue<br />
Pittsburgh, PA 15213</strong></p>
<p>An exhibition of photographs inspired and informed by neuroscience opens at the Mellon Institute on Thursday, May 3! Join members of the community for a reception at 4:00pm in the Institute&#8217;s 4th floor lobby.</p>
<p><img src="http://studioforcreativeinquiry.org/wp-content/uploads/2012/05/np2.jpg" alt="" title="" width="640" height="813" class="alignnone size-full wp-image-3981" /></p>
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		<title>A Double-Exhibition of Interactive, Computational, and Digitally Fabricated Arts</title>
		<link>http://studioforcreativeinquiry.org/events/final-show</link>
		<comments>http://studioforcreativeinquiry.org/events/final-show#comments</comments>
		<pubDate>Thu, 03 May 2012 18:13:26 +0000</pubDate>
		<dc:creator>Amisha Gadani</dc:creator>
				<category><![CDATA[events]]></category>

		<guid isPermaLink="false">http://studioforcreativeinquiry.org/?p=3956</guid>
		<description><![CDATA[5:00pm-7:30pm Thursday, May 3 2012
At the STUDIO for Creative Inquiry
 CMU College of Fine Arts, CFA-111
Free to the public / Refreshments will be served.
Here&#8217;s a map &#8212; http://bit.ly/cmucfa

Join the students in Prof. Golan Levin&#8217;s &#8220;Interactive ...]]></description>
			<content:encoded><![CDATA[<p><strong>5:00pm-7:30pm Thursday, May 3 2012</strong><br />
<strong>At the STUDIO for Creative Inquiry</strong><br />
<strong> CMU College of Fine Arts, CFA-111<br />
</strong><em>Free to the public / Refreshments will be served.<br />
Here&#8217;s a map &#8212; <a href="http://bit.ly/cmucfa">http://bit.ly/cmucfa</a><strong><br />
</strong></em></p>
<p>Join the students in Prof. Golan Levin&#8217;s &#8220;Interactive Art and Computational Design&#8221; class and the students in Prof. Ali Momeni&#8217;s &#8220;Digital Fabrication for the Arts&#8221; for their final show this Thursday, May 3 in the STUDIO for Creative Inquiry!</p>
<p><a href="http://www.flong.com" target="_blank">Golan Levin</a>&#8216;s course in <a href="http://golancourses.net/2012spring/" target="_blank"><strong><em>Interactive Art and Computational Design</em></strong></a> is an advanced studio course in arts-computing and new media practice. Topics surveyed include: experimental interface design, information visualization, game design, computational form-generation, image processing and vision-based interactions, augmented reality, dynamic typography, mechatronic and device art, physical computing and more. <em>Teaching Assistants: <a href="http://danomatika.com/">Dan Wilcox</a> &amp; <a href="http://www.cs.cmu.edu/~pkelley/">Patrick Gage Kelley</a>.</em></p>
<p><a href="http://alimomeni.net/" target="_blank">Ali Momeni</a>&#8216;s course in <a href="http://teach.alimomeni.net/2012spring1/" target="_blank"><strong><em>Digital Fabrication for the Arts</em></strong></a> introduces students to the tools, work-flow, aesthetics and communities surrounding computer-aided fabrication and its creative applications within art practice. The CAD/CAM process is particularly well-suited for certain tasks, including the creation of multiples, for fabrication of functional/kinetic components, iterative prototyping of complex structures, scalable design, construction of large structures from repeated simple components, and other ingenious digital-physical work-flows.</p>
<p><img class="alignnone size-full wp-image-3957" title="" src="http://studioforcreativeinquiry.org/wp-content/uploads/2012/05/ko.jpg" alt="" width="640" height="989" /></p>
<p>Featuring projects from 37 students, spanning sophomores to doctoral students, from nine different departments:</p>
<p><em>From Golan Levin&#8217;s class, </em><a href="http://golancourses.net/2012spring/" target="_blank"><strong><em>Interactive Art and Computational Design</em></strong></a>: Alex Rothera • Alex Wolfe • Billy Keyes • Blase Ur • Craig Fahner • Deren Guler • Duncan Boehle • Eli Rosen • Evan Sheehan • Heather Knight • Joe Medwid • John Brieger • Jonathan Ota • Ju Young Park • Kaushal Agrawal • Kelsey Lee • Luci Laffitte • Luke Loeffler • Madeline Gannon • Mahvish Nagda • Nicholas Inzucchi • Nir Rachmel • Sam Lavery • Sankalp Bhatnagar • Sarah Keeling • Varvara Toulkeridou • Xing Xu • Zack Jacobson-Weaver ///// AND /////<em> From Ali Momeni&#8217;s class, <a href="http://teach.alimomeni.net/2012spring1/" target="_blank"><strong>Digital Fabrication for the Arts</strong></a>:</em> Caroline Record • Alan Herman • Paul Miller • Justin Lin • Alex Rothera • Alex Mallard • Max Perim • William Crownover • Nathan Trevino</p>
<p><em>Poster design: Eunice Chung</em></p>
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		<title>The Sky Is the Limit / NYC</title>
		<link>http://studioforcreativeinquiry.org/projects/the-sky-is-the-limit-pittsburgh</link>
		<comments>http://studioforcreativeinquiry.org/projects/the-sky-is-the-limit-pittsburgh#comments</comments>
		<pubDate>Sun, 22 Apr 2012 19:39:20 +0000</pubDate>
		<dc:creator>Amisha Gadani</dc:creator>
				<category><![CDATA[projects]]></category>

		<guid isPermaLink="false">http://studioforcreativeinquiry.org/?p=3206</guid>
		<description><![CDATA[
As part of a sculptural commission for the Friends of the High Line in New York, STUDIO Fellow Kim Beck created &#8220;The Sky Is the Limit&#8221; &#8212; a series of fleeting messages from billboards and ...]]></description>
			<content:encoded><![CDATA[<p><iframe src="http://player.vimeo.com/video/39354247?title=0&amp;byline=0&amp;portrait=0" frameborder="0" width="640" height="360"></iframe></p>
<p>As part of a sculptural commission for the Friends of the High Line in New York, STUDIO Fellow <a title="Kim Beck" href="http://studioforcreativeinquiry.org/fellows/kim-beck">Kim Beck</a> created <a href="http://idealcities.com/skynyc.html" target="_blank">&#8220;The Sky Is the Limit&#8221;</a> &#8212; a series of fleeting messages from billboards and signage written by a skywriting plane.</p>
<p>When in Virginia Woolf&#8217;s Mrs. Dalloway a crowd gathers to read letters in the sky, the spectacle unites disparate groups, as they cluster together to find meaning in the urban landscape. As phrases unfolded above New York City, people looked up to spell out the words. Where some found mere advertising, others considered the implications of messages detached from their original contexts. In the midst of an economic recession, the skywriting caused people to look up at the sky, the most potent symbol of longing and hope. Skywritten phrases included &#8220;LOST OUR LEASE&#8221;, &#8220;LAST CHANCE&#8221;, and &#8220;NOW OPEN&#8221;.</p>
<p>For more information click here: <a href="http://idealcities.com/skynyc.html" rel="nofollow" target="blank">idealcities.com/skynyc.html</a></p>
<p><em>presented by The Friends of the High Line and Mixed Greens, NYC, with support from the Studio for Creative Inquiry</em></p>
<p><img class="alignnone size-full wp-image-3520" title="" src="http://studioforcreativeinquiry.org/wp-content/uploads/2011/09/7058134229_4d5006f9da_b.jpeg" alt="" width="640" height="886" /></p>
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		<title>wats:ON? &#8211; TRANSFORMER</title>
		<link>http://studioforcreativeinquiry.org/events/watson-transformer</link>
		<comments>http://studioforcreativeinquiry.org/events/watson-transformer#comments</comments>
		<pubDate>Thu, 12 Apr 2012 18:54:42 +0000</pubDate>
		<dc:creator>Amisha Gadani</dc:creator>
				<category><![CDATA[events]]></category>

		<guid isPermaLink="false">http://studioforcreativeinquiry.org/?p=3448</guid>
		<description><![CDATA[
TRANSFORMER - Pablo Garcia and Spike Wolff, Festival Curators
Physical laws dictate that something cannot be made from nothing. In the 21st century, however, magic and alchemy seem commonplace. Devices in your pocket can span the ...]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.cmu.edu/architecture/lecture/watson-festival/index.html" target="_blank"><img class="alignnone size-full wp-image-3450" title="" src="http://studioforcreativeinquiry.org/wp-content/uploads/2012/04/wat.jpg" alt="" width="640" height="377" /></a></p>
<p><a href="http://www.cmu.edu/architecture/lecture/watson-festival/index.html" target="_blank">TRANSFORMER </a>- Pablo Garcia and Spike Wolff, Festival Curators</p>
<p>Physical laws dictate that something cannot be made from nothing. In the 21st century, however, magic and alchemy seem commonplace. Devices in your pocket can span the world and perform wondrous feats. But art and craft have long made the impossible manifest through ingenuity, skill, perseverance and inspiration. The greatest works of art began as art supplies yet transform into masterpieces through human ingenuity.</p>
<p>wats:ON? 2012: TRANSFORMER looks not at cutting-edge technological magic but at amazing transformations from the most humble beginnings. A piece of paper, or cloth, or even the human body can transform into something never seen before&#8211;right before your eyes.</p>
<p><strong>Thu 12 Apr, 5:00pm</strong><br />
Giant Eagle Auditorium (Baker Hall A51)<br />
Lecture and Demonstration: ‘Expressive Electronics: Sketching, Sewing, and Sharing’<br />
<span style="color: #ff00ff;"><a href="http://www.cmu.edu/architecture/lecture/watson-festival/leah-buechley.html"><span style="color: #ff00ff;">LEAH BUECHLEY</span></a></span><br />
Director, High-Low Tech Research Group<br />
Professor, MIT Media Lab<br />
<em>Cosponsored by the Human- Computer Interaction Institute’s Z-Axis Seminar Series</em></p>
<p><strong>Fri 13 Apr, 5:00pm</strong><br />
<span style="color: #008080;">STUDIO for Creative Inquiry</span><br />
Talk and Demonstration<br />
<span style="color: #ff00ff;"><a href="http://www.cmu.edu/architecture/lecture/watson-festival/nortd-labs.html" target="_blank"><span style="color: #ff00ff;">NORTD LABS</span></a></span><br />
Addie Wagenknecht and  Stefan Hechenberger<br />
<em>Cosponsored by the STUDIO for Creative Inquiry</em></p>
<p><strong>Fri 13 Apr, 8:00pm</strong><br />
Alumni Concert Hall, College of Fine Arts<br />
‘Body Music Rhythm Studio &#8211; an interactive rhythmic event’<br />
<span style="color: #ff00ff;"><a href="http://www.cmu.edu/architecture/lecture/watson-festival/keith-terry.html"><span style="color: #ff00ff;">KEITH TERRY</span></a></span><br />
Director, Crosspulse Project<br />
Director,International Body Music Festival</p>
<p><strong>Sat 14 Apr, 2:00- 5:00pm</strong><br />
<strong></strong><span style="color: #008080;">STUDIO for Creative Inquiry</span><br />
<span style="color: #ff00ff;"><a href="http://www.cmu.edu/architecture/lecture/watson-festival/transformer-workshops.html"><span style="color: #ff00ff;">TRANSFORMER WORKSHOPS</span></a></span><br />
2:00  Paper Airplanes with Ben Saks<br />
3:00  Hacking Objects with Nina Barbuto<br />
4:00  Lasersaur Workshop with Nortd Labs</p>
<p><strong>Sat 14 Apr, 6:00pm</strong><br />
<span style="color: #008080;">STUDIO for Creative Inquiry</span><br />
Reception and Artists Talk<br />
<span style="color: #ff00ff;"><a href="http://www.cmu.edu/architecture/lecture/watson-festival/kavanaugh-nguyen.html"><span style="color: #ff00ff;">WADE KAVANAUGH and STEPHEN B NGUYEN</span></a></span><br />
&#8220;Tug O’ War&#8221;, an Installation in the CFA Great Hall</p>
<p>&nbsp;</p>
<p><em>The 2012 wats:ON? Festival is made possible by the generous support of the Jill Watson Family Foundation.<br />
Additional support provided by: the STUDIO for Creative Inquiry, CMU College of Fine Arts, the Human-Computer Interaction Institute, and the CMU School of Architecture.<br />
</em></p>
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		<item>
		<title>Kim Beck</title>
		<link>http://studioforcreativeinquiry.org/fellows/kim-beck</link>
		<comments>http://studioforcreativeinquiry.org/fellows/kim-beck#comments</comments>
		<pubDate>Thu, 12 Apr 2012 01:13:27 +0000</pubDate>
		<dc:creator>Amisha Gadani</dc:creator>
				<category><![CDATA[fellows]]></category>

		<guid isPermaLink="false">http://studioforcreativeinquiry.org/?p=3526</guid>
		<description><![CDATA[
Using images of architecture and landscape, STUDIO fellow Kim Beck makes drawings, prints, paintings and installations that survey peripheral and suburban spaces. Her work urges a reconsideration of the built environment &#8211; the peculiar street ...]]></description>
			<content:encoded><![CDATA[<p><img src="http://studioforcreativeinquiry.org/wp-content/uploads/2012/04/bip.jpg" alt="" title="" width="150" height="150" class="alignnone size-full wp-image-3527" /><br />
Using images of architecture and landscape, STUDIO fellow Kim Beck makes drawings, prints, paintings and installations that survey peripheral and suburban spaces. Her work urges a reconsideration of the built environment &#8211; the peculiar street signs, gas station banners, overgrown weeded lots, and self-storage buildings — bringing the banal and everyday into focus.</p>
<p>Beck lives in Pittsburgh where she teaches art at Carnegie Mellon. She has exhibited widely including at the High Line in New York, the Walker Art Center, the Carnegie Museum of Art, Smack Mellon, Socrates Sculpture Park, Hallwalls Contemporary Art Center, and the Andy Warhol Museum.  She received her MFA from the Rhode Island School of Design and BA from Brandeis University. She is represented by Mixed Greens, NYC and Pentimenti in Philadelphia.</p>
<p>At the STUDIO she worked on her recent project, <a href="http://studioforcreativeinquiry.org/projects/the-sky-is-the-limit-pittsburgh" title="The Sky Is the Limit / NYC">The Sky is the Limit: NYC</a>.</p>
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		<title>James George</title>
		<link>http://studioforcreativeinquiry.org/fellows/james-george</link>
		<comments>http://studioforcreativeinquiry.org/fellows/james-george#comments</comments>
		<pubDate>Thu, 12 Apr 2012 00:08:47 +0000</pubDate>
		<dc:creator>Amisha Gadani</dc:creator>
				<category><![CDATA[fellows]]></category>

		<guid isPermaLink="false">http://studioforcreativeinquiry.org/?p=3512</guid>
		<description><![CDATA[
STUDIO Fellow James George is a Brooklyn-based media artist and programmer using code to create images and experiences in physical space. Lately he has been making permanent architectural installations, public projections, and mobile applications. George ...]]></description>
			<content:encoded><![CDATA[<p><img class="alignnone size-full wp-image-3513" title="" src="http://studioforcreativeinquiry.org/wp-content/uploads/2012/04/fqe.jpg" alt="" width="150" height="150" /><br />
STUDIO Fellow <a href="http://jamesgeorge.org/" target="_blank">James George</a> is a Brooklyn-based media artist and programmer using code to create images and experiences in physical space. Lately he has been making permanent architectural installations, public projections, and mobile applications. George is an active participant in creative software communities and to contribute to open source initiatives.</p>
<p>At the STUDIO George is collaborating with STUDIO fellow <a title="Jonathan Minard" href="http://studioforcreativeinquiry.org/fellows/jonathan-minard" target="_blank">Jonathan Minard</a> on their project, <a title="Point Cloud Portraits" href="http://studioforcreativeinquiry.org/projects/point-cloud-portraits" target="_blank">Point Cloud Portraits</a>.</p>
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		<title>Point Cloud Portraits</title>
		<link>http://studioforcreativeinquiry.org/projects/point-cloud-portraits</link>
		<comments>http://studioforcreativeinquiry.org/projects/point-cloud-portraits#comments</comments>
		<pubDate>Wed, 11 Apr 2012 22:37:27 +0000</pubDate>
		<dc:creator>Amisha Gadani</dc:creator>
				<category><![CDATA[projects]]></category>

		<guid isPermaLink="false">http://studioforcreativeinquiry.org/?p=3498</guid>
		<description><![CDATA[
Point Cloud Portraits (2011-) by STUDIO Fellows James George and Jonathan Minard, is a computational documentary featuring 25 international new-media artists in conversation about code and culture, the shaping of technology and the future of ...]]></description>
			<content:encoded><![CDATA[<p><img class="alignnone size-full wp-image-3499" title="" src="http://studioforcreativeinquiry.org/wp-content/uploads/2012/04/6912051696_791deee544_z.jpeg" alt="" width="640" height="396" /></p>
<p>Point Cloud Portraits (2011-) by STUDIO Fellows <a href="http://studioforcreativeinquiry.org/fellows/james-george">James George</a> and <a title="Jonathan Minard" href="http://studioforcreativeinquiry.org/fellows/jonathan-minard">Jonathan Minard</a>, is a computational documentary featuring 25 international new-media artists in conversation about code and culture, the shaping of technology and the future of cinema.</p>
<p>Interviews with the artists are collected in a new format, called &#8220;RGB+Depth&#8221;, in which traditional high-definition color video is paired with 3-dimensional point-cloud information from a Kinect depth sensor. The result is a volumetric moving-image in a 3D space where virtual cameras can view the subject from any vantage point. After being recorded as point clouds, each of the artists has been given free reign to program expressive modifications of their own data, resulting in a collection of imaginative and interpretive self-portraits that straddle a continuum between realism and abstraction. Pointcloud Portraits is a work-in-progress; in the final presentation of the movie, real-time generated sequences of the artists’ talking heads will play in a non-repeating loop, linking questions and answers in an infinite conversation.</p>
<p><iframe src="http://player.vimeo.com/video/35840285" width="640" height="360" frameborder="0" webkitAllowFullScreen mozallowfullscreen allowFullScreen></iframe></p>
<p>The new medium of &#8220;depth video&#8221; takes inspiration from the ideas of science-fiction visionary, Bruce Sterling. In one lecture, Sterling presaged the camera of the future as a passive device for capturing all the photons in a space, turning the act of photography – selection of angle, exposure and composition – into a purely computational problem. The subsequent release of the Microsoft Kinect has, for the first time, made implementations of this notion attainable.</p>
<p>More picture on <a href="http://www.flickr.com/photos/creativeinquiry/sets/72157628972683759/" target="_blank">Flickr</a></p>
<p><strong>Press about the Point Cloud Portraits</strong><br />
1. <a href="http://gizmodo.com/5906904/this-is-what-happens-when-you-cross-a-kinect-with-a-dslr" target="_blank">Gizmodo &#8211; This Is What Happens When You Cross a Kinect With a DSLR &#8211; 5/2/12</a> or as <a href="http://studioforcreativeinquiry.org/wp-content/uploads/2012/05/Gizmodo-This-Is-What-Happens-When-You-Cross-a-Kinect-With-a-DSLR.pdf" target="_blank">PDF</a><br />
2. <a href="http://www.theverge.com/2012/5/2/2993117/3d-filmmaking-open-source-RGBD" target="_blank">The Verge &#8211; DSLR and Kinect combine to produce dream-like visuals &#8211; 5/2/12</a> or as <a href="http://studioforcreativeinquiry.org/wp-content/uploads/2012/05/TheVerge.pdf" target="_blank">PDF</a><br />
3. <a href="http://www.tested.com/news/44176-rgbdtoolkit-skins-dslr-photos-to-kinect-depth_maps/" target="_blank">Tested News &#8211; RGB Toolkit Skins DSLR Photos to Kinect Depth Maps &#8211; 5/2/12</a> or as <a href="http://studioforcreativeinquiry.org/wp-content/uploads/2012/05/TestedNews.pdf" target="_blank">PDF</a><br />
4. <a href="http://news.cnet.com/8301-11386_3-57425926-76/point-cloud-portraits-bring-ghostly-3d-images-to-movies/?tag=mncol;cnetRiver" target="_blank">CNET &#8211; Point cloud portraits bring ghostly 3D images to movies  &#8211; 5/2/12</a> or as <a href="http://studioforcreativeinquiry.org/wp-content/uploads/2012/05/CNET-Point-cloud-portraits-bring-ghostly-3D-images-to-movies-Cutting-Edge-CNET-News.pdf" target="_blank">PDF</a><br />
5. <a href="http://tecmundo.com.br/kinect/22936-programa-combina-camera-digital-e-kinect-para-criar-filmes-video-.htm" target="_blank">Tec Mundo &#8211; Programa Combina Camera Digital e Linect Paracriar Filmes Video &#8211;  5/2/12</a> or as <a href="http://studioforcreativeinquiry.org/wp-content/uploads/2012/05/TecMundo.pdf" target="_blank">PDF</a><br />
6. <a href="http://creativejs.com/2012/02/depthcam/" target="_blank">Creative JS &#8211; Depth Cam &#8211; 2/28/2012</a> or as <a href="http://studioforcreativeinquiry.org/wp-content/uploads/2012/05/CreativeJS-DepthCam.pdf" target="_blank">PDF</a><br />
7. <a href="http://thecreatorsproject.com/blog/golan-levin-ups-the-ante-for-reddits-iama" target="_blank">The Creators Project &#8211; Golan Levin Ups The Ante For Reddits IAmA  &#8211; 2/1/12</a> or as <a href="http://studioforcreativeinquiry.org/wp-content/uploads/2012/05/creatorsproject.pdf" target="_blank">PDF</a><br />
8. <a href="http://studioforcreativeinquiry.org/wp-content/uploads/2012/05/Kinect-RGB+Depth-Filmmaking-at-the-STUDIO-for-@creativeinquiry-fitc.pdf" target="_blank">Creative Applications Network &#8211; Kinect and RGB+Depth Filmmaking &#8211; 1/2/12</a> or as <a href="" target="_blank">PDF</a></p>
<p><!-- Online article: <a href="" target="_blank"></a> or as <a href="" target="_blank">PDF</a> &#8211;></p>
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		<title>Free Universal Construction Kit</title>
		<link>http://studioforcreativeinquiry.org/projects/free-universal-construction-kit</link>
		<comments>http://studioforcreativeinquiry.org/projects/free-universal-construction-kit#comments</comments>
		<pubDate>Wed, 11 Apr 2012 21:26:44 +0000</pubDate>
		<dc:creator>Amisha Gadani</dc:creator>
				<category><![CDATA[projects]]></category>

		<guid isPermaLink="false">http://studioforcreativeinquiry.org/?p=3469</guid>
		<description><![CDATA[
The free Universal Construction Kit, developed by Golan Levin and Shawn Sims at the STUDIO for Creative Inquiry, is a matrix of nearly 80 adapter bricks that enable complete interoperability between ten popular children’s construction toys. For example, ...]]></description>
			<content:encoded><![CDATA[<p><img class="alignnone size-full wp-image-3489" title="" src="http://studioforcreativeinquiry.org/wp-content/uploads/2012/04/gl.jpg" alt="" width="640" height="427" /></p>
<p>The free <a href="http://fffff.at/free-universal-construction-kit/" target="_blank">Universal Construction Kit</a>, developed by <a title="Golan Levin" href="http://studioforcreativeinquiry.org/staff/golan-levin">Golan Levin</a> and <a href="http://www.sy-lab.net/About" target="_blank">Shawn Sims</a> at the STUDIO for Creative Inquiry, is a matrix of nearly 80 adapter bricks that enable complete interoperability between ten popular children’s construction toys. For example, By allowing any piece to join to any other, the Kit encourages totally new forms of dialog between otherwise closed systems — enabling radically hybrid constructive play, the creation of previously impossible designs, and ultimately, more creative opportunities for kids. As with other grassroots interoperability remedies, the Universal Construction Kit implements proprietary protocols in order to provide a public service unmet — or unmeetable — by commercial interests.</p>
<p><img class="alignnone size-full wp-image-3470" title="" src="http://studioforcreativeinquiry.org/wp-content/uploads/2012/04/6912052532_0b09d7d613_z.jpeg" alt="" width="640" height="374" /></p>
<p>The Universal Construction Kit offers adapters between Lego, Duplo, Fischertechnik, Gears! Gears! Gears!, K’Nex, Krinkles (Bristle Blocks), Lincoln Logs, Tinkertoys, Zome, and Zoob. These adapters can be freely downloaded from Thingiverse.com and other sharing sites as a set of 3D models in .STL format, suitable for reproduction by personal manufacturing devices like the Makerbot (an inexpensive, open-source 3D printer).</p>
<p>For more information click <a href="http://www.onforb.es/freeUCK" target="_blank">here</a></p>
<p><iframe src="http://player.vimeo.com/video/37778172?title=0&amp;byline=0&amp;portrait=0" frameborder="0" width="640" height="360"></iframe></p>
<p><iframe src="http://player.vimeo.com/video/37778890?title=0&amp;byline=0&amp;portrait=0&amp;color=8bde37" frameborder="0" width="640" height="360"></iframe></p>
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		<title>Conflict Kitchen</title>
		<link>http://studioforcreativeinquiry.org/projects/conflict-kitchen</link>
		<comments>http://studioforcreativeinquiry.org/projects/conflict-kitchen#comments</comments>
		<pubDate>Wed, 11 Apr 2012 20:35:53 +0000</pubDate>
		<dc:creator>Amisha Gadani</dc:creator>
				<category><![CDATA[projects]]></category>

		<guid isPermaLink="false">http://studioforcreativeinquiry.org/?p=3456</guid>
		<description><![CDATA[
Conflict Kitchen is a take out restaurant that only serves cuisine from countries with which the United States is in conflict. The food is served out of a take-out style storefront that rotates identities every six ...]]></description>
			<content:encoded><![CDATA[<p><img class="alignnone size-full wp-image-3457" title="" src="http://studioforcreativeinquiry.org/wp-content/uploads/2012/04/k1.jpg" alt="" width="640" height="411" /></p>
<p><a href="http://www.conflictkitchen.org/" target="_blank">Conflict Kitchen</a> is a take out restaurant that only serves cuisine from countries with which the United States is in conflict. The food is served out of a take-out style storefront that rotates identities every six months to highlight another country.</p>
<p>Operating seven days a week in the middle of the city,  Conflict Kitchen reformats the preexisting social relations of food and economic exchange to engage the general public in discussions about countries, cultures, and people that they might know little about outside of the polarizing rhetoric of U.S. politics and the narrow lens of media headlines.   In addition, the restaurant provides a rotating site for diversity in the city of Pittsburgh, as it has presented the only Iranian, Afghan, and Venezuelan restaurants the city has ever seen. Upcoming iterations will include Cuba and North Korea.</p>
<p>Conflict Kitchen is co-founded by <a href="http://www.jonrubin.net/" target="_blank">Jon Rubin</a> and <a href="http://www.busstopopera.com/" target="_blank">Dawn Weleski</a> and is funded by the Sprout Fund, <a href="http://www.waffleshop.org/">The Waffle Shop</a>, The Benter Foundation, the Center for the Arts in Society, the STUDIO for Creative Inquiry, and the sale of food. Graphic design by <a href="http://brettyasko.com/" target="blank">Brett Yasko</a>. Architectural design by <a href="http://www.pointprojects.com/" target="blank">Pablo Garcia of POiNT</a>.</p>
<p>Special thanks to Illah Nourbakhsh, Sohrab Kashani, Marti Louw, Najibah Tursonzadah, Mohammed Sidky, Lourdes Hann, and all of those from the Iranian, Afghan, and Venezuelan communities who supplied us with their advice and perspectives.</p>
<p><img class="alignnone size-full wp-image-3458" title="" src="http://studioforcreativeinquiry.org/wp-content/uploads/2012/04/conkit1.jpg" alt="" width="640" height="335" /></p>
<div></div>
<p><strong>Press about the Conflict Kitchen</strong><br />
1. <a href="  " target="_blank">Los Angeles Times &#8211; Pittsburgh cafe offers cuisine from the U.S. conflict du jour 05/07/2012</a> or as <a href="http://studioforcreativeinquiry.org/wp-content/uploads/2012/05/LA-Times-Pittsburgh-cafe-serves-cuisine-from-the-U.S.-conflict-du-jour.pdf" target="_blank">PDF</a> </p>
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		<title>Lecture: Conflict Kitchen</title>
		<link>http://studioforcreativeinquiry.org/events/lecture-conflict-kitchen</link>
		<comments>http://studioforcreativeinquiry.org/events/lecture-conflict-kitchen#comments</comments>
		<pubDate>Wed, 11 Apr 2012 02:26:50 +0000</pubDate>
		<dc:creator>Amisha Gadani</dc:creator>
				<category><![CDATA[events]]></category>

		<guid isPermaLink="false">http://studioforcreativeinquiry.org/?p=3439</guid>
		<description><![CDATA[Carnegie Mellon University
STUDIO for Creative Inquiry, CFA 111
5000 Forbes Avenue, Oakland
April 18, 2012
5:00pm-6:30pmEST

Please join CMU Associate Professor of Art Jon Rubin and Culinary Director Robert Sayre for a discussion on Conflict Kitchen, a take out restaurant ...]]></description>
			<content:encoded><![CDATA[<p>Carnegie Mellon University<br />
STUDIO for Creative Inquiry, CFA 111<br />
5000 Forbes Avenue, Oakland<br />
April 18, 2012<br />
5:00pm-6:30pmEST</p>
<p><img class="alignnone size-full wp-image-3440" title="" src="http://studioforcreativeinquiry.org/wp-content/uploads/2012/04/conkit.jpg" alt="" width="640" height="335" /></p>
<p>Please join CMU Associate Professor of Art Jon Rubin and Culinary Director Robert Sayre for a discussion on <strong>Conflict Kitchen, a take out restaurant that only serves cuisine from countries with which the United States is in conflict.</strong> The food is served out of a take-out style storefront that rotates identities every six months to highlight another country.</p>
<p>Operating seven days a week in the middle of the city,  <strong><a href="http://www.conflictkitchen.org/" target="_blank">Conflict Kitchen</a> </strong>reformats the preexisting social relations of food and economic exchange to engage the general public in discussions about countries, cultures, and people that they might know little about outside of the polarizing rhetoric of U.S. politics and the narrow lens of media headlines.   In addition, the restaurant provides a rotating site for diversity in the city of Pittsburgh, as it has presented the only Iranian, Afghan, and Venezuelan restaurants the city has ever seen. Upcoming iterations will include Cuba and North Korea.</p>
<p>Conflict Kitchen is co-founded by <a href="http://www.jonrubin.net/" target="_blank">Jon Rubin</a> and <a href="http://www.busstopopera.com/" target="_blank">Dawn Weleski</a>.</p>
<p>&nbsp;</p>
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		<title>Performance and Ecology</title>
		<link>http://studioforcreativeinquiry.org/projects/performance-and-ecology</link>
		<comments>http://studioforcreativeinquiry.org/projects/performance-and-ecology#comments</comments>
		<pubDate>Fri, 30 Mar 2012 00:47:47 +0000</pubDate>
		<dc:creator>Amisha Gadani</dc:creator>
				<category><![CDATA[projects]]></category>

		<guid isPermaLink="false">http://studioforcreativeinquiry.org/?p=3408</guid>
		<description><![CDATA[
Still from &#8220;Greening the Theater&#8221;, 2010
The Performance and Ecology project, directed by STUDIO fellows  Wendy Arons and Theresa J. May, focuses on the power of performance and theater to raise awareness about ecological issues, ...]]></description>
			<content:encoded><![CDATA[<p><img class="alignnone size-full wp-image-3409" title="" src="http://studioforcreativeinquiry.org/wp-content/uploads/2012/03/4546294997_35b4393c81_z.jpeg" alt="" width="640" height="480" /><br />
<em>Still from &#8220;Greening the Theater&#8221;, 2010</em></p>
<p>The Performance and Ecology project, directed by STUDIO fellows <a title="Wendy Arons" href="http://studioforcreativeinquiry.org/fellows/wendy-arons"> Wendy Arons</a> and <a title="Theresa J. May" href="http://studioforcreativeinquiry.org/fellows/theresa-j-may">Theresa J. May</a>, focuses on the power of performance and theater to raise awareness about ecological issues, stimulate activism, build coalitions, and generally move and inspire spectators to action. The work requires forging interdisciplinary connections between the fields of environmental science and studies and performance. Project activities include: panels and talks on the practice and history of environmental theatre; staged readings and performances of award winning plays from the Eco-drama festivals, as well as other works; development of courses on the history of environmental theater; and the publication of an edited collection of essays on performance and ecology.</p>
<p>Our relationship to the environment is an issue of urgent concern, and one that can and should be addressed by anyone engaged in critical and intellectual pursuits, including theatre artists and scholars. But despite the fact that ecological degradation will likely precipitate enormous social and political upheaval in the next century, and, with it, unpredictable and unimaginable effects on human communities and cultures—the kinds of concerns which have traditionally been prime subjects for the performing arts—theatre scholars and practitioners have been slow to engage environmental issues.</p>
<p><img class="wp-image-3415 alignright" src="http://studioforcreativeinquiry.org/wp-content/uploads/2012/03/Screen-shot-2012-03-29-at-5.50.40-PM.png" alt="" width="223" height="336" /></p>
<p>Edited by May and Arons, <a href="http://www.amazon.com/Readings-Performance-Ecology-What-Theatre/dp/0230337287" target="_blank">Readings in Performance and Ecology (2012)</a>, extends into print these researchers&#8217; efforts to codify a significant and growing ecological sensibility in our collective professional imagination. It brings together essays from both scholars and practitioners that critically engage some of the key theoretical and practical concerns about how performance has or might function as part of the trans-valuation of values necessary to forestall ecological collapse.</p>
<p>Contributors:</p>
<p>Robert Baker-White, Derek Barton, Una Chaudhuri, Downing Cless, Anne Justine D&#8217;Zmura, Sara Freeman, Kathleen Gough, Nelson Gray, Cornelia Hoogland, Baz Kershaw, Bruce McConachie, Justin Miller, Meg O&#8217;Shea, Sarah Standing, Arden Thomas, Nala Walla, Martin Welton, Barry Witham</p>
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		<title>Wendy Arons</title>
		<link>http://studioforcreativeinquiry.org/fellows/wendy-arons</link>
		<comments>http://studioforcreativeinquiry.org/fellows/wendy-arons#comments</comments>
		<pubDate>Fri, 23 Mar 2012 00:52:08 +0000</pubDate>
		<dc:creator>Amisha Gadani</dc:creator>
				<category><![CDATA[fellows]]></category>

		<guid isPermaLink="false">http://studioforcreativeinquiry.org/?p=3396</guid>
		<description><![CDATA[
STUDIO Fellow Wendy Arons is an Associate Professor of Dramatic Literature at Carnegie Mellon University.  Her research interests include performance and ecology, 18th- and 19th-century theatre history, feminist theatre, and performance and ethnography. She ...]]></description>
			<content:encoded><![CDATA[<p><img src="http://studioforcreativeinquiry.org/wp-content/uploads/2012/03/j.png" alt="" title="" width="150" height="150" class="alignnone size-full wp-image-3397" /><br />
STUDIO Fellow <a href="http://ghostlightcollective.wordpress.com/about-us/faculty/" target="_blank">Wendy Arons</a> is an Associate Professor of Dramatic Literature at Carnegie Mellon University.  Her research interests include performance and ecology, 18th- and 19th-century theatre history, feminist theatre, and performance and ethnography. She is the author of Performance and Femininity in Eighteenth-Century German Woman’s Writing:  The Impossible Act (Palgrave Macmillan 2006), and has published articles in Theatre Topics, The German Quarterly, Communications from the International Brecht Society, 1650-1850, Text and Presentation, and Theatre Journal, as well as chapters in a number of anthologies. She has worked as a professional dramaturg with a number of leading directors, including Anne Bogart and Robert Falls, and has translated a number of plays from German into English, including The Good Person of Sezuan in collaboration with Tony Kushner.  </p>
<p>She is currently collaborating with STUDIO fellow <a href="http://studioforcreativeinquiry.org/fellows/theresa-j-may">Theresa J. May</a> on the <a href="http://studioforcreativeinquiry.org/projects/performance-and-ecology">“Performance and Ecology”</a> project which focuses on the power of performance and theater to raise awareness about ecological issues, stimulate activism, build coalitions, and generally move and inspire spectators to action.</p>
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		<title>Theresa J. May</title>
		<link>http://studioforcreativeinquiry.org/fellows/theresa-j-may</link>
		<comments>http://studioforcreativeinquiry.org/fellows/theresa-j-may#comments</comments>
		<pubDate>Fri, 23 Mar 2012 00:23:01 +0000</pubDate>
		<dc:creator>Amisha Gadani</dc:creator>
				<category><![CDATA[fellows]]></category>

		<guid isPermaLink="false">http://studioforcreativeinquiry.org/?p=3390</guid>
		<description><![CDATA[
STUDIO Fellow, Dr. Theresa J. May, is an assistant professor in Theatre at the University of Oregon where she is also artistic director of the &#8220;Earth Matters On Stage: Ecodrama Playwrights Festival&#8221;. Her research and ...]]></description>
			<content:encoded><![CDATA[<p><img src="http://studioforcreativeinquiry.org/wp-content/uploads/2012/03/hh.png" alt="" title="" width="150" height="150" class="alignnone size-full wp-image-3391" /><br />
STUDIO Fellow, Dr. Theresa J. May, is an assistant professor in Theatre at the University of Oregon where she is also artistic director of the &#8220;Earth Matters On Stage: Ecodrama Playwrights Festival&#8221;. Her research and creative work explore the intersections between ecology, community and issues of race, class and gender. Her articles on ecocriticism and feminism have been published extensively, including in The New England Theatre Journal, The Journal of Dramatic Theory and Criticism, On Stage Studies, American Drama, and Theatre Studies.  As a director and creator of community-based theatre, she has worked as a playwright and director with Tribal Communities in California and Oregon. Her current book project is Earth Matters On Stage: Ecology and American Theater.  </p>
<p>She is currently collaborating with STUDIO fellow <a href="http://studioforcreativeinquiry.org/fellows/wendy-arons">Wendy Arons</a> on the <a href="http://studioforcreativeinquiry.org/projects/performance-and-ecology">“Performance and Ecology”</a> project which focuses on the power of performance and theater to raise awareness about ecological issues, stimulate activism, build coalitions, and generally move and inspire spectators to action. </p>
<p>May holds a PhD in Theatre History and Criticism from University of Washington, an MFA in Acting from the University of Southern California, and a BA in Drama from the University of California at Irvine.</p>
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		<title>Grand Opening: Center For PostNatural History</title>
		<link>http://studioforcreativeinquiry.org/events/grand-opening-cpnh</link>
		<comments>http://studioforcreativeinquiry.org/events/grand-opening-cpnh#comments</comments>
		<pubDate>Fri, 02 Mar 2012 22:12:37 +0000</pubDate>
		<dc:creator>Amisha Gadani</dc:creator>
				<category><![CDATA[events]]></category>

		<guid isPermaLink="false">http://studioforcreativeinquiry.org/?p=3353</guid>
		<description><![CDATA[Center for PostNatural History
4913 Penn Ave, Bloomfield
March 2, 2012
6:00pmEST

The Center for PostNatural History announces the Grand Opening of its permanent exhibition facility in Pittsburgh, Pennsylvania on March 2nd, 2012 at 6PM at 4913 Penn Ave. ...]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.postnatural.org/" target="_blank">Center for PostNatural History</a><br />
4913 Penn Ave, Bloomfield<br />
March 2, 2012<br />
6:00pmEST</p>
<p><img class="alignnone  wp-image-3356" src="http://studioforcreativeinquiry.org/wp-content/uploads/2012/03/CPNH_front-300x252.jpg" alt="" width="300" height="252" /><img class="alignnone  wp-image-3367" src="http://studioforcreativeinquiry.org/wp-content/uploads/2012/03/Screen-shot-2012-03-05-at-2.17.51-PM1-300x284.png" alt="" width="270" height="252" /></p>
<p><a title="Center for PostNatural History" href="http://studioforcreativeinquiry.org/projects/center-for-postnatural-history" target="_blank">The Center for PostNatural History</a> announces the Grand Opening of its permanent exhibition facility in Pittsburgh, Pennsylvania on March 2nd, 2012 at 6PM at 4913 Penn Ave. The Center for PostNatural History (CPNH) is dedicated to the research and exhibition of lifeforms that have been intentionally altered by humans, from the dawn of domestication to contemporary genetic engineering. The CPNH presents the postnatural world through diorama, taxidermy, photography and living exhibits, from engineered corn to Sea Monkeys to modified Chestnut Trees to BioSteel™ Goats.</p>
<p><img class=" wp-image-3357 alignleft" src="http://studioforcreativeinquiry.org/wp-content/uploads/2012/03/blog.jpeg" alt="" width="360" height="360" /></p>
<p>According to CPNH Director and Curator and STUDIO fellow, <a title="Rich Pell" href="http://studioforcreativeinquiry.org/fellows/rich-pell" target="_blank">Richard Pell</a>, “The Center for PostNatural History serves as a jumping-off point for thinking about how people shape the living world around them. Humans have been slowly domesticating plants and animals for thousands of years and during the last 35 years we’ve begun altering the DNA of organisms in very specific ways. A good portion of the living world is in a sense a cultural artifact reflecting the desires, needs and fears of human society. The CPNH is a place to explore that idea.”</p>
<p>Lead Scientific Advisor, Lauren Allen says, “The CPNH is an ideal venue to experience the intersection of humanity and biological sciences.”</p>
<p>The CPNH also hosts postnatural exhibits by guest researchers. “We are currently displaying a poster series produced by the Center for Genomic Gastronomy which catalogues the diversity of genetically modified fruits and vegetables that are available in the US and European Union,” says Pell. “In May we will debut an exhibit about the Svalbard Global Seed Vault produced by a group of American and Norwegian researchers who spent several weeks visiting the worlds largest repository of domesticated food crop seeds.”</p>
<p><a href="http://sagemagazine.org/?p=2476" target="_blank">Take a Tour of the CPNH</a><br />
<a href="http://sagemagazine.org/?p=2561" target="_blank">Read Sage Magazine article</a> [written by STUDIO staff J. Minard]</p>
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		<title>Art &amp;&amp; Code: 3D</title>
		<link>http://studioforcreativeinquiry.org/events/art-code-3d</link>
		<comments>http://studioforcreativeinquiry.org/events/art-code-3d#comments</comments>
		<pubDate>Fri, 21 Oct 2011 04:44:22 +0000</pubDate>
		<dc:creator>Amisha Gadani</dc:creator>
				<category><![CDATA[events]]></category>
		<category><![CDATA[projects]]></category>

		<guid isPermaLink="false">http://studioforcreativeinquiry.org/?p=3159</guid>
		<description><![CDATA[
Art &#38;&#38; Code: DIY 3D Sensing and Visualization (#artandcode) was a festival and conference concerned with the artistic, technical, tactical and cultural potentials of low-cost 3D scanning devices — especially, but not exclusively, including the ...]]></description>
			<content:encoded><![CDATA[<p><a href="http://studioforcreativeinquiry.org/events/art-code-3d/attachment/art_and_code_presentation2" rel="attachment wp-att-3720"><img class="alignnone size-full wp-image-3720" title="art_and_code_presentation2" src="http://studioforcreativeinquiry.org/wp-content/uploads/2011/10/art_and_code_presentation2.jpg" alt="" width="640" height="427" /></a></p>
<p><em><strong>Art &amp;&amp; Code: DIY 3D Sensing and Visualization</strong></em> (<em>#<a href="https://twitter.com/#!/search?q=%23artandcode" target="_blank">artandcode</a></em>) was a festival and conference concerned with the artistic, technical, tactical and cultural potentials of low-cost 3D scanning devices — especially, but not exclusively, including the revolutionary Microsoft Kinect sensor. This highly interdisciplinary event brought together, for the first time, more than 200 tinkerers and hackers, computational artists and designers, professional game developers, and leading researchers in the fields of computer vision, robotics and human-computer interaction. Half maker’s festival, half academic symposium<em>. </em></p>
<p><a href="http://studioforcreativeinquiry.org/events/art-code-3d/attachment/art_and_code_people" rel="attachment wp-att-3717"><img class="alignnone size-full wp-image-3717" title="art_and_code_people" src="http://studioforcreativeinquiry.org/wp-content/uploads/2011/10/art_and_code_Levine.jpg" alt="" width="640" height="427" /></a></p>
<p><strong>Art &amp;&amp; Code</strong> took place <strong>October 21-23 2011</strong> at Carnegie Mellon University in Pittsburgh, and featured:</p>
<ul>
<li>Hands-on <a href="http://artandcode.com/3d/workshops" target="blank">workshops</a> in programming interactive software with low-cost depth cameras, such as the Kinect;</li>
<li>Live <a href="http://artandcode.com/3d/otherevents/festival-as-laboratory-presentations" target="blank">demonstrations</a> and <a href="http://artandcode.com/3d/otherevents/speed-presentations" target="blank">speed presentations</a> of interactive experiences made with the Kinect;</li>
<li>Lecture presentations by leading <a href="http://artandcode.com/3d/presenters" target="blank">international artists, designers and researchers</a>;</li>
<li>Social events that mix independents, corporates, and academic researchers;</li>
<li>An evening of immersive audiovisual <a href="http://artandcode.com/3d/otherevents/jason-levine-performance" target="blank">performances</a>; <em>and</em></li>
<li>An <a href="http://artandcode.com/3d/otherevents/unconference-pod-1" target="blank">unconference</a> with topics selected by participants!</li>
</ul>
<p><a href="http://studioforcreativeinquiry.org/events/art-code-3d/attachment/art_and_code_presentation1" rel="attachment wp-att-3719"><img class="alignnone size-full wp-image-3719" title="art_and_code_presentation1" src="http://studioforcreativeinquiry.org/wp-content/uploads/2011/10/art_and_code_presentation1.jpg" alt="" width="640" height="427" /></a></p>
<p><em><strong>Art &amp;&amp; Code</strong></em><em><strong>: 3D</strong></em> was the third in our series of events featuring “programming tools for artists, young people, and the rest of us”. The event is made possible by a generous grant from <a href="http://research.microsoft.com/en-us/" target="blank">Microsoft Research</a>, with oversight by the <a href="http://www.cs.cmu.edu/~CompThink/" target="blank">Center for Computational Thinking</a> at CMU.</p>
<p>For more info see: <a href="http://artandcode.com/3d/" target="blank">http://artandcode.com/3d/</a></p>
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		<title>Listening Spaces</title>
		<link>http://studioforcreativeinquiry.org/projects/listening-spaces</link>
		<comments>http://studioforcreativeinquiry.org/projects/listening-spaces#comments</comments>
		<pubDate>Fri, 14 Oct 2011 19:10:25 +0000</pubDate>
		<dc:creator>Amisha Gadani</dc:creator>
				<category><![CDATA[projects]]></category>

		<guid isPermaLink="false">http://studioforcreativeinquiry.org/?p=3266</guid>
		<description><![CDATA[
The proliferation of portable as well as computerized audio technologies has transformed radically the way the human beings listen, consume, and produce music and sound. We can personalize endlessly the sounds emanating from our cell-phones ...]]></description>
			<content:encoded><![CDATA[<p style="text-align: left;"><img class="alignnone size-full wp-image-3267" title="" src="http://studioforcreativeinquiry.org/wp-content/uploads/2011/10/g.jpg" alt="" width="650" height="228" /></p>
<p>The proliferation of portable as well as computerized audio technologies has transformed radically the way the human beings listen, consume, and produce music and sound. We can personalize endlessly the sounds emanating from our cell-phones or use tablet computers as virtual mixing boards and turntables. We have gone from the labor intensive, analog, tactile and at times intensely emotional experience of making a “mixtape” to dragging and dropping files onto playlists. Impersonal machines and equations are doing what friends, acquaintances, DJs and record-store owners once did: recommending music for us to purchase, listen to and enjoy. Led by STUDIO fellows <a href="http://studioforcreativeinquiry.org/fellows/richard-purcell" target="_blank">Richard Purcell</a> of the English Department, and <a href="http://studioforcreativeinquiry.org/fellows/richard-randall" target="_blank">Richard Randall</a> of the School of Music, &#8220;Listening Spaces&#8221; seeks to investigate the overwhelming impact these mediating technologies have had on our social and personal interactions with music.  It will include a research project, a series of events, and the development of an undergraduate course, all oriented toward exploring four fundamental questions: What do we do with music? Where do we get music? How and why do we share music? How and why do we recommend music?</p>
<p>Funding provided by the <a href="http://www.cmu.edu/cas/media%20initiave/index.html" target="_blank">Media Initiative 2011-2014</a> of the <a href="http://www.cmu.edu/cas/index.html" target="_blank">Center for the Arts in Society</a> at Carnegie Mellon University.</p>
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		<title>Richard Purcell</title>
		<link>http://studioforcreativeinquiry.org/fellows/richard-purcell</link>
		<comments>http://studioforcreativeinquiry.org/fellows/richard-purcell#comments</comments>
		<pubDate>Fri, 14 Oct 2011 18:51:28 +0000</pubDate>
		<dc:creator>Amisha Gadani</dc:creator>
				<category><![CDATA[fellows]]></category>

		<guid isPermaLink="false">http://studioforcreativeinquiry.org/?p=3262</guid>
		<description><![CDATA[
STUDIO fellow Richard Purcell is the CAUSE postdoctoral fellow and an assistant professor of English at Carnegie Mellon University.  His primary field of study is late nineteenth, twentieth century and twenty-first century American literature ...]]></description>
			<content:encoded><![CDATA[<p><img src="http://studioforcreativeinquiry.org/wp-content/uploads/2011/10/rp.jpg" alt="" title="" width="148" height="148" class="alignnone size-full wp-image-3263" /><br />
STUDIO fellow <a href="http://www.cmu.edu/hss/english/people/faculty/bios/richard-purcell.html" target="_blank">Richard Purcell</a> is the CAUSE postdoctoral fellow and an assistant professor of English at Carnegie Mellon University.  His primary field of study is late nineteenth, twentieth century and twenty-first century American literature and literary criticism. He has secondary interests in African-American literature, Film Studies and Cold War Studies. Purcell&#8217;s work can be found in Critical Quarterly and on National Public Radio. Additionally he has worked in collaboration with the Pittsburgh Board of Education to develop a course on African-American literature for high school seniors.</p>
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		<title>Richard Randall</title>
		<link>http://studioforcreativeinquiry.org/fellows/richard-randall</link>
		<comments>http://studioforcreativeinquiry.org/fellows/richard-randall#comments</comments>
		<pubDate>Fri, 14 Oct 2011 05:58:45 +0000</pubDate>
		<dc:creator>Amisha Gadani</dc:creator>
				<category><![CDATA[fellows]]></category>

		<guid isPermaLink="false">http://studioforcreativeinquiry.org/?p=3251</guid>
		<description><![CDATA[
 Richard Randall earned a BM in Theoretical Studies (with Distinction in Performance) from New England Conservatory of Music, an MA in Music Theory from Queens College of the City University of New York, and a ...]]></description>
			<content:encoded><![CDATA[<p><img class="alignnone size-full wp-image-3387" title="" src="http://studioforcreativeinquiry.org/wp-content/uploads/2011/10/richard-randall2.png" alt="" width="148" height="148" /><br />
<a href="http://music.cmu.edu/people.php?sub_page=faculty&amp;faculty_id=141"> Richard Randall</a> earned a BM in Theoretical Studies (with Distinction in Performance) from New England Conservatory of Music, an MA in Music Theory from Queens College of the City University of New York, and a PhD from University of Rochester, Eastman School of Music.</p>
<p>Randall&#8217;s research ranges from music perception and cognition, mathematical modeling, philosophy of music theory, Schenkerian analysis, style analysis, and twentieth-century music analysis. He has presented papers at conferences for the Society for Music Theory, the Music Theory Society of New York State, American Mathematical Society, International Conference on Music Perception and Cognition, and the Society for Music Perception and Cognition. Recent publications include &#8220;Similarity Measures for Tonal Models&#8221; (2006) and &#8220;Lerdahl&#8217;s Tonal Pitch Space Model and Associated Metric Spaces&#8221; (2010).</p>
<p>He is a fellow at the STUDIO and has a faculty appointment at the Center for the Neural Basis for Cognition. His research is supported by a Berkman Faculty Development Grant and a Rothberg Brain Imaging Award. Prior to his appointment at Carnegie Mellon, Randall held teaching posts at the University of Massachusetts-Amherst, and Tufts University.</p>
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		<title>New Art/Science Affinities</title>
		<link>http://studioforcreativeinquiry.org/projects/new-artscience-affinities</link>
		<comments>http://studioforcreativeinquiry.org/projects/new-artscience-affinities#comments</comments>
		<pubDate>Wed, 12 Oct 2011 01:03:10 +0000</pubDate>
		<dc:creator>Amisha Gadani</dc:creator>
				<category><![CDATA[projects]]></category>

		<guid isPermaLink="false">http://studioforcreativeinquiry.org/?p=3230</guid>
		<description><![CDATA[
The STUDIO for Creative Inquiry and the  Miller Gallery at Carnegie Mellon University have co-published “New Art/Science Affinities,” a 190 page book written and designed in one week by four authors ( Andrea Grover, ...]]></description>
			<content:encoded><![CDATA[<p><a href="http://millergallery.cfa.cmu.edu/nasabook/cover.jpg"><img class="alignnone size-full wp-image-3239" title="" src="http://studioforcreativeinquiry.org/wp-content/uploads/2011/10/as.jpg" alt="" width="650" height="412" /></a></p>
<p>The STUDIO for Creative Inquiry and the <a href="http://millergallery.cfa.cmu.edu/nasabook/index.php" target="blank"> Miller Gallery</a> at Carnegie Mellon University have co-published “New Art/Science Affinities,” a 190 page book written and designed in one week by four authors (<a href="http://andreagrover.com/" target="blank"> Andrea Grover</a>, <a href="http://www.we-make-money-not-art.com/" target="blank">Régine Debatty</a>, <a href="http://www.clairelevans.com/" target="blank">Claire Evans</a>, and <a href="http://www.pablogarcia.org/" target="blank">Pablo Garcia</a>) and two designers (Luke Bulman and Jessica Young of <a href="http://www.thumbprojects.com/" target="blank">Thumb</a>), using a collaborative authoring process known as a “book sprint&#8221; (see <a href="http://studioforcreativeinquiry.org/projects/ast-book-sprint" target="_blank">A/S/T Book Sprint</a> STUDIO project page).  Derived from “code sprinting,” a method for working on an open source project by getting software developers into a single room for a period of intensive work, the term book sprint describes the quick, collective writing of a topical book.</p>
<p>The topic of “New Art/Science Affinities” is contemporary artists working at the intersection of art, science, and technology, with meditations, interviews, diagrams, letters and manifestos on maker culture, hacking, artist research, distributed creativity, technological and speculative design. Chapters of the publication include: Program Art or Be Programmed, Subvert!, Citizen Science, Artists in White Coats and Latex Gloves, The Maker Moment, and The Overview Effect.</p>
<p>Sixty international artists and art collaboratives are featured, including Agnes Meyer-Brandis, Atelier Van Lieshout, Brandon Ballengée, Free Art and Technology (F.A.T.), Rafael Lozano-Hemmer, The Institute for Figuring, Aaron Koblin, Machine Project, Openframeworks, C.E.B. Reas, Philip Ross, Tomás Saraceno, SymbioticA, Jer Thorp, and Marius Watz.</p>
<p><img class="alignnone size-full wp-image-3243" title="" src="http://studioforcreativeinquiry.org/wp-content/uploads/2011/10/pagesbooksprint.jpg" alt="" width="650" height="175" /></p>
<p><span style="color: #000000;"><a href="http://millergallery.cfa.cmu.edu/nasabook/index.php" target="_blank"><span style="color: #000000;"><em> To purchase the 90 page, full color, 8.5&#215;11&#8243;, perfect-bound paperback book or to download the free 17MB PDF please click here</em></span></a></span></p>
<p><span style="color: #f50971;"><span style="color: #000000;"><strong>EXCERPT FROM FOREWARD:<br />
</strong></span><span style="color: #f20c71;">We launched our book sprint in order to produce a snapshot of this particular moment—and because we wanted to do it with immediacy, without distraction. The topic of this publication is the most recent manifestation of artists working in art, science, and technology, which we broadly define as work that adopts processes of the natural or physical sciences, “does strange things with electricity” (to borrow a phrase from Dorkbot), breaks from traditional models of art/science pairings, and was created within the last five years. We realize that art, science, and technology intersections have a tradition with much deeper roots than we have space to detail here (and that such histories have been given attention elsewhere), so we’ve provided in a timeline a brief subjective history of innovations, movements, and cultural events that have contributed to this tradition and led us to this moment. To be clear: this book is an effort to understand this very moment in art, science, and technology affinities, and the ways Internet culture and networked communication have shaped the practice.</span></span></p>
<p><em><span style="color: #000000;">—Andrea Grover</span></em><br />
<em><span style="color: #000000;"> Project Lead, Warhol Curatorial Fellow at the STUDIO for Creative Inquiry and the Miller Gallery at Carnegie Mellon University</span></em></p>
<p><strong><br />
</strong></p>
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		<title>Meet Computational Biologist Wendy Cornell</title>
		<link>http://studioforcreativeinquiry.org/news/wendy-cornell</link>
		<comments>http://studioforcreativeinquiry.org/news/wendy-cornell#comments</comments>
		<pubDate>Sat, 08 Oct 2011 00:14:50 +0000</pubDate>
		<dc:creator>Amisha Gadani</dc:creator>
				<category><![CDATA[news]]></category>

		<guid isPermaLink="false">http://studioforcreativeinquiry.org/?p=3287</guid>
		<description><![CDATA[Hello STUDIO Friends and Fellows:
Tomorrow, we will host Wendy Cornell, a guest of the Ph.D. Program in Computational Biology.
She is an expert in biomedical research and the visualization of compounds in the drug discovery field. ...]]></description>
			<content:encoded><![CDATA[<p>Hello STUDIO Friends and Fellows:</p>
<p>Tomorrow, we will host Wendy Cornell, a guest of the Ph.D. Program in Computational Biology.<br />
She is an expert in biomedical research and the visualization of compounds in the drug discovery field. She works for Merck Research Laboratories. Her talk is at 11 am on Friday at Gates Hillman 6501.  Her 45 minute visit with us is after that, at 2 pm.</p>
<p>She says she &#8220;will be speaking about methods to search databases of compounds that have been made as part of drug discovery projects in order to find ones that are similar to a known &#8220;active&#8221;. It is actually an interesting problem to think about how to visually display such databases.&#8221; Title of the talk is &#8220;Comparison of 2D Similarity, 3D Similarity, and QSAR methods for Identification of Active Compounds.&#8221;</p>
<p>But that is not why she is visiting us.  She&#8217;s interested in what the STUDIO does. So I invite you all to stop by if you have the time just to meet her, and describe what you are doing and to bring others that you think might be interested.</p>
<p>From the Department&#8217;s website<br />
&#8220;Computational biology is being recognized as an essential and indispensable field in biomedical research. This has gained tremendous popularity in recent years due to the availability of high computing power to scientists, development of user-friendly graphical-user interfaces in commonly used software applications, and the efficiency with which these studies can be carried out.&#8221;</p>
<p>And an older article about her (no longer at Novartis). <a href="http://pubs.acs.org/cen/women/8039/8039wendycornell.html" target="_blank">http://pubs.acs.org/cen/women/<wbr>8039/8039wendycornell.html</wbr></a></p>
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		<title>Cuttlefish Dress</title>
		<link>http://studioforcreativeinquiry.org/projects/cuttlefish-dress</link>
		<comments>http://studioforcreativeinquiry.org/projects/cuttlefish-dress#comments</comments>
		<pubDate>Tue, 27 Sep 2011 01:53:23 +0000</pubDate>
		<dc:creator>Amisha Gadani</dc:creator>
				<category><![CDATA[projects]]></category>

		<guid isPermaLink="false">http://studioforcreativeinquiry.org/?p=3223</guid>
		<description><![CDATA[
Created for the 2011 Pittsburgh Biennial at the Andy Warhol Museum, Amisha Gadani&#8216;s piece is a cuttlefish inspired animal defensive dress. Cuttlefish are ocean-dwelling invertebrates in the same family as octopuses, and squid. Amisha&#8217;s dress ...]]></description>
			<content:encoded><![CDATA[<p><iframe src="http://player.vimeo.com/video/33805065?title=0&amp;byline=0&amp;portrait=0&amp;color=c94fb7" frameborder="0" width="640" height="360"></iframe></p>
<p>Created for the <a href="http://pittsburghbiennial.org/" target="_blank">2011 Pittsburgh Biennial</a> at the Andy Warhol Museum, <a href="http://www.amishagadani.com/" target="_blank">Amisha Gadani</a>&#8216;s piece is a cuttlefish inspired animal defensive dress. Cuttlefish are ocean-dwelling invertebrates in the same family as octopuses, and squid. Amisha&#8217;s dress mimics the ink-squirting defense of these animals by releasing an assortment of handmade black and silver helium balloons when the wearer is intimidated. Two fans resting near her waist blow the balloons toward the attacker as the wearer quickly backs away into safer area. This dress is the fourth Amisha&#8217;s series of animal inspired defensive dresses which include an inflating <a href="http://www.amishagadani.com/Work/alt.blowfish/index.html" target="_blank">Blowfish Dress</a>, a quill erecting <a href="http://www.amishagadani.com/Work/porcupine/index.html" target="_blank">Porcupine Dress</a>, and a fabric limb losing <a href="http://www.amishagadani.com/Work/skink/index.html" target="_blank">Skink Dress</a>. Amisha lives in Los Angeles and works remotely for the STUDIO and as artist in resident at the evolutionary biology lab of Dr. Michael Alfaro at UCLA.</p>
<p><img class="alignnone size-full wp-image-3235" title="" src="http://studioforcreativeinquiry.org/wp-content/uploads/2011/09/ag2.jpg" alt="" width="650" height="494" /></p>
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		<title>Easy Pieces</title>
		<link>http://studioforcreativeinquiry.org/projects/easypiesce</link>
		<comments>http://studioforcreativeinquiry.org/projects/easypiesce#comments</comments>
		<pubDate>Thu, 22 Sep 2011 19:56:14 +0000</pubDate>
		<dc:creator>Amisha Gadani</dc:creator>
				<category><![CDATA[projects]]></category>

		<guid isPermaLink="false">http://studioforcreativeinquiry.org/?p=3215</guid>
		<description><![CDATA[
Photo credit  Anna Lee-Fields
Easy Pieces is an ongoing series of live and recorded performance works featuring the artist, T. Foley,  and her straight man&#8211;a ventriloquist dummy named Hector. Works presented for the 2011 Pittsburgh Biennial at the Andy ...]]></description>
			<content:encoded><![CDATA[<p><img class="alignnone size-full wp-image-3274" title="" src="http://studioforcreativeinquiry.org/wp-content/uploads/2011/09/h.jpg" alt="" width="650" height="431" /><br />
Photo credit  Anna Lee-Fields</p>
<p>Easy Pieces is an ongoing series of live and recorded performance works featuring the artist, <a href="http://web.me.com/tfoley/t.foley/artist.html" target="blank">T. Foley</a>,  and her straight man&#8211;a ventriloquist dummy named Hector. Works presented for the <a href="http://pittsburghbiennial.org/" target="blank">2011 Pittsburgh Biennial</a> at the Andy Warhol Museum include:</p>
<p><strong>On Display (video)</strong><br />
Hector gives voice to otherwise disembodied Internet confessionals in monologues based on thousands of published men seeking women ads on craigslist. Performing the scenarios in mundane personal settings featured in posters’ photographs, the artist animates a range of masculine display-attempts that vie to attract the attention of women online.</p>
<p><img class="alignnone size-full wp-image-3275" title="" src="http://studioforcreativeinquiry.org/wp-content/uploads/2011/09/j9.jpg" alt="" width="650" height="285" /><br />
Photo credit  Larry Rippel</p>
<p><strong>The Dummy Is Present</strong><br />
During this live performance, a re-interpretation of Marina Abramović’s The Artist Is Present, 2010&#8211;random visitors to the Web site Chatroulette* will be encouraged to sit silently (or not) across from Hector the Dummy and the audience at the Warhol, for a duration of their choosing.</p>
<p>*Chatroulette is a website that pairs strangers from around the world together for webcam-based conversations. Visitors to the website begin an online chat (video, audio and text) with another visitor who is chosen at random. At any point, either user may leave the current chat by initiating another random connection.</p>
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		<title>Roger Dannenberg Lecture: Music Understanding and the Future of Music</title>
		<link>http://studioforcreativeinquiry.org/events/roger-dannenberg-lecture-music-understanding-and-the-future-of-music</link>
		<comments>http://studioforcreativeinquiry.org/events/roger-dannenberg-lecture-music-understanding-and-the-future-of-music#comments</comments>
		<pubDate>Thu, 22 Sep 2011 19:44:46 +0000</pubDate>
		<dc:creator>Amisha Gadani</dc:creator>
				<category><![CDATA[events]]></category>

		<guid isPermaLink="false">http://studioforcreativeinquiry.org/?p=3182</guid>
		<description><![CDATA[Carnegie Mellon University
Newell Simon Hall 3305
5000 Forbes Avenue, Oakland
September 22, 2011
3:30pmEST

&#8220;Music Understanding and the Future of Music&#8221;
Roger B. Dannenberg, Associate Research Professor of CS and Art at CMU, former STUDIO fellow
Music understanding is the automatic ...]]></description>
			<content:encoded><![CDATA[<p>Carnegie Mellon University<br />
<strong>Newell Simon Hall 3305</strong><br />
5000 Forbes Avenue, Oakland<br />
September 22, 2011<br />
3:30pmEST</p>
<p><img class="alignnone size-full wp-image-3333" title="" src="http://studioforcreativeinquiry.org/wp-content/uploads/2011/09/future_of_music2.jpeg" alt="" width="440" height="296" /></p>
<p>&#8220;Music Understanding and the Future of Music&#8221;<br />
<strong>Roger B. Dannenberg</strong>, Associate Research Professor of CS and Art at CMU, former STUDIO fellow</p>
<p>Music understanding is the automatic recognition of pattern and structure in music. Music understanding problems include (1) matching and searching symbolic and audio music sequences, (2) parsing music to discover musical objects such as sections, notes, and beats, and (3) the interpretation and generation of expressive music performance. Music understanding is only beginning to find a range of applications, but the potential impact on the future of music is considerable. I will describe how music will be changed through intelligent audio editors, artificial musicians, and intelligent music displays.</p>
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		<title>The Milk Truck</title>
		<link>http://studioforcreativeinquiry.org/projects/the-milk-truck</link>
		<comments>http://studioforcreativeinquiry.org/projects/the-milk-truck#comments</comments>
		<pubDate>Thu, 22 Sep 2011 19:11:30 +0000</pubDate>
		<dc:creator>Amisha Gadani</dc:creator>
				<category><![CDATA[projects]]></category>

		<guid isPermaLink="false">http://studioforcreativeinquiry.org/?p=3199</guid>
		<description><![CDATA[
The Milk Truck, by STUDIO fellow Jill Miller is part of the 2011 Pittsburgh Biennial at the Andy Warhol Museum. It is a combination of guerilla theater, activism and a little slapstick humor aiming to ...]]></description>
			<content:encoded><![CDATA[<p><iframe src="http://player.vimeo.com/video/33804632" frameborder="0" width="640" height="360"></iframe></p>
<p>The Milk Truck, by STUDIO fellow <a href="http://studioforcreativeinquiry.org/previous-fellows/jill-miller">Jill Miller</a> is part of the <a href="http://pittsburghbiennial.org/" target="blank">2011 Pittsburgh Biennial</a> at the Andy Warhol Museum. It is a combination of guerilla theater, activism and a little slapstick humor aiming to create a mobile breastfeeding unit that allows mothers to feed their babies in places where they have been discouraged &#8211; restaurants, shopping malls, public spaces, etc. Babies should be able to eat anywhere. And everywhere.</p>
<p>The Milk Truck’s primary mission is to help hungry babies eat by providing a supportive environment for women to nurse their babies. However, the truck will also make regular rounds on its “Pump Route” to offer a private, clean space for women to pump breast milk at work. In addition, and due to popular demand, The Milk Truck will visit businesses and events that are breastfeeding-friendly, to celebrate their awesomeness. (We want to hang out with like-minded people!)</p>
<p><img class="alignnone size-full wp-image-3504" title="" src="http://studioforcreativeinquiry.org/wp-content/uploads/2011/09/7058134955_b8cac6a694_z.jpeg" alt="" width="640" height="273" /></p>
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		<title>All My Girlfriends</title>
		<link>http://studioforcreativeinquiry.org/projects/all-my-girlfriends</link>
		<comments>http://studioforcreativeinquiry.org/projects/all-my-girlfriends#comments</comments>
		<pubDate>Thu, 22 Sep 2011 18:34:52 +0000</pubDate>
		<dc:creator>Amisha Gadani</dc:creator>
				<category><![CDATA[projects]]></category>

		<guid isPermaLink="false">http://studioforcreativeinquiry.org/?p=3190</guid>
		<description><![CDATA[
All My Girlfriends is a performative, sound-based archive representing 25 years of JET magazine&#8217;s centerfold, &#8220;Beauty of the Week.&#8221; Through extensive readings of biographical text on each model, STUDIO fellow Ayanah Moor explores the desire and ...]]></description>
			<content:encoded><![CDATA[<p><iframe src="http://player.vimeo.com/video/33806698?title=0&amp;byline=0&amp;portrait=0&amp;color=218709" frameborder="0" width="640" height="360"></iframe></p>
<p><a href="http://ayanah.com/artwork/2288601_Recording_with_Herman_Pearl_production.html" target="blank">All My Girlfriends</a> is a performative, sound-based archive representing 25 years of JET magazine&#8217;s centerfold, &#8220;Beauty of the Week.&#8221; Through extensive readings of biographical text on each model, STUDIO fellow <a href="http://studioforcreativeinquiry.org/fellows/ayanah-moor">Ayanah Moor</a> explores the desire and fantasy present in the display of idealized bodies within the popular African American weekly, JET. Moor strips away the photographic element of this historic centerfold, and conjures the identities of over 1,200 women (1973-1998’s “Beauties”) through careful narration.</p>
<p>This project was installed at the <a href="http://biennial.pittsburgharts.org/?p=116" target="_blank">2011 Pittsburgh Biennial</a> at the Warhol Museum in Pittsburgh, PA.</p>
<p><a href="http://ayanah.com/artwork/2288601_Tuff_Sound_Recording_with_Herman_Pearl.html"><img class="alignnone size-full wp-image-3194" title="" src="http://studioforcreativeinquiry.org/wp-content/uploads/2011/09/Screen-shot-2011-09-22-at-11.24.37-AM.png" alt="" width="640" height="461" /></a><br />
Tuff Sound Recording with Herman Pearl (production still)<br />
sound performance, 5.7 hours</p>
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		<title>Jill Miller</title>
		<link>http://studioforcreativeinquiry.org/previous-fellows/jill-miller</link>
		<comments>http://studioforcreativeinquiry.org/previous-fellows/jill-miller#comments</comments>
		<pubDate>Sun, 18 Sep 2011 23:08:01 +0000</pubDate>
		<dc:creator>Amisha Gadani</dc:creator>
				<category><![CDATA[previous-fellows]]></category>

		<guid isPermaLink="false">http://studioforcreativeinquiry.org/?p=3340</guid>
		<description><![CDATA[
Jill Miller&#8216;s recent work, including The Milk Truck, positions itself between public and private, teasing out the fear and excitement we feel when presented with images we are not supposed to see. Miller acts as ...]]></description>
			<content:encoded><![CDATA[<p><img src="http://studioforcreativeinquiry.org/wp-content/uploads/2012/01/jmill.jpg" alt="" title="jmill" width="150" height="150" class="alignnone size-full wp-image-3341" /><br />
<a href="http://www.jillmiller.net/" target="_blank">Jill Miller</a>&#8216;s recent work, including <a href="http://studioforcreativeinquiry.org/projects/the-milk-truck" title="The Milk Truck" target="_blank">The Milk Truck</a>, positions itself between public and private, teasing out the fear and excitement we feel when presented with images we are not supposed to see. Miller acts as provocateur, undercover agent, and iconoclast. Her work reveals secrets and curiosities, both institutional and individual, to challenge issues of ownership, identity and status quo. She presents her work with humor, curiosity and often reverence, recontextualizing objects, images and processes in order to look deeper within them. Born in Illinois, she received her MFA in from UCLA and her BA from UC.Berkeley, in English. Her work has been shown nationally and internationally, and collected in public institutions worldwide including CA2M Centro de Arte Dos de Mayo in Madrid and the Hirshhorn Museum and Sculpture Garden. She has taught at California College of the Arts, San Francisco Art Institute and Carnegie Mellon University.</p>
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		<title>Ayanah Moor</title>
		<link>http://studioforcreativeinquiry.org/previous-fellows/ayanah-moor</link>
		<comments>http://studioforcreativeinquiry.org/previous-fellows/ayanah-moor#comments</comments>
		<pubDate>Thu, 15 Sep 2011 22:38:12 +0000</pubDate>
		<dc:creator>Amisha Gadani</dc:creator>
				<category><![CDATA[previous-fellows]]></category>

		<guid isPermaLink="false">http://studioforcreativeinquiry.org/?p=3187</guid>
		<description><![CDATA[
STUDIO fellow  Ayanah Moor is a conceptual artist whose work addresses gender, racial and sexual identity informed by popular culture. From hip hop and politics, to black talk and women’s football, Moor draws from ...]]></description>
			<content:encoded><![CDATA[<p><img src="http://studioforcreativeinquiry.org/wp-content/uploads/2011/09/am1.jpg" alt="" title="" width="150" height="150" class="alignnone size-full wp-image-3848" /></p>
<p>STUDIO fellow <a href="http://ayanah.com/home.html" target="blank"> Ayanah Moor</a> is a conceptual artist whose work addresses gender, racial and sexual identity informed by popular culture. From hip hop and politics, to black talk and women’s football, Moor draws from and revises popular themes to generate dialogue and invite alternative meaning. Her creative tools include, print media, performance, drawing and video.</p>
<p>An associate professor in the <a href="http://www.cmu.edu/homepage/creativity/2009/fall/ayanah-moor.shtml">School of Art at Carnegie Mellon University</a>, Ayanah Moor has examined a broad range of timely issues over her 10 years at Carnegie Mellon — transforming themes from popular culture to create new meanings and dialogue.</p>
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		<title>QUAD</title>
		<link>http://studioforcreativeinquiry.org/projects/quad</link>
		<comments>http://studioforcreativeinquiry.org/projects/quad#comments</comments>
		<pubDate>Fri, 26 Aug 2011 07:17:09 +0000</pubDate>
		<dc:creator>Amisha Gadani</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[projects]]></category>

		<guid isPermaLink="false">http://studioforcreativeinquiry.org/?p=3151</guid>
		<description><![CDATA[‘QUAD’ is Samuel Beckett’s wordless short play, written for television in 1981. Instead of spoken text for the actors to learn, Beckett provides stage directions and movement diagrams that he insists the performers follow exactly. ...]]></description>
			<content:encoded><![CDATA[<p>‘QUAD’ is Samuel Beckett’s wordless short play, written for television in 1981. Instead of spoken text for the actors to learn, Beckett provides stage directions and movement diagrams that he insists the performers follow exactly. This inevitably results in the ‘mechanization’ of the performers. In this production of Beckett&#8217;s play directed by STUDIO fellow <a href="http://studioforcreativeinquiry.org/previous-fellows/matt-gray">Matt Gray,</a> we circumvented the process of mechanizing humans by starting with machines <em>ab initio</em>. With the help of an OpenFrameworks-based computer vision system, Xbee RF communications and Arduino microcontrollers, four iCreate (Roomba) robots became the performers of Beckett’s enigmatic play. In the course of so doing, their subtle quirks and characters as individuals are revealed.</p>
<p><iframe src="http://player.vimeo.com/video/27912876?title=0&amp;byline=0&amp;portrait=0&amp;color=c2532f" frameborder="0" width="650" height="488"></iframe></p>
<p><strong>Playwright:</strong> Samuel Beckett<br />
<strong>Director:</strong> Matthew Gray (Northeastern U.)<br />
<strong>Producer:</strong> Golan Levin (STUDIO for Creative Inquiry, CMU)<br />
<strong>Developer:</strong> David Sanz Kirbis (The Random Lab, Valencia, Spain)<br />
<strong>Sound:</strong> Rare Hymn<br />
<strong>Lighting Assistant:</strong> Michael Epstein<br />
<strong>Documentation:</strong> Jonathan Minard (DeepSpeed)<br />
<strong>Additional Documentation:</strong> Benjamin Welmond</p>
<p><em>iRobot Creates kindly provided by Professor Manuela Veloso, CMU School of Computer Science.</em></p>
<p><strong>Sincere thanks to:</strong> Marge Myers, Linda Hager, Joe Pino, David Boevers, Todd Brown, David Randolph, Somchaya Liemhetcharat.</p>
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		<title>Sarah Ross</title>
		<link>http://studioforcreativeinquiry.org/previous-fellows/sarah-ross</link>
		<comments>http://studioforcreativeinquiry.org/previous-fellows/sarah-ross#comments</comments>
		<pubDate>Wed, 15 Jun 2011 16:14:06 +0000</pubDate>
		<dc:creator>Amisha Gadani</dc:creator>
				<category><![CDATA[previous-fellows]]></category>

		<guid isPermaLink="false">http://studioforcreativeinquiry.org/?p=3086</guid>
		<description><![CDATA[
Sarah Ross is an artist who works in sculpture, video and photo. Her projects use narrative and the body to address spatial concerns as they relate to access, class, anxiety and activism. Sarah also works ...]]></description>
			<content:encoded><![CDATA[<p><img src="http://studioforcreativeinquiry.org/wp-content/uploads/2011/06/wedc.jpg" alt="" title="" width="150" height="150" class="alignnone size-full wp-image-3096" /><br />
Sarah Ross is an artist who works in sculpture, video and photo. Her projects use narrative and the body to address spatial concerns as they relate to access, class, anxiety and activism. Sarah also works collaboratively with other artists on projects such as Compass (of the <a href="http://www.readysubjects.org/mrcc/">MRCC</a>) and <a href="http://regionalrelationships.org/">Regional Relationships.</a> She has co-curated exhibitions at SPACES Gallery, Cleveland, Sea and Space Explorations, Los Angeles, and PS122, New York. She teaches at The School of the Art Institute Chicago and a Illinois state prison, and works with local <a href="http://prisonimpact.blogspot.com/">initiatives</a> to provide education and literature to people in Illinois state prisons. Sarah is the recipient of grants from the Graham Foundation, University of California Institute for Research in the Arts and the Illinois Art Council. Some of her work has been exhibited in venues such as the Armory, Pasadena, CA; Gallery 727, Los Angeles; PS122, New York; Roots and Culture Gallery, Chicago; Pinkard Gallery, Baltimore; META Cultural Foundation, Romania and the Canadian Center for Architecture, Montreal.</p>
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		<title>Ryan Griffis</title>
		<link>http://studioforcreativeinquiry.org/previous-fellows/ryan-griffis</link>
		<comments>http://studioforcreativeinquiry.org/previous-fellows/ryan-griffis#comments</comments>
		<pubDate>Tue, 14 Jun 2011 20:55:51 +0000</pubDate>
		<dc:creator>Amisha Gadani</dc:creator>
				<category><![CDATA[previous-fellows]]></category>

		<guid isPermaLink="false">http://studioforcreativeinquiry.org/?p=3072</guid>
		<description><![CDATA[
Ryan Griffis is an artist currently teaching new media art at the University of Illinois, Urbana-Champaign. His writing has appeared in publications such as New Art Examiner, RePublic, ArtUS, Artlink, Rhizome and Furtherfield. He has ...]]></description>
			<content:encoded><![CDATA[<p><img src="http://studioforcreativeinquiry.org/wp-content/uploads/2011/06/35.jpg" alt="" title="" width="150" height="150" class="alignnone size-full wp-image-3091" /><br />
<a href="http://www.yougenics.net/griffis/">Ryan Griffis</a> is an artist currently teaching new media art at the University of Illinois, Urbana-Champaign. His writing has appeared in publications such as New Art Examiner, RePublic, ArtUS, Artlink, Rhizome and Furtherfield. He has curated exhibitions for the School of the Art Institute of Chicago, Turbulence.org, Greenmuseum.org and George Mason University on themes that include the politics of genetic technologies, energy consumption and artistic forays into agriculture. Under the name Temporary Travel Office, Ryan creates work and publications that attempt to use tourism as an opportunity for critical public encounters. These encounters include public tours of urban parking lots, speculative proposals for parks and hotels and, most recently, a series of experimental guidebooks. These works have been presented in various institutional forums, including the Bureau for Open Culture (Columbus College of Art &#038; Design), AREA Chicago, The Center for Land Use Interpretation and Los Angeles Contemporary Exhibitions. Recently, he and Sarah Ross began a distributed curatorial project about regional and non-urban geographies under the name Regional Relationships. Ryan was born and raised in Florida.</p>
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		<title>Lize Mogel</title>
		<link>http://studioforcreativeinquiry.org/previous-fellows/lize-mogel</link>
		<comments>http://studioforcreativeinquiry.org/previous-fellows/lize-mogel#comments</comments>
		<pubDate>Tue, 14 Jun 2011 20:05:21 +0000</pubDate>
		<dc:creator>Amisha Gadani</dc:creator>
				<category><![CDATA[previous-fellows]]></category>

		<guid isPermaLink="false">http://studioforcreativeinquiry.org/?p=3064</guid>
		<description><![CDATA[
Lize Mogel is an interdisciplinary artist who works with the interstices between art and cultural geography. She has mapped public parks in Los Angeles; cultural migration patterns in Idaho; and future territorial disputes in the ...]]></description>
			<content:encoded><![CDATA[<p><img src="http://studioforcreativeinquiry.org/wp-content/uploads/2011/06/ad.jpg" alt="" title="" width="150" height="150" class="alignnone size-full wp-image-3093" /><br />
<a href="http://www.publicgreen.com/projects/">Lize Mogel</a> is an interdisciplinary artist who works with the interstices between art and cultural geography. She has mapped public parks in Los Angeles; cultural migration patterns in Idaho; and future territorial disputes in the Arctic. Her recent projects rethink popular representations of the world as it is shaped by global economies. Exhibitions include the Sharjah Biennial, Gwangju Biennal, and the Pittsburgh Biennial, PS1&#8242;s Greater New York, Casco (Utrecht), HMKV (Dortmund), and Experimental Geography (touring). She is co-editor of the book/map collection An Atlas of Radical Cartography and co-curator of the related exhibition An Atlas. She frequently collaborates, and has worked with Alexis Bhagat, the Temporary Travel Office and Sarah Ross, the Center for Land Use Interpretation, and the Journal of Aesthetics and Protest. She has received grants from the Graham Foundation, Jerome Foundation, the LEF Foundation, the Los Angeles Department of Cultural Affairs, and the Danish Arts Council for her work.</p>
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		<title>Deep&#8230;Space&#8230;Robots</title>
		<link>http://studioforcreativeinquiry.org/events/deep-space-robots</link>
		<comments>http://studioforcreativeinquiry.org/events/deep-space-robots#comments</comments>
		<pubDate>Mon, 06 Jun 2011 23:15:23 +0000</pubDate>
		<dc:creator>Amisha Gadani</dc:creator>
				<category><![CDATA[events]]></category>

		<guid isPermaLink="false">http://studioforcreativeinquiry.org/?p=3042</guid>
		<description><![CDATA[Saturday, June 11
6:30pmEST, free + food
Pittsburgh Documentary Salon
at Pittsburgh Filmmakers
477 Melwood Ave, Oakland
in Classroom Theater, Room 210 (2nd floor, behind the elevator)

Michael Pisano and STUDIO staff member Jonathan Minard are the principals of deepspeed media ...]]></description>
			<content:encoded><![CDATA[<p>Saturday, June 11<br />
6:30pmEST, free + food</p>
<p><a href="http://www.pghdocsalon.blogspot.com/">Pittsburgh Documentary Salon</a><br />
at Pittsburgh Filmmakers<br />
477 Melwood Ave, Oakland<br />
in Classroom Theater, Room 210 (2nd floor, behind the elevator)</p>
<p><a href="http://www.pghdocsalon.blogspot.com/" target="blank"><img class="alignnone size-full wp-image-3043" title="" src="http://studioforcreativeinquiry.org/wp-content/uploads/2011/06/ggg890.jpg" alt="" width="650" height="364" /></a></p>
<p>Michael Pisano and STUDIO staff member Jonathan Minard are the principals of deepspeed media and lead the documentation of the <a href="http://studioforcreativeinquiry.org/projects/moon-arts-project">Moon Arts Project</a>. Pisano and Minard are currently producing a documentary about the first-ever privately funded mission to the Moon and they will show a trailer from that project, as well as two other short films about art and science in extreme environments at this months PGH Documentary Salon at the Filmmakers.</p>
<p><a href="http://moonarts.org/index.html">http://moonarts.org/index.html</a></p>
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		<title>Donald Marinelli</title>
		<link>http://studioforcreativeinquiry.org/previous-fellows/don-marinelli</link>
		<comments>http://studioforcreativeinquiry.org/previous-fellows/don-marinelli#comments</comments>
		<pubDate>Fri, 27 May 2011 22:47:01 +0000</pubDate>
		<dc:creator>Amisha Gadani</dc:creator>
				<category><![CDATA[previous-fellows]]></category>

		<guid isPermaLink="false">http://studioforcreativeinquiry.org/?p=3032</guid>
		<description><![CDATA[
Donald Marinelli is a Professor of Drama &#038; Arts Management and Executive Producer of the Entertainment Technology Center at Carnegie Mellon University.  Marinelli has been at Carnegie Mellon for twenty-six years where he served ...]]></description>
			<content:encoded><![CDATA[<p><img src="http://studioforcreativeinquiry.org/wp-content/uploads/2011/05/fghg.jpg" alt="" title="" width="150" height="150" class="alignnone size-full wp-image-3034" /><br />
<a href="http://www.etc.cmu.edu/site/people/facultystaff/">Donald Marinelli</a> is a Professor of Drama &#038; Arts Management and Executive Producer of the <a href="http://www.etc.cmu.edu/site/">Entertainment Technology Center</a> at Carnegie Mellon University.  Marinelli has been at Carnegie Mellon for twenty-six years where he served as the Assistant Head of the Drama Dept. (1980-86) and later the Associate Department Head (1986-95). Dr. Marinelli was integral in creation of the Master of Arts Management (MAM) program, the Master of Fine Arts in Acting degree program with the Moscow Art Theatre School in Russia, and, with colleague Randy Pausch, he co-founded the Master of Entertainment Technology (MET) degree program and the ETC. </p>
<p>A native of Brooklyn, New York, Professor Marinelli has lived in Pittsburgh for thirty-two years, coming here shortly after completing his undergraduate degree at the University of Tampa. He attended Duquesne University in Pittsburgh where he received a M.A. in Clinical Psychology specializing in Existential-Phenomenological Psychology. Professor Marinelli subsequently attended the University of Pittsburgh where he received his Ph.D. in theatre history, literature, and criticism in 1987 with a dissertation on the Italian Futurist F.T. Marinetti.</p>
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		<title>Too Shallow for Diving: the 21st Century is Treading Water</title>
		<link>http://studioforcreativeinquiry.org/events/too-shallow-for-diving</link>
		<comments>http://studioforcreativeinquiry.org/events/too-shallow-for-diving#comments</comments>
		<pubDate>Sat, 14 May 2011 22:12:16 +0000</pubDate>
		<dc:creator>Amisha Gadani</dc:creator>
				<category><![CDATA[events]]></category>

		<guid isPermaLink="false">http://studioforcreativeinquiry.org/?p=2898</guid>
		<description><![CDATA[American Jewish Museum
5738 Forbes Avenue
Pittsburgh, PA 15217
Opens at 7:00pm on May 14, show runs through July 28th with normal gallery hours

Six past fellows of the STUDIO will participate in an exhibition at the American Jewish Museum in ...]]></description>
			<content:encoded><![CDATA[<p>American Jewish Museum<br />
5738 Forbes Avenue<br />
Pittsburgh, PA 15217</p>
<p>Opens at 7:00pm on May 14, show runs through July 28th with normal gallery hours</p>
<p><img class="alignnone size-full wp-image-2899" title="" src="http://studioforcreativeinquiry.org/wp-content/uploads/2011/05/zzz.jpg" alt="" width="650" height="278" /></p>
<p>Six past fellows of the STUDIO will participate in an exhibition at the <a href="http://www.jccpgh.org/page/ajm">American Jewish Museum</a> in Pittsburgh, focusing on water. The artists Carolyn Speranza (also the guest curator), Tim Collins and Reiko Goto, Lisa Link, Ann T. Rosenthal and Steffi Domike have a track record of working with scientists, environmental advocates and community groups. The projects fuse aesthetic concepts with scientific findings as a catalyst for viewers to consider the future of water sources.</p>
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		<title>David Sanz Kirbis</title>
		<link>http://studioforcreativeinquiry.org/previous-fellows/david-sanz-kirbis</link>
		<comments>http://studioforcreativeinquiry.org/previous-fellows/david-sanz-kirbis#comments</comments>
		<pubDate>Thu, 12 May 2011 18:27:46 +0000</pubDate>
		<dc:creator>Amisha Gadani</dc:creator>
				<category><![CDATA[previous-fellows]]></category>

		<guid isPermaLink="false">http://studioforcreativeinquiry.org/?p=2905</guid>
		<description><![CDATA[
David Kirbis is an multidisciplinary experimenter interested in how things work and in finding creative solutions to technical projects. He is currently working towards a PhD to study how computer vision techniques, normally used in ...]]></description>
			<content:encoded><![CDATA[<p><img src="http://studioforcreativeinquiry.org/wp-content/uploads/2011/05/aa1.jpg" alt="" title="" width="150" height="150" class="alignnone size-full wp-image-2933" /><br />
<a href="http://dasaki.en.eresmas.com/">David Kirbis</a> is an multidisciplinary experimenter interested in how things work and in finding creative solutions to technical projects. He is currently working towards a PhD to study how computer vision techniques, normally used in robotics or surveillance, can be applied to create new forms of expression in cinema. David is visiting the STUDIO to share knowledge, meet people experimenting in related areas of interest and to get involved in ongoing projects of the STUDIO. With an eclectic background as pizza deliverer, graphic designer, computer technician, soldier, independent filmmaker, and industrial designer he is interested in several fields like design, mechanics, electronics, programming, robotics, and photography.<br />
<a href="http://vimeo.com/user693945">His videos are on Vimeo</a> </p>
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		<title>Levin and Witt Class Final Exhibition</title>
		<link>http://studioforcreativeinquiry.org/events/levin-and-witt-class-final-exhibition</link>
		<comments>http://studioforcreativeinquiry.org/events/levin-and-witt-class-final-exhibition#comments</comments>
		<pubDate>Thu, 28 Apr 2011 19:58:57 +0000</pubDate>
		<dc:creator>Amisha Gadani</dc:creator>
				<category><![CDATA[events]]></category>

		<guid isPermaLink="false">http://studioforcreativeinquiry.org/?p=2746</guid>
		<description><![CDATA[Thursday, April 28 2011
4:00-7:00pmEST
STUDIO for Creative Inquiry, College of Fine Arts, Room 111
Carnegie Mellon University, 5000 Forbes Avenue
free and open to the public

See Two Class Final Shows At Once! :
“Interactive Art and Computational Design”, taught ...]]></description>
			<content:encoded><![CDATA[<p>Thursday, April 28 2011<br />
4:00-7:00pmEST</strong><br />
STUDIO for Creative Inquiry, College of Fine Arts, Room 111<br />
Carnegie Mellon University, 5000 Forbes Avenue</p>
<p><em>free and open to the public</em></p>
<p><em><img class="alignnone size-full wp-image-2747" src="http://studioforcreativeinquiry.org/wp-content/uploads/2011/04/digital_fabrication_for_the_arts.jpg" alt="" width="650" height="195" /><br />
</em><strong>See Two Class Final Shows At Once! :</strong></p>
<p><a href="http://golancourses.net/2011spring/">“Interactive Art and Computational Design”</a>, taught by Golan Levin<br />
<a href="http://cmu-dfab.org/?p=310">“Digital Fabrication for the Arts”</a>, taught by Gregory Witt.</p>
<p>&nbsp;</p>
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		<title>One day in Pittsburgh/ One day in Hiroshima</title>
		<link>http://studioforcreativeinquiry.org/events/pittsburgh-hiroshima</link>
		<comments>http://studioforcreativeinquiry.org/events/pittsburgh-hiroshima#comments</comments>
		<pubDate>Fri, 22 Apr 2011 15:47:40 +0000</pubDate>
		<dc:creator>Amisha Gadani</dc:creator>
				<category><![CDATA[events]]></category>

		<guid isPermaLink="false">http://studioforcreativeinquiry.org/?p=2709</guid>
		<description><![CDATA[Friday, April 22, 2011
8:00pmEST
STUDIO for Creative Inquiry, College of Fine Arts, Room 111
Carnegie Mellon University, 5000 Forbes Avenue
free and open to the public

Former fellow, Mayumi Matsuo, will coordinate a cross-pacific communication, using Skype, between Pittsburgh ...]]></description>
			<content:encoded><![CDATA[<p>Friday, April 22, 2011<br />
8:00pmEST<br />
STUDIO for Creative Inquiry, College of Fine Arts, Room 111<br />
Carnegie Mellon University, 5000 Forbes Avenue<br />
free and open to the public</p>
<p><img class="alignnone size-full wp-image-2790" src="http://studioforcreativeinquiry.org/wp-content/uploads/2011/04/hiroshburgh.jpg" alt="" width="650" height="228" /></p>
<p>Former fellow, Mayumi Matsuo, will coordinate a cross-pacific communication, using Skype, between Pittsburgh and Hiroshima to raise awareness about family and community issues. Students from the two cities will be encouraged to discuss hopes and concerns and topics such as talking with family, economics, health and how they can have influence. The dialogue is part of an exhibition of Matsuo&#8217;s work at Gallery G in Hiroshima. The show includes installation works focused on her community based research in the two cities and developed during her stay at the STUDIO for Creative Inquiry. Recent works include &#8220;Pittsburgh Income Map&#8221;, &#8220;Hiroshima Seniority Map&#8221;, and &#8220;Sweet &amp; Salty Houses&#8221;, a group of houses made from sugar and salt.</p>
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		<title>Announcement: Andrew Kaiser&#8217;s Astro-Ballet in Paris</title>
		<link>http://studioforcreativeinquiry.org/events/astro-ballet</link>
		<comments>http://studioforcreativeinquiry.org/events/astro-ballet#comments</comments>
		<pubDate>Thu, 21 Apr 2011 23:45:48 +0000</pubDate>
		<dc:creator>Amisha Gadani</dc:creator>
				<category><![CDATA[events]]></category>

		<guid isPermaLink="false">http://studioforcreativeinquiry.org/?p=2809</guid>
		<description><![CDATA[April 21, 2011, all day event
Astro-Ballet
UNESCO Headquarters
125 avenue de Suffren,
75007 Paris, France

International Forum program
A new ballet composition by Andrew D. Kaiser, an artist working on the STUDIO supported Moon Arts Project, will be premiered as ...]]></description>
			<content:encoded><![CDATA[<p>April 21, 2011, all day event<br />
Astro-Ballet<br />
UNESCO Headquarters<br />
125 avenue de Suffren,<br />
75007 Paris, France</p>
<p><img class="alignnone size-full wp-image-2815" title="" src="http://studioforcreativeinquiry.org/wp-content/uploads/2011/04/astrob.jpg" alt="" width="650" height="110" /><br />
<a href="http://www.melodydialogue.org/wp-content/uploads/2011/04/melodyastroenglish.jpg">International Forum program</a></p>
<p>A new ballet composition by Andrew D. Kaiser, an artist working on the STUDIO supported <a href="http://studioforcreativeinquiry.org/projects/moon-arts-project">Moon Arts Project</a>, will be premiered as part of an international forum held to mark the celebration of the anniversary of the first manned spaceflight in 1961. The Astro-Ballet was choreographed with Natalia Guslistaya, Russian choreographer and former Bolshoi ballerina. It is a multimedia composition focused on the sounds of outer space with interactive, high definition images and videos displayed behind the &#8220;stage&#8221; &#8212; or in this case an illuminated platform that appears to float in space giving viewers the feeling of zero gravity.</p>
<p>The programme has been drawn up and implemented by Melody for Dialogue among Civilizations Association, in cooperation with the Permanent Delegation of the Russian Federation to UNESCO, the Bureau of Strategic Planning and the Natural Sciences Sector of UNESCO.</p>
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		<title>Linda Hager</title>
		<link>http://studioforcreativeinquiry.org/staff/linda-hager</link>
		<comments>http://studioforcreativeinquiry.org/staff/linda-hager#comments</comments>
		<pubDate>Wed, 20 Apr 2011 21:46:15 +0000</pubDate>
		<dc:creator>Amisha Gadani</dc:creator>
				<category><![CDATA[staff]]></category>

		<guid isPermaLink="false">http://studioforcreativeinquiry.org/?p=2828</guid>
		<description><![CDATA[
Business Manager
lhager@andrew.cmu.edu
Linda has joined the STUDIO as business administrator after 6 years with the Language Technologies Institute of the School of Computer Science – Carnegie Mellon University.  Linda is responsible for the financial and personnel ...]]></description>
			<content:encoded><![CDATA[<p><img class="alignnone size-full wp-image-2829" src="http://studioforcreativeinquiry.org/wp-content/uploads/2011/04/lhag.jpg" alt="" width="150" height="150" /><br />
<strong>Business Manager</strong><br />
lhager@andrew.cmu.edu</p>
<p>Linda has joined the STUDIO as business administrator after 6 years with the Language Technologies Institute of the School of Computer Science – Carnegie Mellon University.  Linda is responsible for the financial and personnel matters within the STUDIO.</p>
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		<title>Max Hawkins</title>
		<link>http://studioforcreativeinquiry.org/staff/max-hawkins</link>
		<comments>http://studioforcreativeinquiry.org/staff/max-hawkins#comments</comments>
		<pubDate>Fri, 08 Apr 2011 22:50:16 +0000</pubDate>
		<dc:creator>Amisha Gadani</dc:creator>
				<category><![CDATA[staff]]></category>

		<guid isPermaLink="false">http://studioforcreativeinquiry.org/?p=2404</guid>
		<description><![CDATA[
Undergraduate Research Assistant
mhawkins@andrew.cmu.edu
]]></description>
			<content:encoded><![CDATA[<p><img src="http://studioforcreativeinquiry.org/wp-content/uploads/2011/04/max-hawkins.png" alt="" title="" width="148" height="148" class="alignnone size-full wp-image-3394" /><br />
<strong>Undergraduate Research Assistant</strong><br />
mhawkins@andrew.cmu.edu</p>
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		<item>
		<title>Mayumi Matsuo</title>
		<link>http://studioforcreativeinquiry.org/previous-fellows/mayumi-matsuo</link>
		<comments>http://studioforcreativeinquiry.org/previous-fellows/mayumi-matsuo#comments</comments>
		<pubDate>Fri, 01 Apr 2011 19:31:04 +0000</pubDate>
		<dc:creator>Amisha Gadani</dc:creator>
				<category><![CDATA[previous-fellows]]></category>

		<guid isPermaLink="false">http://studioforcreativeinquiry.org/?p=2721</guid>
		<description><![CDATA[
Mayumi Matsuo is an internationally accomplished artist and art educator currently on the Fine Art faculty at Hiroshima City University, Japan. Her quietly provocative sculptures and installations have been exhibited in various venues in Japan, ...]]></description>
			<content:encoded><![CDATA[<p><img class="alignnone size-full wp-image-2722" src="http://studioforcreativeinquiry.org/wp-content/uploads/2011/04/mm.jpg" alt="" width="150" height="150" /><br />
Mayumi Matsuo is an internationally accomplished artist and art educator currently on the Fine Art faculty at Hiroshima City University, Japan. Her quietly provocative sculptures and installations have been exhibited in various venues in Japan, the UK and the United States. Her art practice and work with children both seek to inspire a more peaceful world not through didactic messaging but by creating genuine experiences of peace for her audience. Her long history of art study and creation in Pittsburgh includes receiving her MFA from Carnegie Mellon University in 1990 and time in residence at the STUDIO for Creative Inquiry in spring 2010.</p>
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		<title>Fellows and Staff at GA/GI 2011</title>
		<link>http://studioforcreativeinquiry.org/events/gagi2011</link>
		<comments>http://studioforcreativeinquiry.org/events/gagi2011#comments</comments>
		<pubDate>Tue, 29 Mar 2011 21:58:53 +0000</pubDate>
		<dc:creator>Amisha Gadani</dc:creator>
				<category><![CDATA[events]]></category>

		<guid isPermaLink="false">http://studioforcreativeinquiry.org/?p=2700</guid>
		<description><![CDATA[Penn Avenue Arts District
Gadani at Pittsburgh Glass Center: 5472 Penn Avenue, April 1 evening
Pell at Center for Post Natural History: 4193 Penn Avenue, April 1 evening
Bear at The Glass Lofts: 5491 Penn Avenue, April 1-2 ...]]></description>
			<content:encoded><![CDATA[<p>Penn Avenue Arts District<br />
Gadani at Pittsburgh Glass Center: 5472 Penn Avenue, April 1 evening<br />
Pell at Center for Post Natural History: 4193 Penn Avenue, April 1 evening<br />
Bear at The Glass Lofts: 5491 Penn Avenue, April 1-2 all day</p>
<p><img class="alignnone size-full wp-image-2703" title="gagistudio" src="http://studioforcreativeinquiry.org/wp-content/uploads/2011/03/gagistudio.jpg" alt="" width="650" height="244" /></p>
<p>STUDIO Artist Research Associate, Amisha Gadani and Research fellows, Rich Pell and David Bear will present their work at the <a href="http://gagifest11.blogspot.com/">Geek Arts/Green Innovators, or GA/GI festival</a> in the Penn Avenue Arts District (Negley to Mathilda) April 1 &amp; 2. Gadani will present her <a href="http://amishagadani.com/Work/skink/index.html">Skink Dress</a>, an interactive costume inspired by the defensive behavior of <a href="http://www.hr-rna.com/RNA/images/Reptiles%20and%20Amphibs/Five%20lined%20skink%20rez.jpg">skinks</a> whose colorful tails can detach when grabbed by a predator, at the Eco/Tech Fashion Show at the Pittsburgh Glass Center. Pell will officially open the new home for the <a href="http://www.postnatural.org/">Center for Post Natural History</a> at 4193 Penn Ave, likely including some old and new exhibits from the museum he directs. Bear will exhibit the first <a href="http://www.gigapan.org/gigapans/47373/">Pittsburgh Gigapanorama</a> at The Glass Lofts, and has organized a team to take <a href="http://www.gigapan.org/about/?window_height=1163&amp;window_width=1823">gigapan</a> photos at the event between 6:00pm-7:00pm on Friday and 12:00pm-1:00pm on Saturday.</p>
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		<title>Caitlin Boyle</title>
		<link>http://studioforcreativeinquiry.org/staff/caitlin-boyle</link>
		<comments>http://studioforcreativeinquiry.org/staff/caitlin-boyle#comments</comments>
		<pubDate>Thu, 24 Mar 2011 18:35:52 +0000</pubDate>
		<dc:creator>Amisha Gadani</dc:creator>
				<category><![CDATA[staff]]></category>

		<guid isPermaLink="false">http://studioforcreativeinquiry.org/?p=2683</guid>
		<description><![CDATA[
Videographer
cboyle@andrew.cmu.edu
Caitlin Boyle is a fine arts Junior focusing in illustration, animation, interaction and small-scale (often kinetic) sculpture at Carnegie Mellon University. Her influences are pulled from her experiences and her surroundings: a life spent in ...]]></description>
			<content:encoded><![CDATA[<p><img class="alignnone size-full wp-image-2684" title="cait" src="http://studioforcreativeinquiry.org/wp-content/uploads/2011/03/cait.jpg" alt="" width="150" height="150" /><br />
<strong>Videographer</strong><br />
cboyle@andrew.cmu.edu</p>
<p>Caitlin Boyle is a fine arts Junior focusing in illustration, animation, interaction and small-scale (often kinetic) sculpture at Carnegie Mellon University. Her influences are pulled from her experiences and her surroundings: a life spent in rural southern Maryland left Caitlin with an acute fauna fixation, with a special interest in the creepy crawlies who go bump in the night. Rats, bats, dogs and less approachable creatures are commonplace in her work, as she explores the gap between what is friendly and what is frightening. As the STUDIO&#8217;s resident videographer, Caitlin documents events and is working on digitizing the STUDIO&#8217;s vast archives.</p>
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		<title>Wats:ON Festival &#8211; SPEED</title>
		<link>http://studioforcreativeinquiry.org/events/watson-festival-speed</link>
		<comments>http://studioforcreativeinquiry.org/events/watson-festival-speed#comments</comments>
		<pubDate>Thu, 17 Mar 2011 21:29:44 +0000</pubDate>
		<dc:creator>Amisha Gadani</dc:creator>
				<category><![CDATA[events]]></category>

		<guid isPermaLink="false">http://studioforcreativeinquiry.org/?p=2614</guid>
		<description><![CDATA[
Notions of speed in contemporary culture are often tied to technology and its impacts on everyday life.
All events are free and at Carnegie Mellon University, specific auditoriums vary by event.
Thu 17 March
 JEFF LIEBERMAN
Kresge Theatre, ...]]></description>
			<content:encoded><![CDATA[<p><a href="http://studioforcreativeinquiry.org/wp-content/uploads/2011/03/brochure-1.pdf"><img class="alignnone size-full wp-image-2667" src="http://studioforcreativeinquiry.org/wp-content/uploads/2011/03/awt.jpg" alt="" width="650" height="291" /></a><br />
<strong>Notions of speed in contemporary culture are often tied to technology and its impacts on everyday life.</strong></p>
<p>All events are free and at Carnegie Mellon University, specific auditoriums vary by event.</p>
<p><span style="color: #000000;"><strong>Thu 17 March</strong></span><br />
<span style="color: #f54669;"><strong> JEFF LIEBERMAN</strong></span><br />
Kresge Theatre, 7:30pm<br />
Jeff Lieberman is an MIT scientist, multi-media artist, musician, videographer and host of the Discovery Channel series ‘Time Warp’, using high-speed photographic technologies to see beyond the limits of normal human perception. World Premiere: presenting a new original work created especially for the wats:ON Festival; the entire time-lapse video project will be choreographed, shot and edited on campus with students earlier in the day.<br />
<strong><a href="http://www.cmu.edu/architecture/lecture/watson-festival/watsonvideo.html">Participate in Jeff Lieberman&#8217;s Time-lapse Video Project at CMU!</a></strong></p>
<p><span style="color: #000000;"><strong>Fri 18 March</strong></span><br />
<span style="color: #f54669;"><strong> LEIMAY: ‘Becoming’</strong></span><br />
Kresge Theatre, 7:30pm<br />
Leimay: Ximena Garnica + Shige Moriya present the U.S. premiere of their latest collaborative dance-video project.<br />
‘Becoming’ meditates on the continuous cycles of life and death, the modern human search for identity and the struggle to become someone. Contrasting wild physicality with meditative stillness, Leimay’s performance works synthesize dance, live manipulated video and original live music. Collaborators include an international group of artists from the U.S., Colombia, Japan and the Czech Republic, including composer Roland Toledo and dancers Denisa Musilova, Miyu Leilani and Masanori Asahara.</p>
<p><span style="color: #000000;"><strong> Sat 19 March</strong></span><br />
<span style="color: #f54669;"><strong> FILM FESTIVAL: Short Films and a presentation by TelcoSystems</strong></span><br />
ACH/ Studio for Creative Inquiry, 7:30pm<br />
A film double feature pushing the limits and extremes of our perception.</p>
<p>A SELECTION OF TIME-BASED SHORTS<br />
featuring work by Stan Brakhage, Paul Sharits and Ernie Gehr.</p>
<p>Followed by a presentation by Dutch new-media art group TELCOSYSTEMS.<br />
Telcosystems research the relation between the behavior of programmed numerical logic and the human perception of this behavior. Their immersive audiovisual installations aim at an integration of human expression and programmed machine behavior exploring the limits of the human sensory apparatus.</p>
<p><strong>Ongoing</strong><br />
<span style="color: #f54669;"><strong> HIGH-SPEED CAMERA PHOTO BOOTH</strong></span><br />
CFA Great Hall<br />
Interactive photo booth, where technology allows users to see their fast moving activity played back in slow motion,<br />
capturing details not visible to the naked eye.</p>
<p><strong>Ongoing</strong><br />
<span style="color: #f54669;"><strong> ‘9 Beet Stretch’</strong></span><br />
CFA Great Hall<br />
Beethoven’s Ninth Symphony stretched to 24 hours, a soundscape by Scandinavian artist Leif Inge.  Performances begin Thu 10:00 am, Fri 11:00 am, Sat 12 noon.</p>
<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;</p>
<p>History of the Festival</p>
<p>The Jill Watson Festival Across the Arts (wats:ON?) was created to honor the life of Jill Watson, whose interest in the arts inspired others through her work and her teaching. The festival celebrates Jill&#8217;s commitment to an interdisciplinary philosophy as an artist and celebrates her accomplishments and reputation as an architect. Jill Watson was a Carnegie Mellon University alumna, adjunct faculty member in the School of Architecture and<br />
acclaimed Pittsburgh architect who died in the TWA Flight 800 plane crash on July 17, 1996. The 2010 wats:ON returned the festival to its original form as an interdisciplinary series of events, made possible by the generous support of the JILL WATSON FAMILY FOUNDATION.</p>
<p>&nbsp;</p>
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		<title>wats:ON Speed, Hi-Speed Photo Booth</title>
		<link>http://studioforcreativeinquiry.org/projects/hi-speed</link>
		<comments>http://studioforcreativeinquiry.org/projects/hi-speed#comments</comments>
		<pubDate>Thu, 17 Mar 2011 19:28:37 +0000</pubDate>
		<dc:creator>Amisha Gadani</dc:creator>
				<category><![CDATA[projects]]></category>

		<guid isPermaLink="false">http://studioforcreativeinquiry.org/?p=2649</guid>
		<description><![CDATA[The STUDIO&#8217;s Riley Harmon and Dan Wilcox are working with wats:ON festival coordinators Pablo Garcia and Spike Wolff, and festival guest speaker Jeff Lieberman to build a hi-speed photo booth. Visitors will shake their faces ...]]></description>
			<content:encoded><![CDATA[<p>The STUDIO&#8217;s <a href="http://rileyharmon.com/09/" target="_blank">Riley Harmon</a> and <a href="http://studioforcreativeinquiry.org/staff/dan-wilcox">Dan Wilcox</a> are working with wats:ON festival coordinators <a href="http://www.pablogarcia.org/" target="blank">Pablo Garcia</a> and <a href="http://www.cmu.edu/architecture/people/faculty/spike-wolff.html" target="blank">Spike Wolff</a>, and festival guest speaker Jeff Lieberman to build a hi-speed photo booth. Visitors will shake their faces and pop chewing gum bubbles within the intimate, spiral-shaped booth located within the College of Fine Arts&#8217; great hall. The hi-speed videos will be immediately uploaded to <a href="http://www.youtube.com/user/watsonfestival" target="blank">YouTube</a>.</p>
<p><iframe src="http://player.vimeo.com/video/22909985?title=0&amp;byline=0&amp;portrait=0&amp;color=f584a8" frameborder="0" width="650" height="366"></iframe></p>
<p><a href="http://vimeo.com/22909985" target="blank">Hi-Speed Photo Booth</a> from <a href="http://vimeo.com/user6799145" target="blank">deepspeed</a> on <a href="http://vimeo.com" target="_blank">Vimeo</a>.</p>
<p><iframe src="http://player.vimeo.com/video/22927572?title=0&amp;byline=0&amp;portrait=0&amp;color=63b861" frameborder="0" width="650" height="366"></iframe></p>
<p><a href="http://vimeo.com/22927572" target="blank">Hi-Speed Highlights</a> from <a href="http://vimeo.com/user6799145" target="blank">deepspeed</a> on <a href="http://vimeo.com" target="blank">Vimeo</a>.</p>
<p><em>Credits<br />
Design: Pablo Garcia, Spike Wolff<br />
Software: Dan Wilcox, Riley Harmon<br />
Construction: Ben Finch, Joel McCullough, Sam Rashid, Kyle Rood</em></p>
<p>&nbsp;</p>
<p><em>Thanks to FASTEC Imaging, Visual Instrumentation Corporation, and The Jill Watson Family Foundation </em></p>
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		<title>Alex Rothera</title>
		<link>http://studioforcreativeinquiry.org/staff/alex-rothera</link>
		<comments>http://studioforcreativeinquiry.org/staff/alex-rothera#comments</comments>
		<pubDate>Thu, 24 Feb 2011 23:21:46 +0000</pubDate>
		<dc:creator>Amisha Gadani</dc:creator>
				<category><![CDATA[staff]]></category>

		<guid isPermaLink="false">http://studioforcreativeinquiry.org/?p=2605</guid>
		<description><![CDATA[
Facilities Coordinator
arothera@andrew.cmu.edu
Alex is a sculptor, animator, woodworker and artist. He experiments with materials and/or digital technology to create work which is both pleasing and confusing to the eye. A junior in fine arts at Carnegie ...]]></description>
			<content:encoded><![CDATA[<p><img class="alignnone size-full wp-image-2606" title="AlexRothera" src="http://studioforcreativeinquiry.org/wp-content/uploads/2011/02/AlexRothera.jpg" alt="" width="150" height="150" /><br />
<strong>Facilities Coordinator</strong><br />
arothera@andrew.cmu.edu</p>
<p>Alex is a sculptor, animator, woodworker and artist. He experiments with materials and/or digital technology to create work which is both pleasing and confusing to the eye. A junior in fine arts at Carnegie Mellon, Alex helps update the STUDIO space by building new furniture, installing components, and fixing anything that needs repair.</p>
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		<item>
		<title>Germaine Williams</title>
		<link>http://studioforcreativeinquiry.org/previous-fellows/germaine-williams</link>
		<comments>http://studioforcreativeinquiry.org/previous-fellows/germaine-williams#comments</comments>
		<pubDate>Tue, 08 Feb 2011 00:12:26 +0000</pubDate>
		<dc:creator>Amisha Gadani</dc:creator>
				<category><![CDATA[previous-fellows]]></category>

		<guid isPermaLink="false">http://studioforcreativeinquiry.org/?p=2493</guid>
		<description><![CDATA[
Germaine Williams is a photographer currently working at the Pittsburgh Foundation as their Arts and Education Program Officer.  At the STUDIO, Williams served as Creative Director for the Creativity Project, an initiative to improve ...]]></description>
			<content:encoded><![CDATA[<p><img src="http://studioforcreativeinquiry.org/wp-content/uploads/2011/02/gw.jpg" alt="" title="gw" width="150" height="151" class="alignnone size-full wp-image-2494" /><br />
Germaine Williams is a photographer currently working at the Pittsburgh Foundation as their Arts and Education Program Officer.  At the STUDIO, Williams served as Creative Director for the Creativity Project, an initiative to improve the climate for artists in Pittsburgh.</p>
<p>Williams received a BA in History from Morehouse College, and a Master of Arts Management and Master of Arts in Social and Cultural History from Carnegie Mellon University where he is currently pursing a PhD in History.  His research focuses on how urban communities have used organized arts programs to articulate collective identities, affect cultural change, and demand expanded rights.  Williams plans to focus his dissertation on the impact of urban renewal policies on cultural policy formation in post-WWII Chicago.  </p>
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		<title>A/S/T Book Sprint</title>
		<link>http://studioforcreativeinquiry.org/projects/ast-book-sprint</link>
		<comments>http://studioforcreativeinquiry.org/projects/ast-book-sprint#comments</comments>
		<pubDate>Thu, 03 Feb 2011 22:47:45 +0000</pubDate>
		<dc:creator>Amisha Gadani</dc:creator>
				<category><![CDATA[projects]]></category>

		<guid isPermaLink="false">http://studioforcreativeinquiry.org/?p=2473</guid>
		<description><![CDATA[The Book Sprint, directed by Andrea Grover, is part of Grover&#8217;s research fellowship at the STUDIO. A book sprint is a process for collectively authoring a publication in a condensed period of time. The A/S/T ...]]></description>
			<content:encoded><![CDATA[<p>The Book Sprint, directed by <a href="http://andreagrover.com/" target="_blank">Andrea Grover</a>, is part of Grover&#8217;s research fellowship at the STUDIO. A book sprint is a process for collectively authoring a publication in a condensed period of time. The A/S/T Book Sprint will bring together six cultural producers to collectively create a book on the subject of contemporary artists working at the intersection of art/science/technology, with a focus on the recent shift from artist/inventor dependent on industry or academy (as embodied by pioneering programs from the 1960s such as Art and Technology at LACMA and Experiments in Art &amp; Technology), to independent agent (artists conducting scientific research or technological experiments outside the framework and discourse of an institution).</p>
<p><em><img class="alignnone size-full wp-image-3434" title="" src="http://studioforcreativeinquiry.org/wp-content/uploads/2011/02/bs.jpg" alt="" width="640" height="334" /></em></p>
<p>Joining Grover to create this critical reflection on the current state of art/science/technology practice are the following cultural producers: <a href="http://we-make-money-not-art.com/who.php" target="_blank">Régine Debatty</a>, <a href="http://www.clairelevans.com/" target="_blank">Claire Evans</a>, <a href="http://www.pointprojects.com/" target="_blank">Pablo Garcia</a>, <a href="http://www.thumbprojects.com/" target="_blank">Jessica Young</a>, and <a href="http://www.thumbprojects.com/" target="_blank">Luke Bulman</a>.</p>
<p>The booksprint format follows that of <a href="http://collaborative-futures.org/" target="_blank">Collaboratives Futures</a>, produced in 2010 by <a href="http://www.transmediale.de/floss-manuals-adam-hyde-douglas-bagnall-and-aleksa" target="_blank">Floss Manuals for Transmediale</a>.</p>
<p><img class="alignnone size-full wp-image-3435" title="" src="http://studioforcreativeinquiry.org/wp-content/uploads/2011/02/bs2.jpg" alt="" width="640" height="427" /></p>
<p>Produced by the STUDIO in partnership with <a href="http://millergallery.cfa.cmu.edu/" target="_blank">the Miller Gallery</a> at Carnegie Mellon University. Funded in part by a grant from The Andy Warhol Foundation for the Visual Arts.</p>
<p><strong>More info on the </strong><br />
A/S/T Book Sprint <a href="http://booksprint.studioforcreativeinquiry.org" target="_blank">Blog</a> or on <a href="http://www.flickr.com/photos/creativeinquiry/sets/72157625926853493/with/5446833326/" target="_blank">Flickr</a><br />
<span style="color: #000000;"><a href="http://millergallery.cfa.cmu.edu/nasabook/index.php" target="_blank"><span style="color: #000000;"><em>To purchase the 90 page, full color, 8.5&#215;11&#8243;, perfect-bound paperback book or to download the free 17MB PDF please click here</em></span></a></span></p>
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		<title>Maria Matuck</title>
		<link>http://studioforcreativeinquiry.org/previous-fellows/maria-matuck</link>
		<comments>http://studioforcreativeinquiry.org/previous-fellows/maria-matuck#comments</comments>
		<pubDate>Thu, 03 Feb 2011 19:34:16 +0000</pubDate>
		<dc:creator>Amisha Gadani</dc:creator>
				<category><![CDATA[previous-fellows]]></category>

		<guid isPermaLink="false">http://studioforcreativeinquiry.org/?p=2462</guid>
		<description><![CDATA[
Former Research Associate Maria Matuck was executive producer of the REFLUX project, a project which she did with fellow Artur Matuck.  
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			<content:encoded><![CDATA[<p><img src="http://studioforcreativeinquiry.org/wp-content/uploads/2011/02/mmb.jpg" alt="" title="mmb" width="150" height="150" class="alignnone size-full wp-image-2464" /><br />
Former Research Associate Maria Matuck was executive producer of the REFLUX project, a project which she did with fellow Artur Matuck.  </p>
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		<title>Dionysis Rigopoulos</title>
		<link>http://studioforcreativeinquiry.org/previous-fellows/dionysis-rigopoulos</link>
		<comments>http://studioforcreativeinquiry.org/previous-fellows/dionysis-rigopoulos#comments</comments>
		<pubDate>Wed, 02 Feb 2011 17:44:36 +0000</pubDate>
		<dc:creator>Amisha Gadani</dc:creator>
				<category><![CDATA[previous-fellows]]></category>

		<guid isPermaLink="false">http://studioforcreativeinquiry.org/?p=2455</guid>
		<description><![CDATA[
Dionysis Rigopoulos is an architect at the University of Athens and in 1991 proposed the development of a center based on Sparta Greece, that would to bring together artists, architects and students to use new ...]]></description>
			<content:encoded><![CDATA[<p><img src="http://studioforcreativeinquiry.org/wp-content/uploads/2011/02/dion.jpg" alt="" title="dion" width="150" height="150" class="alignnone size-full wp-image-2456" /><br />
Dionysis Rigopoulos is an architect at the University of Athens and in 1991 proposed the development of a center based on Sparta Greece, that would to bring together artists, architects and students to use new advances in computing technology to improve the quality of life in rural areas of the globe.</p>
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		<title>Lynn Holden</title>
		<link>http://studioforcreativeinquiry.org/previous-fellows/lynn-holden</link>
		<comments>http://studioforcreativeinquiry.org/previous-fellows/lynn-holden#comments</comments>
		<pubDate>Tue, 01 Feb 2011 21:56:24 +0000</pubDate>
		<dc:creator>Amisha Gadani</dc:creator>
				<category><![CDATA[previous-fellows]]></category>

		<guid isPermaLink="false">http://studioforcreativeinquiry.org/?p=2452</guid>
		<description><![CDATA[
Lynn Holden is an educator, artist, egyptologist, and former Assistant Dean of the College of Fine Arts at Carnegie Mellon University. He is very interested in using interactive multimedia for education and created the Ancient ...]]></description>
			<content:encoded><![CDATA[<p><img src="http://studioforcreativeinquiry.org/wp-content/uploads/2011/02/lynn.jpg" alt="" title="lynn" width="150" height="150" class="alignnone size-full wp-image-2453" /><br />
Lynn Holden is an educator, artist, egyptologist, and former Assistant Dean of the College of Fine Arts at Carnegie Mellon University. He is very interested in using interactive multimedia for education and created the Ancient Egypt Programme of the Interdisciplinary Teaching Network (ITeN) project completed at while a fellow at the STUDIO from 1990-1993.  At the time he stated, &#8220;If multimedia is to have a positive impact ont he progress of out culture, then a concerted effort will have to be made to set and maintain the highest possible standards in the quality of content.  Educational and public institutions are critical elements and should be central in these efforts&#8221;.</p>
<p>Holden has a BA in Oriental Studies from the University of Liverpool, a MA in Near eastern Studies and a Masters in Philosophy in Egyptology and a Phil. D from Yale University.</p>
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		<title>Margaret Kelso</title>
		<link>http://studioforcreativeinquiry.org/previous-fellows/margaret-kelso</link>
		<comments>http://studioforcreativeinquiry.org/previous-fellows/margaret-kelso#comments</comments>
		<pubDate>Mon, 31 Jan 2011 22:48:28 +0000</pubDate>
		<dc:creator>Amisha Gadani</dc:creator>
				<category><![CDATA[previous-fellows]]></category>

		<guid isPermaLink="false">http://studioforcreativeinquiry.org/?p=2447</guid>
		<description><![CDATA[
Margaret Kelso is a playwright, freelance writer, and teacher currently working as a professor of dramatic writing at Humboldt State University in CA.  Kelso has had productions or readings of her plays performed around ...]]></description>
			<content:encoded><![CDATA[<p><img src="http://studioforcreativeinquiry.org/wp-content/uploads/2011/01/mkelso.jpg" alt="" title="mkelso" width="150" height="150" class="alignnone size-full wp-image-2448" /><br />
Margaret Kelso is a playwright, freelance writer, and teacher currently working as a professor of dramatic writing at Humboldt State University in CA.  Kelso has had productions or readings of her plays performed around the nation including New York, Pittsburgh, Charlotte N.C.  She has won the John Ford Noonan, the E. Roger Boyle, and the Marjorie Blackenship Melton awards for her playwriting.  She also has directed, assistant directed, and served as a dramaturg on a variety of other productions.  Kelso has freelanced for technical, special interest, and general audience publications including The PIttsburgh Press, The Scientist, The Charlotte Observer, and Carnegie Mellon Magazine.  She has served as editor for the Medical Features syndicate, written and photographed for United Press International (UPI), and written for a wide ranged of public relations and business clients.  </p>
<p>Kelso earned her MFA in Playwriting from Carnegie Mellon University, her MA in English from the University of North Carolina at Charlotte, and her BA in English from Queens College in Charlotte, NC.  </p>
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		<title>Lena Andrews</title>
		<link>http://studioforcreativeinquiry.org/previous-fellows/lena-andrews</link>
		<comments>http://studioforcreativeinquiry.org/previous-fellows/lena-andrews#comments</comments>
		<pubDate>Mon, 24 Jan 2011 23:19:12 +0000</pubDate>
		<dc:creator>Amisha Gadani</dc:creator>
				<category><![CDATA[previous-fellows]]></category>

		<guid isPermaLink="false">http://studioforcreativeinquiry.org/?p=2428</guid>
		<description><![CDATA[
Lena Andrews has spent much of her career in city government and is currently a Planning and Development Specialist for the Urban Redevelopment Authority of Pittsburgh, as well a board member for Bike Pittsburgh. Lena ...]]></description>
			<content:encoded><![CDATA[<p><img src="http://studioforcreativeinquiry.org/wp-content/uploads/2011/01/lena.jpg" alt="" title="lena" width="150" height="150" class="alignnone size-full wp-image-2429" /><br />
Lena Andrews has spent much of her career in city government and is currently a Planning and Development Specialist for the Urban Redevelopment Authority of Pittsburgh, as well a board member for Bike Pittsburgh. Lena has a BA from Dartmouth College in economics and an MS in public policy from Carnegie Mellon. </p>
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		<title>Janera Solomon</title>
		<link>http://studioforcreativeinquiry.org/previous-fellows/janera-solomon</link>
		<comments>http://studioforcreativeinquiry.org/previous-fellows/janera-solomon#comments</comments>
		<pubDate>Mon, 24 Jan 2011 22:58:52 +0000</pubDate>
		<dc:creator>Amisha Gadani</dc:creator>
				<category><![CDATA[previous-fellows]]></category>

		<guid isPermaLink="false">http://studioforcreativeinquiry.org/?p=2425</guid>
		<description><![CDATA[
Janera Solomon is the executive director of the Kelly Strayhorn Theater, a multi-arts center in Pittsburgh, PA. An experienced curator, Ms. Solomon has worked with the Philadelphia Live Arts Festival and developed the “First Voice ...]]></description>
			<content:encoded><![CDATA[<p><img src="http://studioforcreativeinquiry.org/wp-content/uploads/2011/01/janera.jpg" alt="" title="janera" width="150" height="150" class="alignnone size-full wp-image-2426" /><br />
Janera Solomon is the executive director of the <a href="http://www.kelly-strayhorn.org/">Kelly Strayhorn Theater</a>, a multi-arts center in Pittsburgh, PA. An experienced curator, Ms. Solomon has worked with the Philadelphia Live Arts Festival and developed the “First Voice International Black Performing Arts Festival” produced by the August Wilson Center for African American Culture in 2007. She has worked on a range of cultural projects including content development and programming for Museum of the African Diaspora in San Francisco, project management for the August Wilson Center, branding at the Brooklyn Museum of Art, and most recently, program planning for the National Museum for African American History and Culture currently under development in Washington D.C.</p>
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		<title>Andrew Kaiser</title>
		<link>http://studioforcreativeinquiry.org/previous-fellows/andrew-kaiser</link>
		<comments>http://studioforcreativeinquiry.org/previous-fellows/andrew-kaiser#comments</comments>
		<pubDate>Mon, 24 Jan 2011 22:50:50 +0000</pubDate>
		<dc:creator>Amisha Gadani</dc:creator>
				<category><![CDATA[previous-fellows]]></category>

		<guid isPermaLink="false">http://studioforcreativeinquiry.org/?p=2422</guid>
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Previous Associate Fellow Andrew Kaiser is a composer and author based in Pittsburgh, PA.  Kaiser is a member of the Moon Arts Group, and a founding member of the Deep Space Signaling Group along ...]]></description>
			<content:encoded><![CDATA[<p><img class="alignnone size-full wp-image-2423" title="kaiser" src="http://studioforcreativeinquiry.org/wp-content/uploads/2011/01/kaiser.jpg" alt="" width="150" height="150" /><br />
Previous Associate Fellow Andrew Kaiser is a composer and author based in Pittsburgh, PA.  Kaiser is a member of the <a href="http://moonarts.org/index.html">Moon Arts Group</a>, and a founding member of the Deep Space Signaling Group along with Lowry Burgess. Kaiser’s work follows questions that resonate with a liturgical construct of deep space, mixing sonic analysis, psychogeography and electromagnetic sculpture.</p>
<p>In the summer of 2010, Andrew presented a paper on Music as Cultural dialogue at the UNESCO &#8220;Forum on Cultural Rapprochement&#8221;, which included details of the activities of the Moon Arts group. He consulted with Squonk Opera for their latest work, Astrorama, a multimedia piece that addresses the human urge to reach into space presented as part of the recent Pittsburgh 250 celebration. Kaiser collaborated with Lowry Burgess to present music inspired by The Quiet Axis, a concert presented as part of an exhibition at the Carnegie Museum of Art in Pittsburgh: Kaiser completed an electronic composition based on digitally manipulated bells titled Music from a Place of Inseparable Emptiness and Luminosity, as well as the premiere of a string quartet.</p>
<p>As an author, Kaiser has had articles published in Computer Music Journal, Leonardo Journal of Art and Science, and in an upcoming collection of essays entitled Between Worlds, to be released by MIT Press, also with Doug Vakoch of the SETI Institute. Kaiser&#8217;s work has been included in documentaries produced by the Canadian Broadcast Corporation (in a history of electronic music) and the BBC (on SETI, based on work with Doug Vakoch). He has presented papers on the Art and Science of Extra-terrestrial communication at workshops sponsored by the SETI institute, and at the Space Art conference held at the European Space Agency.</p>
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		<title>Artur Matuck</title>
		<link>http://studioforcreativeinquiry.org/previous-fellows/artur-matuck</link>
		<comments>http://studioforcreativeinquiry.org/previous-fellows/artur-matuck#comments</comments>
		<pubDate>Mon, 24 Jan 2011 22:04:44 +0000</pubDate>
		<dc:creator>Amisha Gadani</dc:creator>
				<category><![CDATA[previous-fellows]]></category>

		<guid isPermaLink="false">http://studioforcreativeinquiry.org/?p=2415</guid>
		<description><![CDATA[
Artur Matuck has been an assistant professor at the School of Communications and Arts at the University of Sao Paolo since 1984. In Sao Paolo (Brazil), Europe and North America, he has worked as teacher, ...]]></description>
			<content:encoded><![CDATA[<p><img src="http://studioforcreativeinquiry.org/wp-content/uploads/2011/01/artur.jpg" alt="" title="artur" width="150" height="150" class="alignnone size-full wp-image-2416" /><br />
Artur Matuck has been an assistant professor at the School of Communications and Arts at the University of Sao Paolo since 1984. In Sao Paolo (Brazil), Europe and North America, he has worked as teacher, researcher, writer, visual artist, video producer, performer and more recently as a designer of teleart events and interactive sites.</p>
<p>Since 1977 Matuck contributed to conferences and workshops on New Media Arts, Interactive Television, Telecommunication Arts, Performance Art, Computer-Generated Writing, and Intellectual Property issues. In 1990, he was awarded a prize in the video-art category from the São Paulo Art Critics Association. In the same year, he completed a comprehensive study on the history of video art and interactive television, which resulted in the doctoral thesis: &#8220;The Dialogical Potential of Television.&#8221; As a STUDIO fellow in 1991, he produced Reflux, a global Telecommunication Arts project that was one of the very first artistic experiments to involve collaborative networking activities.  In 1995, as post-graduate fellow at the University of Florida, he started to experiment with text-reprocessing. &#8220;Landscript&#8221; is a web-based tool that co-authored textual creation. In 2002 this piece was included in the 25th Sao Paolo Biennial (in the net art category).  Artur Matuck is also the creator of &#8220;Semion&#8221;&#8211; an international symbol for released information, a theoretical and concept al contribution to the ongoing debates on intellectual property rights and information dissemination. His most recent endeavors include the planning of video communication and web-based multicultural, international exchanges between artists, researchers and individuals.</p>
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		<title>Ally Reeves</title>
		<link>http://studioforcreativeinquiry.org/previous-fellows/ally-reeves</link>
		<comments>http://studioforcreativeinquiry.org/previous-fellows/ally-reeves#comments</comments>
		<pubDate>Mon, 24 Jan 2011 21:12:03 +0000</pubDate>
		<dc:creator>Amisha Gadani</dc:creator>
				<category><![CDATA[previous-fellows]]></category>

		<guid isPermaLink="false">http://studioforcreativeinquiry.org/?p=2411</guid>
		<description><![CDATA[
Ally Reeves is an artist living in Pittsburgh, PA where she teaches 3-D media with Carnegie Mellon University and does freelance Design and Illustration.  Her work spans diverse fields, taking a heuristic, human-centered approach ...]]></description>
			<content:encoded><![CDATA[<p><img src="http://studioforcreativeinquiry.org/wp-content/uploads/2011/01/ally.jpg" alt="" title="ally" width="150" height="150" class="alignnone size-full wp-image-2412" /><br />
<a href="http://allyreeves.com/">Ally Reeves</a> is an artist living in Pittsburgh, PA where she teaches 3-D media with Carnegie Mellon University and does freelance Design and Illustration.  Her work spans diverse fields, taking a heuristic, human-centered approach to art, teaching, and design.  Reeves’ works are heterogeneous, ranging from museum exhibition and display, to urban planning and community organizing.  Raised in Etowah, TN a one-stop light town at the foot of the Smokey mountains,  Reeves’ approach to design reflects multi-facet origins: her process and methodology instilled by an MFA from Carnegie Mellon University is mingled with the DIY ingenuity born of small towns, and nestled anew in an urban, academic setting.</p>
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		<title>Robin Hewlett</title>
		<link>http://studioforcreativeinquiry.org/previous-fellows/robin-hewlett</link>
		<comments>http://studioforcreativeinquiry.org/previous-fellows/robin-hewlett#comments</comments>
		<pubDate>Mon, 24 Jan 2011 20:42:41 +0000</pubDate>
		<dc:creator>Amisha Gadani</dc:creator>
				<category><![CDATA[previous-fellows]]></category>

		<guid isPermaLink="false">http://studioforcreativeinquiry.org/?p=2407</guid>
		<description><![CDATA[
Robin Hewlett is an artist/organizer, whose work creates spaces for exchange and collective learning. She is currently in residence at the Gary Comer Youth Center in Chicago&#8217;s South Side.  In 2006, Robin was artist-in-residence at Baan ...]]></description>
			<content:encoded><![CDATA[<p><img class="alignnone size-full wp-image-2408" title="robinh" src="http://studioforcreativeinquiry.org/wp-content/uploads/2011/01/robinh.jpg" alt="" width="150" height="150" /><br />
<a href="http://www.robinhewlett.com/">Robin Hewlett</a> is an artist/organizer, whose work creates spaces for exchange and collective learning. She is currently in residence at the <a href="http://www.gcychome.org/" target="_blank">Gary Comer Youth Center</a> in Chicago&#8217;s South Side.  In 2006, Robin was artist-in-residence at Baan Unrak School in Sangklaburi, Thailand. While in residence, she initiated the Write to Fight Book Project in collaboration with the Women and Child Rights Project of Burma. Also in 2006, Robin participated in the Khoj International Artist Workshop in Calcutta, India. She has presented work at the International Center, Chiang Mai, Thailand; Transformer Gallery, Washington DC; and the Mattress Factory, Pittsburgh, PA.</p>
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		<title>Constance Merriman</title>
		<link>http://studioforcreativeinquiry.org/previous-fellows/connie-merriman</link>
		<comments>http://studioforcreativeinquiry.org/previous-fellows/connie-merriman#comments</comments>
		<pubDate>Mon, 24 Jan 2011 19:02:28 +0000</pubDate>
		<dc:creator>Amisha Gadani</dc:creator>
				<category><![CDATA[previous-fellows]]></category>

		<guid isPermaLink="false">http://studioforcreativeinquiry.org/?p=2383</guid>
		<description><![CDATA[
Constance Merriman is an artist and educator. She creates art works that are made in response to formal issues of art, and, more recently, to the social and environmental impact caused by  the world ...]]></description>
			<content:encoded><![CDATA[<p><img src="http://studioforcreativeinquiry.org/wp-content/uploads/2011/01/connie.jpg" alt="" title="connie" width="150" height="150" class="alignnone size-full wp-image-2399" /><br />
<a href="http://constancemerriman.wordpress.com/" target="_blank">Constance Merriman</a> is an artist and educator. She creates art works that are made in response to formal issues of art, and, more recently, to the social and environmental impact caused by  the world wide extraction of fuel for energy. Merriman uses a wide variety of media to create works that have been exhibited in galleries, museums and in public settings.</p>
<p>Merriman is an adjunct professor in the School of Architecture at Carnegie Mellon University and an instructor at the Carnegie Museum of Art in Pittsburgh, Pa.  She currently engages in residencies with communities and schools through the Mattress Factory Museum and The Pittsburgh Center for the Arts. </p>
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		<title>Dan Wilcox</title>
		<link>http://studioforcreativeinquiry.org/staff/dan-wilcox</link>
		<comments>http://studioforcreativeinquiry.org/staff/dan-wilcox#comments</comments>
		<pubDate>Wed, 19 Jan 2011 22:34:09 +0000</pubDate>
		<dc:creator>Amisha Gadani</dc:creator>
				<category><![CDATA[staff]]></category>

		<guid isPermaLink="false">http://studioforcreativeinquiry.org/?p=2371</guid>
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Research Assistant
dwilcox [at] andrew [dot] cmu [dot] edu
Dan Wilcox is a performer, musician, and artgineer who is interested in combining live performance techniques to experimental electronics and software.  His ongoing project is the robotcowboy ...]]></description>
			<content:encoded><![CDATA[<p><img src="http://studioforcreativeinquiry.org/wp-content/uploads/2011/01/dan1.jpg" alt="" title="dan" width="148" height="148" class="alignnone size-full wp-image-2374" /><br />
Research Assistant<br />
dwilcox [at] andrew [dot] cmu [dot] edu</p>
<p><a href="http://www.robotcowboy.com/">Dan Wilcox</a> is a performer, musician, and artgineer who is interested in combining live performance techniques to experimental electronics and software.  His ongoing project is the robotcowboy wearable a/v performance system which he has taken around the world to festivals, conferences, bars, and houses shows. He hails from the Rocket City, Huntsville AL USA, and strives to move forward, get ahead, and give the past a slip.  Dan is a researcher and technical assistant for the STUDIO and previously worked as a Creative Engineer for the Ars Electronica Futurelab in Linz, Austria.  He is currently pursuing an MFA at Carnegie Mellon University.</p>
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		<title>OpenFrameworks Developer Presentation Series</title>
		<link>http://studioforcreativeinquiry.org/events/openframeworks-developers-presentation-series</link>
		<comments>http://studioforcreativeinquiry.org/events/openframeworks-developers-presentation-series#comments</comments>
		<pubDate>Mon, 10 Jan 2011 21:22:45 +0000</pubDate>
		<dc:creator>Amisha Gadani</dc:creator>
				<category><![CDATA[events]]></category>

		<guid isPermaLink="false">http://studioforcreativeinquiry.org/?p=2067</guid>
		<description><![CDATA[

More images on Flickr
Tuesday through Friday, January 11-14
Carnegie Mellon University, Baker Hall 136A (Adamson Wing)
In association with the first international OpenFrameworks World-Wide Developers Meeting, some of the world&#8217;s leading computational artist/developers discussed their pioneering work ...]]></description>
			<content:encoded><![CDATA[<p><img class="alignnone size-full wp-image-2070" title="of" src="http://studioforcreativeinquiry.org/wp-content/uploads/2011/01/of.jpg" alt="" width="660" height="96" /><br />
<a href="http://www.flickr.com/photos/creativeinquiry/sets/72157625683647937/with/5360913216/"><img class="alignnone size-full wp-image-3101" src="http://studioforcreativeinquiry.org/wp-content/uploads/2011/01/rfdv.jpg" alt="" width="650" height="197" /><br />
More images on Flickr</a></p>
<p>Tuesday through Friday, January 11-14<br />
Carnegie Mellon University, Baker Hall 136A (Adamson Wing)</p>
<p>In association with the first international <a href="http://www.openframeworks.cc">OpenFrameworks</a> World-Wide Developers Meeting, some of the world&#8217;s leading computational artist/developers discussed their pioneering work at the intersection of arts and computer science. During the week, the OpenFrameworks core development team was encamped at the STUDIO for Creative Inquiry to advance the next version of <a href="http://openframeworks.cc" target="_blank">OpenFrameworks</a>, a toolkit for new media education and creative coding. Each evening at 5pm, they featured three or four short presentations by members of this team.</p>
<p>The OpenFrameworks Developer Conference is grateful to Anonymous; Arnold Inc.; and the Parsons School of Design for additional support.</p>
<p><strong>Presenters/Participants Include:</strong><br />
<a href="http://www.thesystemis.com">Zachary Lieberman</a> / <a href="http://www.design-io.com">Theodore Watson</a> / <a href="http://arturocastro.net">Arturo Castro</a> / <a href="http://www.memo.tv">Mehmet Akten</a> / <a href="http://toddvanderlin.com">Todd Vanderlin</a> / <a href="http://vade.info">Anton Marini</a> / <a href="http://frey.co.nz">Damian Stewart</a> / <a href="http://www.kylemcdonald.net/">Kyle McDonald</a> / <a href="http://www.keithpasko.com/">Keith Pasko</a> / <a href="http://www.roxlu.com/">Diederick Huijbers</a> / <a href="http://www.daito.ws/">Daito Manabe</a> / <a href="http://danomatika.com/">Dan Wilcox</a> / <a href="http://jonbro.tk/software.html">Jonathan Brodsky</a> / <a href="http://stfj.net/">Zach Gage</a></p>
<p><iframe src="http://player.vimeo.com/video/26161271?title=0&amp;byline=0&amp;portrait=0" frameborder="0" width="650" height="366"></iframe></p>
<p><a href="http://vimeo.com/26161271">openFrameworks Developer Series :: Damian Stewart</a> from <a href="http://vimeo.com/sfci">STUDIO for Creative Inquiry</a> on <a href="http://vimeo.com">Vimeo</a>.</p>
<p><iframe src="http://player.vimeo.com/video/26599089?title=0&amp;byline=0&amp;portrait=0&amp;color=999bf7" frameborder="0" width="650" height="366"></iframe></p>
<p><a href="http://vimeo.com/26599089">openFrameworks Developer Series :: Zach Gage (fragment)</a> from <a href="http://vimeo.com/sfci">STUDIO for Creative Inquiry</a> on <a href="http://vimeo.com">Vimeo</a>.</p>
<p><iframe src="http://player.vimeo.com/video/26380574?title=0&amp;byline=0&amp;portrait=0" frameborder="0" width="650" height="366"></iframe></p>
<p><a href="http://vimeo.com/26380574">openFrameworks Developer Series :: Theo Watson</a> from <a href="http://vimeo.com/sfci">STUDIO for Creative Inquiry</a> on <a href="http://vimeo.com">Vimeo</a>.</p>
<p><iframe src="http://player.vimeo.com/video/26161196?title=0&amp;byline=0&amp;portrait=0" frameborder="0" width="650" height="366"></iframe></p>
<p><a href="http://vimeo.com/26161196">openFrameworks Developer Series :: Jonathan Brodsky</a> from <a href="http://vimeo.com/sfci">STUDIO for Creative Inquiry</a> on <a href="http://vimeo.com">Vimeo</a>.</p>
<p><iframe src="http://player.vimeo.com/video/19091977?title=0&amp;byline=0&amp;portrait=0&amp;color=3322f2" frameborder="0" width="650" height="366"></iframe></p>
<p><a href="http://vimeo.com/19091977">openFrameworks Developer Series :: Daito Manabe</a> from <a href="http://vimeo.com/sfci">STUDIO for Creative Inquiry</a> on <a href="http://vimeo.com">Vimeo</a>.</p>
<p><iframe src="http://player.vimeo.com/video/19075306?title=0&amp;byline=0&amp;portrait=0&amp;color=3322f2" frameborder="0" width="650" height="366"></iframe></p>
<p><a href="http://vimeo.com/19075306">openFrameworks Developer Series :: Arturo Castro</a> from <a href="http://vimeo.com/sfci">STUDIO for Creative Inquiry</a> on <a href="http://vimeo.com">Vimeo</a>.</p>
<p><iframe src="http://player.vimeo.com/video/19047872?title=0&amp;byline=0&amp;portrait=0" frameborder="0" width="650" height="366"></iframe></p>
<p><a href="http://vimeo.com/19047872">openFrameworks Developer Series :: Todd Vanderlin</a> from <a href="http://vimeo.com/sfci">STUDIO for Creative Inquiry</a> on <a href="http://vimeo.com">Vimeo</a>.</p>
<p><iframe src="http://player.vimeo.com/video/18858165?title=0&amp;byline=0&amp;portrait=0" frameborder="0" width="650" height="366"></iframe></p>
<p><a href="http://vimeo.com/18858165">openFrameworks Developer Series :: Zachary Lieberman</a> from <a href="http://vimeo.com/sfci">STUDIO for Creative Inquiry</a> on <a href="http://vimeo.com">Vimeo</a>.</p>
<p><iframe src="http://player.vimeo.com/video/18830761?title=0&amp;byline=0&amp;portrait=0" frameborder="0" width="650" height="366"></iframe></p>
<p><a href="http://vimeo.com/18830761">openFrameworks Developer Series :: Memo Akten</a> from <a href="http://vimeo.com/sfci">STUDIO for Creative Inquiry</a> on <a href="http://vimeo.com">Vimeo</a>.</p>
<p><iframe src="http://player.vimeo.com/video/18829327?title=0&amp;byline=0&amp;portrait=0&amp;color=f07c00" frameborder="0" width="650" height="366"></iframe></p>
<p><a href="http://vimeo.com/18829327">openFrameworks Developer Series :: Diederick Huijbers</a> from <a href="http://vimeo.com/sfci">STUDIO for Creative Inquiry</a> on <a href="http://vimeo.com">Vimeo</a>.</p>
<p><iframe src="http://player.vimeo.com/video/18828235?title=0&amp;byline=0&amp;portrait=0" frameborder="0" width="650" height="366"></iframe></p>
<p><a href="http://vimeo.com/18828235">openFrameworks Developer Series :: Keith Pasko</a> from <a href="http://vimeo.com/sfci">STUDIO for Creative Inquiry</a> on <a href="http://vimeo.com">Vimeo</a>.</p>
<p><iframe src="http://player.vimeo.com/video/18826890?title=0&amp;byline=0&amp;portrait=0" frameborder="0" width="650" height="366"></iframe></p>
<p><a href="http://vimeo.com/18826890">openFrameworks Developer Series :: Dan Wilcox</a> from <a href="http://vimeo.com/sfci">STUDIO for Creative Inquiry</a> on <a href="http://vimeo.com">Vimeo</a>.</p>
<p><iframe src="http://player.vimeo.com/video/18826053?title=0&amp;byline=0&amp;portrait=0&amp;color=822519" frameborder="0" width="650" height="366"></iframe></p>
<p><a href="http://vimeo.com/18826053">openFrameworks Developer Series: Kyle McDonald</a> from <a href="http://vimeo.com/sfci">STUDIO for Creative Inquiry</a> on <a href="http://vimeo.com">Vimeo</a>.</p>
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		<title>Moon Arts Project</title>
		<link>http://studioforcreativeinquiry.org/projects/moon-arts-project</link>
		<comments>http://studioforcreativeinquiry.org/projects/moon-arts-project#comments</comments>
		<pubDate>Fri, 07 Jan 2011 00:38:52 +0000</pubDate>
		<dc:creator>Amisha Gadani</dc:creator>
				<category><![CDATA[projects]]></category>

		<guid isPermaLink="false">http://studioforcreativeinquiry.org/?p=2209</guid>
		<description><![CDATA[
The Moon Arts Group envisions creative ways of establishing a link between the Earth and Moon, advances the presence of human culture in space, and facilitates never before realized opportunities for art and exploration.
In 2013, ...]]></description>
			<content:encoded><![CDATA[<p><img class="alignnone size-full wp-image-2210" src="http://studioforcreativeinquiry.org/wp-content/uploads/2011/01/mag.jpg" alt="" width="650" height="428" /></p>
<p><a href="http://moonarts.org/index.html" target="blank">The Moon Arts Group</a> envisions creative ways of establishing a link between the Earth and Moon, advances the presence of human culture in space, and facilitates never before realized opportunities for art and exploration.</p>
<p>In 2013, Carnegie Mellon University’s Robotics Institute will send a rover to the Moon in competition for the <a href="http://www.googlelunarxprize.org/lunar/about-the-prize" target="blank">Google Lunar X Prize</a>. Legendary roboticist and founder of<a href="http://astrobotic.net/" target="blank"> Astrobotic inc</a>., <a href="http://www.ri.cmu.edu/person.html?person_id=339" target="blank">Red Whittaker</a>, has invited a team of artists to join this expedition.</p>
<p>During this mission, the rover will deploy a suite of artworks on the lunar surface – the Moon Arts Project. <a href="http://artscool.cfa.cmu.edu/~burgess/" target="blank">Lowry Burgess</a>, Distinguished STUDIO Fellow, renowned space artist and professor at Carnegie Mellon, has brought together a large group of international artists, scientists and engineers involved with emerging media, new and ancient technologies as well as hybrid processes.</p>
<p><iframe src="http://player.vimeo.com/video/17314373?color=b697c9" frameborder="0" width="650" height="366"></iframe></p>
<p><a href="http://vimeo.com/17314373" target="blank">Moon Arts: Art, Science and Technology Converging on the Moon</a> from <a href="http://vimeo.com/sfci" target="blank">STUDIO for Creative Inquiry</a> on <a href="http://vimeo.com" target="blank">Vimeo</a>.</p>
<p><iframe src="http://player.vimeo.com/video/20523388?color=e63402" frameborder="0" width="650" height="366"></iframe></p>
<p><a href="http://vimeo.com/20523388" target="blank">Rover Field Test</a> from <a href="http://vimeo.com/sfci" target="blank">STUDIO for Creative Inquiry</a> on <a href="http://vimeo.com" target="blank">Vimeo</a>.</p>
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		<title>Space Arts Project</title>
		<link>http://studioforcreativeinquiry.org/projects/space-arts-group</link>
		<comments>http://studioforcreativeinquiry.org/projects/space-arts-group#comments</comments>
		<pubDate>Wed, 05 Jan 2011 00:40:00 +0000</pubDate>
		<dc:creator>Amisha Gadani</dc:creator>
				<category><![CDATA[projects]]></category>

		<guid isPermaLink="false">http://studioforcreativeinquiry.org/?p=2215</guid>
		<description><![CDATA[Directed by Distinguished Fellow Lowry Burgess, this project aims to broaden and create opportunities for artists to engage with and participate in the pursuit of space travel and exploration. There is a particular focus on ...]]></description>
			<content:encoded><![CDATA[<p>Directed by Distinguished Fellow <a href="http://www.art.cfa.cmu.edu/people/7-LowryBurgess">Lowry Burgess</a>, this project aims to broaden and create opportunities for artists to engage with and participate in the pursuit of space travel and exploration. There is a particular focus on zero gravity flights for artists through the establishment of an organization named the Zero Gravity Arts Consortium. Project activities also include exhibits, conference papers, workshops, publications, reports, classes, peer group meetings, lectures, journal articles and art works. The audience includes artists, scientists, technologists, educators and the general public. In April 2008, Burgess and collaborators Vashti Germaine, Andrew Kaiser, Jonathan Minard, Frank Pietronigro and Franco Sciannameo unveiled &#8220;I See the Earth and It Is Beautiful&#8221; at Yuri&#8217;s Night, an art, science and music celebration in the San Francisco Bay Area. This project linked the audience with the International Space Station in a tribute to our global space heritage. The current focus is on a suite of participatory artworks that will be transported to the Moon in December 2012 aboard Carnegie Mellon University&#8217;s experimental lunar rover in collaboration with the Robotics Institute and Astrobotic Technology Inc.</p>
<p><img class="alignnone size-full wp-image-2244" title="sasa" src="http://studioforcreativeinquiry.org/wp-content/uploads/2011/01/sasa.jpg" alt="" width="650" height="620" /></p>
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		<title>Carl DiSalvo</title>
		<link>http://studioforcreativeinquiry.org/previous-fellows/carl-disalvo-2</link>
		<comments>http://studioforcreativeinquiry.org/previous-fellows/carl-disalvo-2#comments</comments>
		<pubDate>Tue, 04 Jan 2011 23:10:41 +0000</pubDate>
		<dc:creator>Amisha Gadani</dc:creator>
				<category><![CDATA[previous-fellows]]></category>

		<guid isPermaLink="false">http://studioforcreativeinquiry.org/?p=2185</guid>
		<description><![CDATA[
Carl DiSalvo is an Assistant Professor of Digital Media in the School of Literature, Communication and Culture at the Georgia Institute of Technology in Atlanta, Georgia. He is also affiliated with the GVU. DiSalvo earned a PhD in Design ...]]></description>
			<content:encoded><![CDATA[<p><img class="alignnone size-full wp-image-2186" title="carld" src="http://studioforcreativeinquiry.org/wp-content/uploads/2011/01/carld.jpg" alt="" width="150" height="150" /><br />
Carl DiSalvo is an Assistant Professor of <a href="http://www.dm.lcc.gatech.edu/" target="new">Digital Media</a> in the <a href="http://www.lcc.gatech.edu/" target="new">School of Literature, Communication and Culture</a> at the Georgia Institute of Technology in Atlanta, Georgia. He is also affiliated with the <a href="http://gvu.gatech.edu/" target="new">GVU</a>. DiSalvo earned a PhD in Design from Carnegie Mellon University in 2006 and was a post-doctoral fellow at The Center for the Arts in Society and the STUDIO from 2006-2007.</p>
<p>His work is rooted in the humanities and arts and might best be characterized as a kind of design inquiry. DiSalvo is particularly interested in understanding and describing the social and political uses of technology in cities. As part of this research he designs technology platforms and participatory programs that engage and enable urban communities. Much of his current work in this area is funded by the National Science Foundation and Intel Research.</p>
<p>DiSalvo is also deeply committed to the development of design theory and criticism. He is currently working on projects that examine information design as a social practice and the role of design in the construction of publics.</p>
<p>In addition to his academic pursuits DiSalvo has extensive professional design experience, most notably working at <a href="http://www.metadesign.com/" target="new">MetaDesign</a> (2000-2001) and as a consultant to the <a href="http://www.walkerart.org/archive/4/A1738DC5124FA4BB6164.htm" target="new">Walker Arts Center&#8217;s New Media Initiative</a> (1997-2000). In 2006 he co-founded <a href="http://www.deeplocal.com/" target="new">DeepLocal</a>, a design and software company specializing in interactive mapping and location-based services.</p>
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		<title>Bruce Lindsey</title>
		<link>http://studioforcreativeinquiry.org/previous-fellows/bruce-lindsey</link>
		<comments>http://studioforcreativeinquiry.org/previous-fellows/bruce-lindsey#comments</comments>
		<pubDate>Tue, 04 Jan 2011 19:51:09 +0000</pubDate>
		<dc:creator>Amisha Gadani</dc:creator>
				<category><![CDATA[previous-fellows]]></category>

		<guid isPermaLink="false">http://studioforcreativeinquiry.org/?p=2179</guid>
		<description><![CDATA[
As a teacher and administrator, Bruce Lindsey has made significant contributions to beginning design education, sustainable design education, and community design education. He served as head of Auburn&#8217;s School of Architecture from 2000-06, and in ...]]></description>
			<content:encoded><![CDATA[<p><img src="http://studioforcreativeinquiry.org/wp-content/uploads/2011/01/blin.jpg" alt="" title="blin" width="150" height="150" class="alignnone size-full wp-image-2180" /><br />
As a teacher and administrator, Bruce Lindsey has made significant contributions to beginning design education, sustainable design education, and community design education. He served as head of Auburn&#8217;s School of Architecture from 2000-06, and in 2005, he received the AIA&#8217;s National Teaching Honor Award for his work in beginning design at Auburn. Before that, he taught at Carnegie Mellon University, where he served as associate head of Carnegie Mellon&#8217;s School of Architecture and as associate professor of art and architecture from 1994-2001. In 1997, he co-chaired &#8220;Not Only But Also,&#8221; the 14th National Conference on the Beginning Design Student in Pittsburgh. Lindsey has been a visiting professor at Arizona State University and at Catholic University, and was the Pierce Visiting Critic at the State University of New York at Buffalo.</p>
<p>Other honors include a 1993 Young Architects Award from Progressive Architecture and a 2002 AIA Design Merit Award for his extensive renovation, with EDGE Architecture, of the Society for Contemporary Craft in Pittsburgh, one of the nation&#8217;s oldest and most influential craft institutions.</p>
<p>Lindsey&#8217;s research has long focused on applying digital tools to design and construction practice. In 1992, his work in digital-aided manufacturing was cited by Engineering News Record as one of the year&#8217;s 10 most significant contributions to the construction industry. His book Digital Gehry: Material Resistance Digital Construction (2001) explores the use of technology in the design process of architect Frank Gehry.</p>
<p>A practicing architect, Lindsey worked with Davis + Gannon Architects to design the Pittsburgh Glass Center, which earned a gold rating under LEED guidelines. The project also received a Design Honor Award from the American Institute of Architects (AIA) and was chosen as one of 2005&#8242;s top 10 green buildings by the AIA&#8217;s Committee on the Environment.</p>
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		<title>Gary Carlough</title>
		<link>http://studioforcreativeinquiry.org/previous-fellows/gary-carlough</link>
		<comments>http://studioforcreativeinquiry.org/previous-fellows/gary-carlough#comments</comments>
		<pubDate>Tue, 04 Jan 2011 19:42:45 +0000</pubDate>
		<dc:creator>Amisha Gadani</dc:creator>
				<category><![CDATA[previous-fellows]]></category>

		<guid isPermaLink="false">http://studioforcreativeinquiry.org/?p=2176</guid>
		<description><![CDATA[
Gary Carlough founded EDGE studio in 1995 envisioning a multi-disciplinary firm that brings together individuals from varied backgrounds to challenge the conventional understanding of design.  With over thirty years of experience in project management ...]]></description>
			<content:encoded><![CDATA[<p><img src="http://studioforcreativeinquiry.org/wp-content/uploads/2011/01/gcar.jpg" alt="" title="gcar" width="150" height="150" class="alignnone size-full wp-image-2175" /><br />
Gary Carlough founded <a href="http://www.edge-studio.com/" class="broken_link">EDGE studio</a> in 1995 envisioning a multi-disciplinary firm that brings together individuals from varied backgrounds to challenge the conventional understanding of design.  With over thirty years of experience in project management and architectural deign, Gary is committed to designing spaces which enrich the experience of the other inhabitants, and to understanding the programmatic, cultural, physical and economic contexts which define the development of these spaces in order to make them reality.  His experience includes a broad array of projects from complex systems design for technology and research facilities, adaptive re-use of historic buildings, LEED and sustainable design and interior architecture to highly sophisticated programming analysis.  Gary is active in the community serving on the Deign Committee for the Pittsburgh Cultural Trust and working with the Penn Avenue Arts Initiative and the Friendship Development Association.  He as held as well as participated in numerous community charrettes, town hall meetings and public forums and has contributed time to serve on national design and award juries.  Gary has a Bachelor of Architecture from the University of Arizona and studies at the Architectural Association in London. He as served as an adjunct full professor at Carnegie Mellon University&#8217;s School of Architecture. </p>
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		<item>
		<title>Paul Rosenblatt</title>
		<link>http://studioforcreativeinquiry.org/previous-fellows/paul-rosenblatt</link>
		<comments>http://studioforcreativeinquiry.org/previous-fellows/paul-rosenblatt#comments</comments>
		<pubDate>Mon, 03 Jan 2011 20:02:35 +0000</pubDate>
		<dc:creator>Amisha Gadani</dc:creator>
				<category><![CDATA[previous-fellows]]></category>

		<guid isPermaLink="false">http://studioforcreativeinquiry.org/?p=2169</guid>
		<description><![CDATA[
Paul Rosenblatt AIA, Principal Founding SPRINGBOARD Principal Paul Rosenblatt AIA NCARB (pictured at right) earned his bachelor’s and master’s degrees from Yale University, where he received the Yale School of Architecture’s Anne C.K. Garland Award. ...]]></description>
			<content:encoded><![CDATA[<p><img src="http://studioforcreativeinquiry.org/wp-content/uploads/2011/01/prose.jpg" alt="" title="prose" width="150" height="150" class="alignnone size-full wp-image-2183" /><br />
Paul Rosenblatt AIA, Principal Founding <a href="http://www.springboarddesign.net/">SPRINGBOARD</a> Principal Paul Rosenblatt AIA NCARB (pictured at right) earned his bachelor’s and master’s degrees from Yale University, where he received the Yale School of Architecture’s Anne C.K. Garland Award.  He was Editor of Perspecta, The Journal of the Yale School of Architecture.  Since 1987, Mr. Rosenblatt has taught at the Carnegie Mellon University School of Architecture, where he is currently an Adjunct Associate Professor.</p>
<p>Best known for his museum architecture and innovative residential and exhibition designs, Mr. Rosenblatt has developed nationally recognized status for his expertise in these areas.  His reputation as an excellent collaborator with a constructive voice has led to consistent invitations to contribute design expertise to many non-profits and civic undertakings. Confirming his stature as a leader in this arena, the National Academy of Design awarded Mr. Rosenblatt the prestigious Orville Lance Prize for Architecture.  The Pittsburgh Business Times selected him as one of 50 “2004 Fast Trackers” in recognition of outstanding contributions to his profession and the community.  Paul is a former board member of the Society for Contemporary Craft, one of the nation’s leading craft museums, and Cool Space Locator, an innovative real estate organization.</p>
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		<item>
		<title>Franco Sciannameo</title>
		<link>http://studioforcreativeinquiry.org/previous-fellows/franco-sciannameo</link>
		<comments>http://studioforcreativeinquiry.org/previous-fellows/franco-sciannameo#comments</comments>
		<pubDate>Mon, 03 Jan 2011 19:48:38 +0000</pubDate>
		<dc:creator>Amisha Gadani</dc:creator>
				<category><![CDATA[previous-fellows]]></category>

		<guid isPermaLink="false">http://studioforcreativeinquiry.org/?p=2166</guid>
		<description><![CDATA[
Born in Italy, Violinist, Film Musicologist and Cultural Historian Franco Sciannameo studied in Rome at the Conservatorio di Musica “Santa Cecilia” (D.M. in Violin Performance, Literature, and Pedagogy), and later at the Accademia Chigiana in ...]]></description>
			<content:encoded><![CDATA[<p><img src="http://studioforcreativeinquiry.org/wp-content/uploads/2011/01/franco.jpg" alt="" title="franco" width="150" height="150" class="alignnone size-full wp-image-2167" /><br />
Born in Italy, Violinist, Film Musicologist and Cultural Historian Franco Sciannameo studied in Rome at the Conservatorio di Musica “Santa Cecilia” (D.M. in Violin Performance, Literature, and Pedagogy), and later at the Accademia Chigiana in Siena and Accademia Nazionale di Santa Cecilia in Rome. He holds advanced degrees in Historical Musicology and Cultural Studies from the University of Pittsburgh. Always concerned with the role of artists in society, Franco Sciannameo writes and lectures extensively on contemporary music and its relation to politics, cinema, and the arts. He has worked with a number of celebrated composers, including Giacinto Scelsi, Nino Rota, Ennio Morricone, Franco Donatoni, and Paul Chihara with whom he collaborated on many performances and recordings. Sciannameo’s articles and essays are featured regularly in The Musical Times (London) while his most recent books include Nino Rota’s The Godfather Trilogy (Scarecrow Film Score Guides, 2010), Phil Trajetta (1777-1854), Patriot, Musician, Immigrant (CMS Monographs and Bibliographies in American Music, 2010) and Ildebrando Pizzetti’s Music for the Film “Scipione l’Africano” (1937): A Metaphor for Mussolini’s Imperial Ambitions (Mellen Press, 2011). Furthermore, Franco Sciannameo is the Artistic Director of ETC-ITALIA, a project sponsored by Carnegie Mellon University&#8217;s Entertainment Technology Center, which is dedicated to the realization of Masterpieces by Italian Futurists re-imagined for the digital era.</p>
<p>Sciannameo is currently Director of the <a href="http://www.cmu.edu/interdisciplinary/programs/vision.html">BXA Intercollege Degree Programs</a> at Carnegie Mellon University.</p>
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		<item>
		<title>Suzie Silver</title>
		<link>http://studioforcreativeinquiry.org/previous-fellows/suzie-silver</link>
		<comments>http://studioforcreativeinquiry.org/previous-fellows/suzie-silver#comments</comments>
		<pubDate>Mon, 03 Jan 2011 19:17:06 +0000</pubDate>
		<dc:creator>Amisha Gadani</dc:creator>
				<category><![CDATA[previous-fellows]]></category>

		<guid isPermaLink="false">http://studioforcreativeinquiry.org/?p=2156</guid>
		<description><![CDATA[
Suzie Silver is an artist and Associate Professor in Electronic and Time Based Art in the School of Art at Carnegie Mellon University.  She states, &#8220;Among the strategies for making my work three have ...]]></description>
			<content:encoded><![CDATA[<p><img src="http://studioforcreativeinquiry.org/wp-content/uploads/2011/01/silver.jpg" alt="" title="silver" width="150" height="150" class="alignnone size-full wp-image-2157" /><br />
<a href="http://harpsilver.com/artists/Suzie-Silver" target="_blank">Suzie Silver</a> is an artist and Associate Professor in Electronic and Time Based Art in the School of Art at Carnegie Mellon University.  She states, &#8220;Among the strategies for making my work three have proven consistent: collage, performance and technical experimentation. Many of my videos are humorous send-ups of popular culture using appropriation and gender play. Others, while still using humor, have a more romantic relationship to cinematic fantasies.&#8221;</p>
<p>Since 2003, she has worked collaboratively with <a href="http://harpsilver.com/artists/Hilary-Harp" target="_blank">Hilary Harp</a> on a range of projects including objects, installations, videos and performances (<a href="http://harpsilver.com/">www.harpsilver.com</a>). Drawn to exotica, science fiction and pre-digital special effects, they create d.i.y. spectacles by combining technical sophistication with humble materials. They have exhibited their objects and installations throughout the U.S. including the Munson Proctor Williams Art Institute, Penn State University, and the Pittsburgh Center for the Arts, the Arizona State University Museum, Bucheon Gallery, San Francisco; and the Pittsburgh Glass Center. Their videos, have screened all over the world, including the 2004 Stuttgarter Filmwinter, Stuttgart, Germany; ENTERmultimediale 2, Prague, Czech Republic; Biennale Internazionale di Ferrara, Ferrara, Italy; Angle: The First International Short Film and Video Festival, Xiamen, China; and Arcipelago, 13th International Festival of Short Films and New Images, Rome, Italy. Their video, “Nebula,” is distributed by the Video Data Bank. They have performed their live media variety show “Fruit Machine” in a number of venues nationally including Transformer Gallery, Washington DC; Around the Coyote Festival, Chicago, IL; and the Pittsburgh Center for the Arts. </p>
<p>In addition to her ongoing collaboration with Hilary Harp, Silver has begun experimenting as a dance party digital dj/visualist.</p>
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		<item>
		<title>Hilary Harp</title>
		<link>http://studioforcreativeinquiry.org/previous-fellows/hilary-harp</link>
		<comments>http://studioforcreativeinquiry.org/previous-fellows/hilary-harp#comments</comments>
		<pubDate>Mon, 03 Jan 2011 19:04:50 +0000</pubDate>
		<dc:creator>Amisha Gadani</dc:creator>
				<category><![CDATA[previous-fellows]]></category>

		<guid isPermaLink="false">http://studioforcreativeinquiry.org/?p=2150</guid>
		<description><![CDATA[
Hilary Harp creates sculptures, installations and media projects that are playful and multi-faceted. Working in a wide range of materials from plastic and steel to honey and bread she uses a visceral materiality to reconsider ...]]></description>
			<content:encoded><![CDATA[<p><img src="http://studioforcreativeinquiry.org/wp-content/uploads/2011/01/harp.jpg" width="150" height="150"  /><br />
<a href="http://harpsilver.com/artists/Hilary-Harp" target="_blank">Hilary Harp</a> creates sculptures, installations and media projects that are playful and multi-faceted. Working in a wide range of materials from plastic and steel to honey and bread she uses a visceral materiality to reconsider icons of popular culture and high art. She has received numerous awards including a Pew Fellowship in the Arts, a Heinz Creative Heights grant and residencies at the Fine Arts Work Center in Provincetown, MA, and the Djerassi Resident Artist Program. Her work has exhibited nationally and internationally at such venues as The Sculpture Center, White Columns and Esso Gallery in New York, Bucheon Gallery, San Francisco and the Pittsburgh Glass Center in Pittsburgh, PA. Born in Durham North Carolina and raised in Philadelphia, PA, she has lived and worked in New York, NY; Pittsburgh, PA and now Phoenix, AZ, where she is Assistant Professor of Sculpture at Arizona State University. </p>
<p>Since 2003, she has worked collaboratively with <a href="http://harpsilver.com/artists/Suzie-Silver" target="_blank">Suzie Silver </a>on a range of projects including objects, installations, videos and performances (<a href="http://harpsilver.com/" target="_blank">www.harpsilver.com</a>). Drawn to exotica, science fiction and pre-digital special effects, they create d.i.y. spectacles by combining technical sophistication with humble materials. They have exhibited their objects and installations throughout the U.S. including the Munson Proctor Williams Art Institute, Penn State University, and the Pittsburgh Center for the Arts, the Arizona State University Museum, Bucheon Gallery, San Francisco; and the Pittsburgh Glass Center. Their videos, have screened all over the world, including the 2004 Stuttgarter Filmwinter, Stuttgart, Germany; ENTERmultimediale 2, Prague, Czech Republic; Biennale Internazionale di Ferrara, Ferrara, Italy; Angle: The First International Short Film and Video Festival, Xiamen, China; and Arcipelago, 13th International Festival of Short Films and New Images, Rome, Italy. Their video, “Nebula,” is distributed by the Video Data Bank. They have performed their live media variety show “Fruit Machine” in a number of venues nationally including Transformer Gallery, Washington DC; Around the Coyote Festival, Chicago, IL; and the Pittsburgh Center for the Arts. </p>
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		<item>
		<title>Lisa Link</title>
		<link>http://studioforcreativeinquiry.org/previous-fellows/lisa-link</link>
		<comments>http://studioforcreativeinquiry.org/previous-fellows/lisa-link#comments</comments>
		<pubDate>Fri, 17 Dec 2010 23:47:51 +0000</pubDate>
		<dc:creator>Amisha Gadani</dc:creator>
				<category><![CDATA[previous-fellows]]></category>

		<guid isPermaLink="false">http://studioforcreativeinquiry.org/?p=2123</guid>
		<description><![CDATA[
Lisa Link is a web designer and art educator  in Boston, MA.  Her multi-media work focuses on political issues and engaging community. She  recently completed an activist design series in support of public education with ...]]></description>
			<content:encoded><![CDATA[<p><a href="http://studioforcreativeinquiry.org/wp-content/uploads/2010/12/llink.jpg"><img src="http://studioforcreativeinquiry.org/wp-content/uploads/2010/12/llink.jpg" alt="" title="llink" width="150" height="150" class="alignnone size-full wp-image-2124" /></a><br />
Lisa Link is a web designer and art educator  in Boston, MA.  Her multi-media work focuses on political issues and engaging community. She  recently completed an activist design series in support of public education with  Boston public school parents fighting budget cuts. Her ongoing video performance project about economics and class &#8220;If I worked for  493 Years&#8221; has been shown internationally. In the 1990s she created an exhibit about  women&#8217;s healthcare that  toured nationally  for 13 years and now resides permanently in the Center for the study of Political Graphics in Los Angeles.</p>
<p>As a fellow she collaborated with Carolyn P. Speranza ono &#8220;End of the Line: Building Bridges with Pittsburgh&#8217;s Busways&#8221;, a community-based artistic collaboration examining historic and contemporary issues in Pittsburgh&#8217;s neighborhoods</p>
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		<title>Jennifer Brodt*</title>
		<link>http://studioforcreativeinquiry.org/previous-fellows/jennifer-brodt</link>
		<comments>http://studioforcreativeinquiry.org/previous-fellows/jennifer-brodt#comments</comments>
		<pubDate>Tue, 14 Dec 2010 23:05:10 +0000</pubDate>
		<dc:creator>Amisha Gadani</dc:creator>
				<category><![CDATA[previous-fellows]]></category>

		<guid isPermaLink="false">http://studioforcreativeinquiry.org/?p=939</guid>
		<description><![CDATA[
Former Business Manager of the STUDIO, Jennifer Brodt has over 20 years of experience in designing and implementing support structures and organizational systems for creative work. As the business manager, she handled the administrative details ...]]></description>
			<content:encoded><![CDATA[<p><img class="alignnone size-full wp-image-1584" title="jenn" src="http://studioforcreativeinquiry.org/wp-content/uploads/2010/08/jenn.jpeg" alt="" width="150" height="150" /></p>
<p>Former Business Manager of the STUDIO, Jennifer Brodt has over 20 years of experience in designing and implementing support structures and organizational systems for creative work. As the business manager, she handled the administrative details for the STUDIO, including accounting and grants management, budgeting and forecasting, payroll/personnel, procurement and facility management.  She received a bachelor’s degree in international relations from George Washington University. She was previously a legal assistant with a Pittsburgh law firm.</p>
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		<title>Jonathan Minard</title>
		<link>http://studioforcreativeinquiry.org/fellows/jonathan-minard</link>
		<comments>http://studioforcreativeinquiry.org/fellows/jonathan-minard#comments</comments>
		<pubDate>Tue, 14 Dec 2010 23:01:59 +0000</pubDate>
		<dc:creator>Amisha Gadani</dc:creator>
				<category><![CDATA[fellows]]></category>

		<guid isPermaLink="false">http://studioforcreativeinquiry.org/?p=2088</guid>
		<description><![CDATA[
Jonathan Minard is an artist and filmmaker who investigates human experience in extreme environments and the evolutionary dynamic between nature and culture. Communities of interest include the nomads of Mongolia, deep sea oceanographers and astrobiologists, ...]]></description>
			<content:encoded><![CDATA[<p><img class="alignnone size-full wp-image-2089" src="http://studioforcreativeinquiry.org/wp-content/uploads/2010/12/jminard.jpg" alt="" width="150" height="150" /></p>
<p><a href="http://www.deepspeedmedia.com/" TARGET="blank">Jonathan Minard</a> is an artist and filmmaker who investigates human experience in extreme environments and the evolutionary dynamic between nature and culture. Communities of interest include the nomads of Mongolia, deep sea oceanographers and astrobiologists, the SETI program and the emerging culture of humans in outer space. At the STUDIO, Jonathan is involved with the <a href="http://studioforcreativeinquiry.org/projects/moon-arts-project" target="_blank">Moon Arts Project</a> where he schedules and produces public outreach events, manages the public-facing aspects and creates documentaries that explore the cultural dimensions of space exploration and space technologies.  In 2011, Jonathan founded a documentary production company, <a href="http://www.deepspeedmedia.com/" target="_blank">Deepspeed Media</a>.</p>
<p>Jonathan has a joint degree in Fine Art and Anthropology from Carnegie Mellon and previously worked at CMU&#8217;s College of Fine Arts as an advisor to prospective joint degree students.  From 2007-2008, as an associate fellow at the STUDIO, he was involved with both the Moysikos Project and Deep Space Signaling Project.</p>
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		<title>Pell and Pedercini Class Final Exhibition</title>
		<link>http://studioforcreativeinquiry.org/events/pell-and-pedercini-class-final-exhibition</link>
		<comments>http://studioforcreativeinquiry.org/events/pell-and-pedercini-class-final-exhibition#comments</comments>
		<pubDate>Fri, 10 Dec 2010 20:57:43 +0000</pubDate>
		<dc:creator>Amisha Gadani</dc:creator>
				<category><![CDATA[events]]></category>

		<guid isPermaLink="false">http://studioforcreativeinquiry.org/?p=2059</guid>
		<description><![CDATA[Friday December 10, 2010
4:00pm-6:00pmEST
Final Exhibition of the following classes:
&#8220;Game Design for Artists, Mavericks, and Troublemakers&#8221;, taught by Visiting Professor Paolo Pedercini
&#8220;Concept III&#8221; and &#8220;Batteries not Included&#8221;, taught by Assistant Professor Rich Pell

More images on Flickr
]]></description>
			<content:encoded><![CDATA[<p>Friday December 10, 2010<br />
4:00pm-6:00pmEST</p>
<p>Final Exhibition of the following classes:</p>
<p><strong>&#8220;Game Design for Artists, Mavericks, and Troublemakers&#8221;</strong>, taught by Visiting Professor Paolo Pedercini<br />
<strong>&#8220;Concept III&#8221; and &#8220;Batteries not Included&#8221;</strong>, taught by Assistant Professor Rich Pell</p>
<p><a href="http://studioforcreativeinquiry.org/wp-content/uploads/2010/12/pellpede.jpg"><img src="http://studioforcreativeinquiry.org/wp-content/uploads/2010/12/pellpede.jpg" alt="" title="pellpede" width="660" height="543" class="alignnone size-full wp-image-2081" /></a><br />
<a href="http://www.flickr.com/photos/creativeinquiry/sets/72157625592491760/">More images on Flickr</a></p>
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		<title>High Point Pittsburgh Investigation</title>
		<link>http://studioforcreativeinquiry.org/projects/high-point-park-project</link>
		<comments>http://studioforcreativeinquiry.org/projects/high-point-park-project#comments</comments>
		<pubDate>Mon, 08 Nov 2010 20:25:44 +0000</pubDate>
		<dc:creator>Amisha Gadani</dc:creator>
				<category><![CDATA[projects]]></category>

		<guid isPermaLink="false">http://studioforcreativeinquiry.org/?p=1879</guid>
		<description><![CDATA[
Directed by David Bear, The High Point Pittsburgh Investigation is exploring the possibilities for transforming the flat, one-acre rooftop of the 64-story U. S. Steel Tower, Pittsburgh’s tallest building, into a publicly accessible, self-sustaining, four-season ...]]></description>
			<content:encoded><![CDATA[<p><iframe src="http://player.vimeo.com/video/33922041?title=0&amp;byline=0&amp;portrait=0&amp;color=77c8e0" frameborder="0" width="640" height="472"></iframe></p>
<p>Directed by <a href="http://studioforcreativeinquiry.org/fellows/david-bear" target="blank">David Bear</a>, <a href="http://www.highpointpittsburgh.org" target="blank">The High Point Pittsburgh Investigation</a> is exploring the possibilities for transforming the flat, one-acre rooftop of the 64-story U. S. Steel Tower, Pittsburgh’s tallest building, into a publicly accessible, self-sustaining, four-season facility that will contribute to civic wellbeing while also demonstrating cutting-edge sustainable design and technology.</p>
<p>Envisioned as a “built environment” and a “vista venue” that will attract a steady stream of visitors from near and far, High Point Pittsburgh will incorporate green building design and construction techniques to minimize its energy requirements; employ sustainable plantings and design features to mitigate rainwater run-off; harness wind power and solar energy to produce usable electricity for itself and the building; and generally serve as the epitome of energy and environmental awareness. Equally important, by generating revenue to pay for its construction and fund its on-going operations, High Point Park is envisioned as being a financially self-sustaining entity.</p>
<p>During the project Bear has also worked with individuals from the CMU Create Lab and the Pittsburgh Supercomputing Center to create <a href="http://www.gigapan.org/gigapans/47373/" target="blank">the Pittsburgh Gigapanorama</a>, an interactive, 10.49 gigapixel image that captures the full 360-degree vista from the top of the U.S. Steel Tower.  These efforts have evolved into the <a href="http://www.gigapanorama.org">Pittsburgh Gigapanorama Project</a>, an ongoing exploration of this new form of urban portraiture.</p>
<p><iframe src="http://player.vimeo.com/video/16128490?color=3e9645" frameborder="0" width="650" height="479"></iframe></p>
<p><img class="alignnone size-full wp-image-2665" src="http://studioforcreativeinquiry.org/wp-content/uploads/2010/11/upmc.jpg" alt="" width="650" height="520" /></p>
<p><strong>Press about the High Point Pittsburgh Investigation</strong><br />
1. <a href="http://www.post-gazette.com/stories/life/lifestyle/video-shows-what-park-atop-us-steel-tower-would-look-like-633932/?print=1" target="_blank">Pittsburgh Post-Gazette 5/2/12 &#8211; Video shows what the roof of the U.S. Steel Tower could be</a> or as <a href="http://studioforcreativeinquiry.org/wp-content/uploads/2012/05/Pittsburgh-Post-Gazette-Video-shows-what-park-atop-U.S.-Steel-Tower-would-look-like.pdf" target="_blank">PDF</a><br />
2. <a href="http://www.essentialpublicradio.org/story/2012-04-30/cmu-creates-virtual-observatory-us-steel-tower-view-10973" target="_blank">Essential Public Radio &#8211; NPR 5/1/12 &#8211; CMU Creates Virtual Observatory from U.S. Steel Tower View</a> or as <a href="http://studioforcreativeinquiry.org/wp-content/uploads/2012/05/CMU-Creates-Virtual-Observatory-from-U.S.-Steel-Tower-View-Essential-Public-Radio.pdf" target="_blank">PDF</a><br />
3. <a href="http://www.popcitymedia.com/innovationnews/highpoint050412.aspx?utm_source=VerticalResponse&#038;utm_medium=Email&#038;utm_term=Explore+the+top+of+the+US+Steel+Tower+and+take+in+the+view+with+High+Point+Pittsburgh&#038;utm_content=%7BEmail_Address%7D&#038;utm_campaign=Like+a+punch+in+the+gut" target="_blank">POPcity 5/1/12 &#8211; High Point Pittsburgh brings back the aerial views of downtown from the US Steel Tower</a> or as <a href="http://studioforcreativeinquiry.org/wp-content/uploads/2012/05/PopCity-High-Point-Pittsburgh-brings-back-the-aerial-views-of-downtown-from-the-US-Steel-Tower.pdf" target="_blank">PDF</a><br />
4. <a href="http://www.cmu.edu/news/stories/archives/2012/april/april30_highpointussteel.html" target="_blank">Carnegie Mellon University press release 4/30/12</a> or as <a href="http://studioforcreativeinquiry.org/wp-content/uploads/2012/05/CMU-Press-Release-Carnegie-Mellons-High-Point-Pittsburgh-Project-Team-To-Present-Web-based-Simulation-of-US-Steel-Tower-Rooftop-Venue.pdf" target="_blank">PDF</a></p>
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		<title>Joan Guerin</title>
		<link>http://studioforcreativeinquiry.org/previous-fellows/1745</link>
		<comments>http://studioforcreativeinquiry.org/previous-fellows/1745#comments</comments>
		<pubDate>Mon, 25 Oct 2010 20:47:32 +0000</pubDate>
		<dc:creator>Amisha Gadani</dc:creator>
				<category><![CDATA[previous-fellows]]></category>

		<guid isPermaLink="false">http://studioforcreativeinquiry.org/?p=1745</guid>
		<description><![CDATA[
Joan Guerin is the Director of WQED Interactive Pittsburgh.  Previously she was the founding Director of Guerin Design, LLC, and a Design Manager at Carnegie Mellon University&#8217;s Software Engineering Institute.
]]></description>
			<content:encoded><![CDATA[<p><img class="alignnone size-full wp-image-1747" title="Robert passes the hive tool to Joan" src="http://studioforcreativeinquiry.org/wp-content/uploads/2010/10/Robert-passes-the-hive-tool-to-Joan1.jpeg" alt="" width="150" height="150" /><br />
Joan Guerin is the Director of WQED Interactive Pittsburgh.  Previously she was the founding Director of Guerin Design, LLC, and a Design Manager at Carnegie Mellon University&#8217;s Software Engineering Institute.</p>
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		<item>
		<title>Carlos Szembek</title>
		<link>http://studioforcreativeinquiry.org/previous-fellows/carlos-szembek</link>
		<comments>http://studioforcreativeinquiry.org/previous-fellows/carlos-szembek#comments</comments>
		<pubDate>Mon, 25 Oct 2010 17:58:27 +0000</pubDate>
		<dc:creator>Amisha Gadani</dc:creator>
				<category><![CDATA[previous-fellows]]></category>

		<guid isPermaLink="false">http://studioforcreativeinquiry.org/?p=1732</guid>
		<description><![CDATA[
Carlos Szembek holds an M.F.A. from Carnegie Mellon University, a B.S. in Atmospheric Science from University of Massachusetts Lowell, and an M.S. in Climate Dynamics from Yale University.  While at UML Carlos was the president of ...]]></description>
			<content:encoded><![CDATA[<p><img class="alignnone size-full wp-image-1733" title="Carlos_1" src="http://studioforcreativeinquiry.org/wp-content/uploads/2010/10/Carlos_1.jpeg" alt="" width="150" height="150" /><br />
Carlos Szembek holds an M.F.A. from Carnegie Mellon University, a B.S. in Atmospheric Science from University of Massachusetts Lowell, and an M.S. in Climate Dynamics from Yale University.  While at UML Carlos was the president of the student chapter of the American Meteorological Society. He spent two summers taking part in NSF funded research programs in micrometeorology (through Clark Atlanta University; Atlanta, GA) and Arctic Climate (through Mount Holyoke College; Amherst, MA) on a glacier in Svalbard, Norway. Carlos is currently working at the Westford facility of AECOM.  His research focuses on  half-width and line shift for ozone transitions in the Earth’s atmosphere in support of satellite measurement campaigns such as NASA’s Earth Observing System (EOS) satellites Aqua and Aura and the European Space Agency’s MASTER and SOPRANO instruments.  Future research projects will include working on Air/Sea Coupled General Circulation Models (GCMs) as well as the impact of &#8220;global dimming&#8221; on climate model parameterization</p>
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		<item>
		<title>Jon Slenk</title>
		<link>http://studioforcreativeinquiry.org/previous-fellows/jon-slenk</link>
		<comments>http://studioforcreativeinquiry.org/previous-fellows/jon-slenk#comments</comments>
		<pubDate>Mon, 25 Oct 2010 01:32:33 +0000</pubDate>
		<dc:creator>Amisha Gadani</dc:creator>
				<category><![CDATA[previous-fellows]]></category>

		<guid isPermaLink="false">http://studioforcreativeinquiry.org/?p=1719</guid>
		<description><![CDATA[
Former STUDIO Associate Fellow, Jon Slenk, is a Senior Software MMO developer at Gaia Online.  He has also worked as a Development Engineer for Hot Wired, Lead Software Design Engineer (Manager, Dev) for Microsoft, and ...]]></description>
			<content:encoded><![CDATA[<p><img class="alignnone size-full wp-image-1721" title="slenk" src="http://studioforcreativeinquiry.org/wp-content/uploads/2010/10/slenk.jpg" alt="" width="150" height="150" /><br />
Former STUDIO Associate Fellow, Jon Slenk, is a Senior Software MMO developer at Gaia Online.  He has also worked as a Development Engineer for Hot Wired, Lead Software Design Engineer (Manager, Dev) for Microsoft, and a GeneSpring Bioinformatics Software Engineer for Agilent Technologies.  Slenk holds a B.S. in Computer Science and a M.S. in Software Engineering from Carnegie Mellon University.</p>
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		<item>
		<title>Kevin Beaulieu</title>
		<link>http://studioforcreativeinquiry.org/previous-fellows/kevin-beaulieu</link>
		<comments>http://studioforcreativeinquiry.org/previous-fellows/kevin-beaulieu#comments</comments>
		<pubDate>Thu, 21 Oct 2010 22:00:25 +0000</pubDate>
		<dc:creator>Amisha Gadani</dc:creator>
				<category><![CDATA[previous-fellows]]></category>

		<guid isPermaLink="false">http://studioforcreativeinquiry.org/?p=1711</guid>
		<description><![CDATA[
Former STUDIO Associate Fellow, Kevin Beaulieu, was the Production Manager for a STUDIO supported multimedia planetarium show called &#8220;Gray Matters: The Brain Movie&#8221; (2007).  The show was made for the Buhl Planetarium in Pittsburgh and ...]]></description>
			<content:encoded><![CDATA[<p><img class="alignnone size-full wp-image-1712" title="brainmovie_icon" src="http://studioforcreativeinquiry.org/wp-content/uploads/2010/10/brainmovie_icon.jpeg" alt="" width="150" height="150" /><br />
Former STUDIO Associate Fellow, Kevin Beaulieu, was the Production Manager for a STUDIO supported multimedia planetarium show called &#8220;Gray Matters: The Brain Movie&#8221; (2007).  The show was made for the Buhl Planetarium in Pittsburgh and it&#8217;s goal was to teach fundamental scientific concepts about the human brain.</p>
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		<item>
		<title>Steffi Domike</title>
		<link>http://studioforcreativeinquiry.org/previous-fellows/steffi-domike</link>
		<comments>http://studioforcreativeinquiry.org/previous-fellows/steffi-domike#comments</comments>
		<pubDate>Wed, 20 Oct 2010 20:37:46 +0000</pubDate>
		<dc:creator>Amisha Gadani</dc:creator>
				<category><![CDATA[previous-fellows]]></category>

		<guid isPermaLink="false">http://studioforcreativeinquiry.org/?p=1704</guid>
		<description><![CDATA[
Former STUDIO Associate Fellow, Steffi Domike, is the Communications Coordinator for the Associate Member Program of the United Steelworkers in Pittsburgh.   Previously she was Coordinator for the Collaborative on Health and the Environment in ...]]></description>
			<content:encoded><![CDATA[<p><img class="alignnone size-full wp-image-1705" title="steffi" src="http://studioforcreativeinquiry.org/wp-content/uploads/2010/10/steffi.jpg" alt="" width="150" height="150" /><br />
Former STUDIO Associate Fellow, Steffi Domike, is the Communications Coordinator for the Associate Member Program of the United Steelworkers in Pittsburgh.   Previously she was Coordinator for the Collaborative on Health and the Environment in Pennsylvania, and Assistant Professor of Art at Chatham College where she developed the digital arts program.  In her art practice she produces television and electronic media works that question traditional narratives of history and gender roles. Her individual work has been broadcast and performed in the US, Europe, Australia, and New Zealand.</p>
<p>She holds a B.A. in Economics from Reed College, and an MFA in Art from Carnegie Mellon University.</p>
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		<title>Henry Simonds</title>
		<link>http://studioforcreativeinquiry.org/previous-fellows/henry-simonds</link>
		<comments>http://studioforcreativeinquiry.org/previous-fellows/henry-simonds#comments</comments>
		<pubDate>Wed, 20 Oct 2010 20:01:05 +0000</pubDate>
		<dc:creator>Amisha Gadani</dc:creator>
				<category><![CDATA[previous-fellows]]></category>

		<guid isPermaLink="false">http://studioforcreativeinquiry.org/?p=1698</guid>
		<description><![CDATA[
Former STUDIO Associate Fellow, Henry Simonds, is  founding President of the Pittsburgh-based Headwater films.  He has been described as &#8220;an artistic and business-minded film industry entrepreneur determined to make his own mark without deserting his ...]]></description>
			<content:encoded><![CDATA[<p><img class="alignnone size-full wp-image-1741" title="Henry Simonds" src="http://studioforcreativeinquiry.org/wp-content/uploads/2010/10/Henry-Simonds.jpeg" alt="" width="150" height="150" /><br />
Former STUDIO Associate Fellow, <a href="http://www.headwaterfilms.com/" target="_blank">Henry Simonds</a>, is  founding President of the Pittsburgh-based Headwater films.  He has been described as &#8220;an artistic and business-minded film industry entrepreneur determined to make his own mark without deserting his hometown [of Pittsburgh]&#8220;.  Films he has worked on include &#8220;One Shot: the Life and Work of Teenie Harris&#8221;(2001), &#8220;Romance and Cigarettes&#8221;(2005), &#8220;Andy Warhol: A Documentary Film&#8221;(2006), and &#8220;One Heartbeat&#8221;(2010).</p>
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		<title>Lucia Sommer</title>
		<link>http://studioforcreativeinquiry.org/previous-fellows/lucia-sommer</link>
		<comments>http://studioforcreativeinquiry.org/previous-fellows/lucia-sommer#comments</comments>
		<pubDate>Mon, 18 Oct 2010 22:57:29 +0000</pubDate>
		<dc:creator>Amisha Gadani</dc:creator>
				<category><![CDATA[previous-fellows]]></category>

		<guid isPermaLink="false">http://studioforcreativeinquiry.org/?p=1688</guid>
		<description><![CDATA[
Former STUDIO Associate Fellow, Lucia Sommer, is an artist, writer and PhD candidate at the Department of Visual and Cultural Studies at the University of Rochester.  She is also an Assistant Editor for Afterimage: the ...]]></description>
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Former STUDIO Associate Fellow, Lucia Sommer, is an artist, writer and PhD candidate at the Department of Visual and Cultural Studies at the University of Rochester.  She is also an Assistant Editor for Afterimage: the journal of media arts and cultural criticism.</p>
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		<title>Grant Kester</title>
		<link>http://studioforcreativeinquiry.org/previous-fellows/grant-kester</link>
		<comments>http://studioforcreativeinquiry.org/previous-fellows/grant-kester#comments</comments>
		<pubDate>Mon, 18 Oct 2010 22:06:02 +0000</pubDate>
		<dc:creator>Amisha Gadani</dc:creator>
				<category><![CDATA[previous-fellows]]></category>

		<guid isPermaLink="false">http://studioforcreativeinquiry.org/?p=1684</guid>
		<description><![CDATA[
Former STUDIO Associate Fellow, Grant Kester Ph.D, is the current chair of the Department of Visual Arts at University of California at San Diego. Kester is an art historian and critic whose research focuses on socially-engaged ...]]></description>
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Former STUDIO Associate Fellow, Grant Kester Ph.D, is the current chair of the Department of Visual Arts at University of California at San Diego. Kester is an art historian and critic whose research focuses on socially-engaged art practice, the visual culture of American reform movements, and aesthetic theory. He received a BFA in photography from the Maryland Institute, College of Art and an MA and PhD from the Visual and Cultural Studies program at the University of Rochester, where his dissertation examined the relationship between aesthetic and political philosophy in eighteenth-century English culture. Prior to joining UCSD Kester taught at Arizona State University, Washington State University, and the Visual Studies Workshop in Rochester, New York. Kester&#8217;s essays have been published in The Blackwell Companion to Contemporary Art Since 1945 (Blackwell, 2005), Theory in Contemporary Art Since 1945 (Blackwell, 2004), Poverty and Social Welfare in America: An Encyclopedia (ABC-Clio, 2004), Politics and Poetics: Radical Aesthetics for the Classroom (St. Martins Press, 1999), the Encyclopedia of Aesthetics (Oxford University Press, 1998), Ethics, Information and Technology: Readings (McFarland, 1997) and Photo Manifesto: Contemporary Photography in the USSR (Stewart, Tabori and Chang, 1991) as well as journals including Afterimage, October, Variant (Scotland), FOCAS (Singapore), Public Art Review, Exposure, Mix (Canada), the Nation, New Art Examiner, Third Text, Social Text and Art Papers.</p>
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		<title>Jonathan Kline</title>
		<link>http://studioforcreativeinquiry.org/previous-fellows/jonathan-kline</link>
		<comments>http://studioforcreativeinquiry.org/previous-fellows/jonathan-kline#comments</comments>
		<pubDate>Mon, 18 Oct 2010 21:46:32 +0000</pubDate>
		<dc:creator>Amisha Gadani</dc:creator>
				<category><![CDATA[previous-fellows]]></category>

		<guid isPermaLink="false">http://studioforcreativeinquiry.org/?p=1680</guid>
		<description><![CDATA[
Former STUDIO Associate Fellow, Jonathan Kline, is a founding Principal of Studio for Spatial Practice, a Pittsburgh-based firm design firm specializing in projects that transform the public realm through architecture, urban design, landscape and art. ...]]></description>
			<content:encoded><![CDATA[<p><img class="alignnone size-full wp-image-1752" title="jon kline" src="http://studioforcreativeinquiry.org/wp-content/uploads/2010/10/jon-kline.jpeg" alt="" width="150" height="150" /><br />
Former STUDIO Associate Fellow, Jonathan Kline, is a founding Principal of Studio for Spatial Practice, a Pittsburgh-based firm design firm specializing in projects that transform the public realm through architecture, urban design, landscape and art. With over ten years of professional urban design experience, Jonathan’s work uses graphic communication to understand and analyze complex urban situations, explore possible scenarios, propose creative design solutions and ultimately build clear narratives to communicate with broad audiences. Prior to founding his own firm, Kline practiced with Urban Design Associates working on a wide range of projects in Pittsburgh, Minneapolis, Charlotte, St Louis, Asheville, Bussy St. Georges, France, Cincinnati and New York City.</p>
<p>In addition to practice, Jonathan is an Adjunct Assistant Professor at Carnegie Mellon’s School of Architecture where he teaches graduate and undergraduate studios and elective courses. Kline leads Urban Laboratory community and urban design studios, where students engage with communities to envision future possibilities for Pittsburgh neighborhoods. Since 2002 he has worked to redefine and develop the studio curriculum of the Urban Lab and he also teaches studios and seminars in the Master of Urban Design program. As a Research Fellow at Carnegie Mellon’s Remaking Cities Institute, Jonathan has worked on research projects to analyze and visualize the future of the Pittsburgh region.</p>
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		<title>Hans Meyer</title>
		<link>http://studioforcreativeinquiry.org/previous-fellows/hans-meyer</link>
		<comments>http://studioforcreativeinquiry.org/previous-fellows/hans-meyer#comments</comments>
		<pubDate>Mon, 18 Oct 2010 21:08:21 +0000</pubDate>
		<dc:creator>Amisha Gadani</dc:creator>
				<category><![CDATA[previous-fellows]]></category>

		<guid isPermaLink="false">http://studioforcreativeinquiry.org/?p=1671</guid>
		<description><![CDATA[
Former STUDIO Associate Fellow, Hans Meyer, is a Research Fellow at Brigham &#38; Women&#8217;s Hospital and a Sociology of Medicine Ph.D. candidate at Cornell University.  He has worked as a Researcher for Intel, Social ...]]></description>
			<content:encoded><![CDATA[<p><img class="alignnone size-full wp-image-1672" title="OLYMPUS DIGITAL CAMERA" src="http://studioforcreativeinquiry.org/wp-content/uploads/2010/10/Hans-Meyer.jpeg" alt="" width="150" height="150" /><br />
Former STUDIO Associate Fellow, Hans Meyer, is a Research Fellow at Brigham &amp; Women&#8217;s Hospital and a Sociology of Medicine Ph.D. candidate at Cornell University.  He has worked as a Researcher for Intel, Social Science Research Digital Health Group and a Research Assistant for the Center for Nanoscale Systems.  Meyer has a M.Sc in Medical Geology from Penn State University, and a M.A. from the Sociology of Medicine at Cornell University.</p>
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		<title>Frank Pietronigro</title>
		<link>http://studioforcreativeinquiry.org/previous-fellows/frank-pietronigro</link>
		<comments>http://studioforcreativeinquiry.org/previous-fellows/frank-pietronigro#comments</comments>
		<pubDate>Mon, 18 Oct 2010 16:06:30 +0000</pubDate>
		<dc:creator>Amisha Gadani</dc:creator>
				<category><![CDATA[previous-fellows]]></category>

		<guid isPermaLink="false">http://studioforcreativeinquiry.org/?p=1666</guid>
		<description><![CDATA[
Former STUDIO Associate Fellow, Frank Pietronigro, is an interdisciplinary artist, educator and author.  He is the first American painter to create “drift paintings” where his body floated within a three-dimensional painting that he created in ...]]></description>
			<content:encoded><![CDATA[<p><img class="alignnone size-full wp-image-1667" title="pietronigro" src="http://studioforcreativeinquiry.org/wp-content/uploads/2010/10/pietronigro.jpeg" alt="" width="150" height="149" /><br />
Former STUDIO Associate Fellow, <a href="http://www.pietronigro.com/" target="_blank">Frank Pietronigro</a>, is an interdisciplinary artist, educator and author.  He is the first American painter to create “drift paintings” where his body floated within a three-dimensional painting that he created in zero gravity aboard NASA’s KC135 turbojet.  This peice was featured in Space News in a feature titled “Artists Hope to Create New Science Fiction with Zero-G Flights”, in the New York Times, Fortune Magazine, the San Francisco Art Institute Magazine, Hot Wired and Leonardo Magazine.</p>
<p>He is Co-Founder and Project Director of the Zero Gravity Arts Consortium and served the space art community as one of the coordinators for Yuri’s Night Bay Area 2007-08 held at NASA Ames Research Center. In 2006, he was Co-Chair of the Space Art Track of the 25th International Space Development Conference, co-sponsored by the National Space Society and the Planetary Society.</p>
<p>Pietronigro’s work has been presented with museums and institutions including: the Tate In Space, Tate Museum, London; the Maison Europeenne de la Photographie, Paris; Smart Project Space, Amsterdam; Museum für Gestaltung, Zurich; Galeria Ze Dos Bois, Lisbon; Castle Gallery, College of New Rochelle, NY; Southern Exposure Gallery, San Francisco; Blohard Gallery at Vox Populi, Philadelphia; the Mill Valley Film Festival and the Atlanta Contemporary Arts Center.</p>
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		<title>Sean Bidic</title>
		<link>http://studioforcreativeinquiry.org/previous-fellows/sean-bidic</link>
		<comments>http://studioforcreativeinquiry.org/previous-fellows/sean-bidic#comments</comments>
		<pubDate>Mon, 18 Oct 2010 15:41:46 +0000</pubDate>
		<dc:creator>Amisha Gadani</dc:creator>
				<category><![CDATA[previous-fellows]]></category>

		<guid isPermaLink="false">http://studioforcreativeinquiry.org/?p=1660</guid>
		<description><![CDATA[
Former STUDIO Associate Fellow, Dr. Sean Bidic, is a plastic surgeon and Assistant Professor at the University of Texas Southwestern Medical Center at Dallas. He received his doctorate of medicine from Columbia University’s College of Physicians ...]]></description>
			<content:encoded><![CDATA[<p><img class="alignnone size-full wp-image-1661" title="bidic" src="http://studioforcreativeinquiry.org/wp-content/uploads/2010/10/bidic1.jpeg" alt="" width="150" height="150" /><br />
Former STUDIO Associate Fellow, <a href="http://www8.utsouthwestern.edu/findfac/personal/0,2358,77225,00.html" target="_blank">Dr. Sean Bidic</a>, is a plastic surgeon and Assistant Professor at the University of Texas Southwestern Medical Center at Dallas. He received his doctorate of medicine from Columbia University’s College of Physicians and Surgeons, and completed an integrated plastic surgery residency at the University of Pittsburgh. Between his general and plastic surgery training, Bidic was a research fellow at Carnegie Mellon University’s Institute for Complex Engineered Systems and Robotics Institute. During this time he also completed a Masters of Fine Arts at Carnegie Mellon University’s School of Art.  Bidic recently completed a hand and microsurgery fellowship while serving as a Clinical Instructor in Orthopaedic Surgery at the University of California, Los Angeles.</p>
<p>Academic interests include interdisciplinary investigations and exploring and developing intersections between art and medicine. Specific research projects have included constructing a robotic upper extremity and developing synthetic bone substitutes.</p>
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		<title>Angelo Ciotti</title>
		<link>http://studioforcreativeinquiry.org/previous-fellows/angelo-ciotti</link>
		<comments>http://studioforcreativeinquiry.org/previous-fellows/angelo-ciotti#comments</comments>
		<pubDate>Fri, 15 Oct 2010 22:28:43 +0000</pubDate>
		<dc:creator>Amisha Gadani</dc:creator>
				<category><![CDATA[previous-fellows]]></category>

		<guid isPermaLink="false">http://studioforcreativeinquiry.org/?p=1650</guid>
		<description><![CDATA[
Former STUDIO Associate Fellow Angelo Ciotti is an environmental reclamation artist who presents alternative ways to reclaim urban and industrial sites. He has collaborated with industries, governments, naturalists, and communities, finding solutions to environmental problems while ...]]></description>
			<content:encoded><![CDATA[<p><img class="alignnone size-full wp-image-1759" title="68183239.4FIQY45Z.IMG_0250_AnF_720niy" src="http://studioforcreativeinquiry.org/wp-content/uploads/2010/10/68183239.4FIQY45Z.IMG_0250_AnF_720niy.jpeg" alt="" width="150" height="150" /><br />
Former STUDIO Associate Fellow <a href="http://www.angelociotti.com" target="_blank">Angelo Ciotti</a> is an environmental reclamation artist who presents alternative ways to reclaim urban and industrial sites. He has collaborated with industries, governments, naturalists, and communities, finding solutions to environmental problems while encouraging public awareness through natural art. Ciotti has taught as the Art Institute of Pittsburgh, and has worked on projects and lectured around the world.</p>
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		<title>Laurie Palmer</title>
		<link>http://studioforcreativeinquiry.org/previous-fellows/laurie-palmer</link>
		<comments>http://studioforcreativeinquiry.org/previous-fellows/laurie-palmer#comments</comments>
		<pubDate>Fri, 15 Oct 2010 22:03:36 +0000</pubDate>
		<dc:creator>Amisha Gadani</dc:creator>
				<category><![CDATA[previous-fellows]]></category>

		<guid isPermaLink="false">http://studioforcreativeinquiry.org/?p=1642</guid>
		<description><![CDATA[
Former STUDIO Associate Fellow Laurie Palmer is an Assistant Professor of Sculpture at the School of the Art Institute of Chicago. Her  interdisciplinary practice includes sculptural and public art projects, writing, and collaboration with the artists&#8217; ...]]></description>
			<content:encoded><![CDATA[<p><img class="alignnone size-full wp-image-1643" title="A" src="http://studioforcreativeinquiry.org/wp-content/uploads/2010/10/A.jpeg" alt="" width="148" height="148" /><br />
Former STUDIO Associate Fellow <a href="http://www.artic.edu/~apalme/palmer.htm" target="_blank">Laurie Palmer</a> is an Assistant Professor of Sculpture at the School of the Art Institute of Chicago. Her  interdisciplinary practice includes sculptural and public art projects, writing, and collaboration with the artists&#8217; collective Haha, with whom she has worked for twelve years. She has exhibited both individual and collaborative work in the US and in Europe and has written about art for over a decade, publishing in frieze, Artforum, and other journals and catalogs. Previously, she taught at UC Santa Barbara, Carnegie Mellon University, The University of Illinois, Chicago, and the University of Chicago.</p>
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		<title>Beth McCartney</title>
		<link>http://studioforcreativeinquiry.org/previous-fellows/beth-mccartney</link>
		<comments>http://studioforcreativeinquiry.org/previous-fellows/beth-mccartney#comments</comments>
		<pubDate>Fri, 15 Oct 2010 01:49:49 +0000</pubDate>
		<dc:creator>Amisha Gadani</dc:creator>
				<category><![CDATA[previous-fellows]]></category>

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Former STUDIO Associate Fellow Beth McCartney is a Geographic Mapping Expert who worked as a Research Associate on the STUDIO supported 3 Rivers 2nd Nature project.
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			<content:encoded><![CDATA[<p><img class="alignnone size-full wp-image-1639" title="3" src="http://studioforcreativeinquiry.org/wp-content/uploads/2010/10/3.jpg" alt="" width="150" height="150" /><br />
Former STUDIO Associate Fellow Beth McCartney is a Geographic Mapping Expert who worked as a Research Associate on the STUDIO supported 3 Rivers 2nd Nature project.</p>
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		<title>Kathleen Knauer</title>
		<link>http://studioforcreativeinquiry.org/previous-fellows/kathleen-knauer</link>
		<comments>http://studioforcreativeinquiry.org/previous-fellows/kathleen-knauer#comments</comments>
		<pubDate>Fri, 15 Oct 2010 01:07:38 +0000</pubDate>
		<dc:creator>Amisha Gadani</dc:creator>
				<category><![CDATA[previous-fellows]]></category>

		<guid isPermaLink="false">http://studioforcreativeinquiry.org/?p=1633</guid>
		<description><![CDATA[
Former STUDIO Associate Fellow Kathleen Knauer is an environmental scientist who works on a variety of projects related to the environment, socially responsible business and communications.  She was the Exectutive Produce for The Allegheny Front, ...]]></description>
			<content:encoded><![CDATA[<p><img class="alignnone size-full wp-image-1634" title="2" src="http://studioforcreativeinquiry.org/wp-content/uploads/2010/10/2.jpg" alt="" width="150" height="150" /><br />
Former STUDIO Associate Fellow <a href="http://www.knauergroup.com/index.html" target="_blank">Kathleen Knauer</a> is an environmental scientist who works on a variety of projects related to the environment, socially responsible business and communications.  She was the Exectutive Produce for The Allegheny Front, and is currently a board member for Construction Junction and the Institue for Global Communications</p>
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		<title>Christina Nguyen Hung</title>
		<link>http://studioforcreativeinquiry.org/previous-fellows/christina-nguyen-hung</link>
		<comments>http://studioforcreativeinquiry.org/previous-fellows/christina-nguyen-hung#comments</comments>
		<pubDate>Fri, 15 Oct 2010 00:06:21 +0000</pubDate>
		<dc:creator>Amisha Gadani</dc:creator>
				<category><![CDATA[previous-fellows]]></category>

		<guid isPermaLink="false">http://studioforcreativeinquiry.org/?p=1630</guid>
		<description><![CDATA[
Former Associate Fellow at the STUDIO, Christina Nguyen Hung is an interdisciplinary artist who works with electronic and biological media. Her work has been presented at numerous venues such as the exhibition A Knock at the ...]]></description>
			<content:encoded><![CDATA[<p><img class="alignnone size-full wp-image-1631" title="CHRISTINA HUNG" src="http://studioforcreativeinquiry.org/wp-content/uploads/2010/10/CHRISTINA-HUNG.jpeg" alt="" width="148" height="148" /><br />
Former Associate Fellow at the STUDIO, <a href="http://christinahung.net/blog/" target="_blank">Christina Nguyen Hung</a> is an interdisciplinary artist who works with electronic and biological media. Her work has been presented at numerous venues such as the exhibition A Knock at the Door sponsored by the LMCC in New York city; Festival Intermediale in Mainz, Germany; St Mary’s College of Maryland; Arizona State University’s Institute for Studies in the Arts and the 2008 International Symposium on Electronic Arts (ISEA 2008) in Singapore.</p>
<p>She is a founding member of subRosa, a cyberfeminist art and research collective and is currently an Assistant Professor in the Art Department and the RCID program at Clemson University.</p>
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		<item>
		<title>Yang Cai</title>
		<link>http://studioforcreativeinquiry.org/previous-fellows/yang-cai</link>
		<comments>http://studioforcreativeinquiry.org/previous-fellows/yang-cai#comments</comments>
		<pubDate>Thu, 14 Oct 2010 23:36:12 +0000</pubDate>
		<dc:creator>Amisha Gadani</dc:creator>
				<category><![CDATA[previous-fellows]]></category>

		<guid isPermaLink="false">http://studioforcreativeinquiry.org/?p=1624</guid>
		<description><![CDATA[
Yang Cai, PhD is Founding Director of the Instinctive Computing Lab and Senior Systems Scientist of Cylab  at Carnegie Mellon University. His main interest is visual computing including video understanding and visualization. He created theories ...]]></description>
			<content:encoded><![CDATA[<p><img class="alignnone size-full wp-image-1625" title="yang" src="http://studioforcreativeinquiry.org/wp-content/uploads/2010/10/yang.jpeg" alt="" width="148" height="148" /><br />
<a href="http://www.andrew.cmu.edu/user/ycai/" target="_blank">Yang Cai, PhD</a> is Founding Director of the Instinctive Computing Lab and Senior Systems Scientist of Cylab  at Carnegie Mellon University. His<span style="font-weight: normal; font-size: 13px;"> main interest is visual computing including video understanding and visualization. He created theories of Instinctive Computing, Empathic Computing and Ambient Diagnostics.  He was a NASA Faculty Fellow in 2002 and 2003 and he has organized international workshops in Instinctive Computing, Ambient Intelligence and Digital Human Modeling.</span></p>
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		<item>
		<title>Hyla Willis</title>
		<link>http://studioforcreativeinquiry.org/previous-fellows/hyla-willis</link>
		<comments>http://studioforcreativeinquiry.org/previous-fellows/hyla-willis#comments</comments>
		<pubDate>Thu, 14 Oct 2010 18:17:41 +0000</pubDate>
		<dc:creator>Amisha Gadani</dc:creator>
				<category><![CDATA[previous-fellows]]></category>

		<guid isPermaLink="false">http://studioforcreativeinquiry.org/?p=1620</guid>
		<description><![CDATA[
Hyla Willis is an artist who has appeared nationally and internationally as a founding member of subRosa, an art collective focusing on the ways women are impacted by rapidly-evolving biological and communications technologies. Willis has ...]]></description>
			<content:encoded><![CDATA[<p><img class="alignnone size-full wp-image-1621" title="hylabyrippel" src="http://studioforcreativeinquiry.org/wp-content/uploads/2010/10/hylabyrippel.jpeg" alt="" width="150" height="150" /><br />
<a href="http://littlescience.com/" target="_blank">Hyla Willis</a> is an artist who has appeared nationally and internationally as a founding member of subRosa, an art collective focusing on the ways women are impacted by rapidly-evolving biological and communications technologies. Willis has performed, exhibited, and given workshops in Europe, Asia, Australia, and throughout the North America. She is an Associate Professor of Media Arts at Robert Morris University in Pittsburgh.</p>
<p>Willis is interested in the cultural and political economies of graphic design, creative experimentation, and acoustic ecology. She enjoys teaching and practicing design because it fully engages both her critical and artistic skills, and believes her students can use their education to create sustainable careers and to facilitate understanding, change, and excitement in the local and global communities in which they participate.</p>
<p>She is a past President of AIGA Pittsburgh, a recipient of two Pennsylvania Council on the Arts Fellowships in New Genres, and has received a Creative Capital grant in Emerging Fields.</p>
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		<title>Mathew Rosenblum</title>
		<link>http://studioforcreativeinquiry.org/previous-fellows/mathew-rosenblum</link>
		<comments>http://studioforcreativeinquiry.org/previous-fellows/mathew-rosenblum#comments</comments>
		<pubDate>Thu, 14 Oct 2010 17:41:21 +0000</pubDate>
		<dc:creator>Amisha Gadani</dc:creator>
				<category><![CDATA[previous-fellows]]></category>

		<guid isPermaLink="false">http://studioforcreativeinquiry.org/?p=1615</guid>
		<description><![CDATA[
 Mathew Rosenblum is a composer who&#8217;s music is a synthesis of diverse musical elements derived from classical, jazz, rock, and world music traditions. He seeks to explore how seemingly independent musical voices and traditions ...]]></description>
			<content:encoded><![CDATA[<p><img class="alignnone size-full wp-image-1617" title="rosenblum 4web" src="http://studioforcreativeinquiry.org/wp-content/uploads/2010/10/rosenblum-4web1.jpeg" alt="" width="150" height="150" /><br />
<a href="http://www.mathewrosenblum.com/" target="_blank"> Mathew Rosenblum</a> is a composer who&#8217;s music is a synthesis of diverse musical elements derived from classical, jazz, rock, and world music traditions. He seeks to explore how seemingly independent musical voices and traditions may be woven together into a newly expressive whole.  Rosenblum&#8217;s works have been performed throughout the United States, South America, and Europe including the ISCM World Music Days in Oslo, the Gewandhaus in Leipzig, De Ijsbreker in Amsterdam, the Tonhalle in Düsseldorf, and the Bing Theater in LA.  His honors include four Pennsylvania Council on the Arts Music Fellowship Grants, a Heinz Endowments Creative Heights Award, and two Fromm Foundation Commissions.<br />
He received degrees in composition from the New England Conservatory of Music and Princeton University and is currently Professor of composition and Chair of the Department of Music at the University of Pittsburgh where he also co-directs the Music on the Edge new music series.</p>
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		<title>Laleh Mehran</title>
		<link>http://studioforcreativeinquiry.org/previous-fellows/laleh-mehran</link>
		<comments>http://studioforcreativeinquiry.org/previous-fellows/laleh-mehran#comments</comments>
		<pubDate>Wed, 13 Oct 2010 19:36:59 +0000</pubDate>
		<dc:creator>Amisha Gadani</dc:creator>
				<category><![CDATA[previous-fellows]]></category>

		<guid isPermaLink="false">http://studioforcreativeinquiry.org/?p=1611</guid>
		<description><![CDATA[
Laleh Mehran is an Assitant Professor in the Electronic Media Arts &#38; Design department of the School of Art and Art History at the University of Denver.  Mehran&#8217;s research areas include the intersections of ...]]></description>
			<content:encoded><![CDATA[<p><img class="alignnone size-full wp-image-1763" title="4101047862_8b3b8c0dc6_b" src="http://studioforcreativeinquiry.org/wp-content/uploads/2010/10/4101047862_8b3b8c0dc6_b.jpeg" alt="" width="150" height="150" /><br />
<a href="http://www.lalehmehran.com/" target="_blank">Laleh Mehran</a> is an Assitant Professor in the Electronic Media Arts &amp; Design department of the School of Art and Art History at the University of Denver.  Mehran&#8217;s research areas include the intersections of art and science, media politics, and emerging forms of time-based media. Her work has been shown individually and as part of art collectives at the Next 5 Minutes 4 Tactical Media Festival in Amsterdam, Holland; the European Media Arts Festival in Osnabruck, Germany; Ponte Futura in Cortona Italy; Massachusetts Museum of Contemporary Art in North Adams, MA; the Orlo Video Festival in Portland, Oregon; the Carnegie Museum of Art; The Georgia Museum of Art; The Andy Warhol Museum; and the Pittsburgh Biennial at the Pittsburgh Center for the Arts in Pittsburgh, PA.</p>
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		<title>Pamela Jennings</title>
		<link>http://studioforcreativeinquiry.org/previous-fellows/pamela-jennings</link>
		<comments>http://studioforcreativeinquiry.org/previous-fellows/pamela-jennings#comments</comments>
		<pubDate>Wed, 13 Oct 2010 19:09:57 +0000</pubDate>
		<dc:creator>Amisha Gadani</dc:creator>
				<category><![CDATA[previous-fellows]]></category>

		<guid isPermaLink="false">http://studioforcreativeinquiry.org/?p=1608</guid>
		<description><![CDATA[
Pamela Jennings, Ph.D. is the Research Manager and ICORE (Alberta Informatics Circle of Research Excellence) Visiting Professor at the Banff New Media Institute in Alberta, Canada.  Her career path has been rooted in research environments that ...]]></description>
			<content:encoded><![CDATA[<p><img class="alignnone size-full wp-image-1609" title="Jennings 2004" src="http://studioforcreativeinquiry.org/wp-content/uploads/2010/10/Jennings-2004.jpeg" alt="" width="150" height="150" /><br />
<a href="http://www.pamelajennings.org/index.html" target="_blank">Pamela Jennings, Ph.D.</a> is the Research Manager and ICORE (Alberta Informatics Circle of Research Excellence) Visiting Professor at the Banff New Media Institute in Alberta, Canada.  Her career path has been rooted in research environments that support a hybrid integration of creative practices and the development of innovative information technologies.  She has held a joint appointment in the School of Art in the College of Fine Arts and the Human Computer Interaction Institute in the School of Computer Science at Carnegie Mellon University. Her curriculum and research at CMU included courses in multimedia programming and physical computing to seminars on critical theory and interaction design practices. Prior to this position, she worked as an interaction design researcher in human centered computing and educational technology at the IBM Almaden Research Center and the SRI International Center for Technology in Learning, both in the Silicon Valley region of California. At IBM, Jennings was the senior project manager for the IBM alphaWorks web portal that provided an access path between IBM software researchers and external software developers. Jennings also co-led research in ubiquitous computing and augmented environments in the IBM Almaden User System Ergonomics Research Lab. At the Center for Technology in Learning, SRI International in Menlo Park, California, she led the design of several educational web and software research projects. Jennings worked as a multimedia programmer and new media producer in the dot-com industry for clients including Time Warner Interactive and NBC Interactive. She has also held board of director and resource development positions in several non-profit media and art organizations in New York City including the New York Media Alliance and Creative Time, Inc..</p>
<p>Jennings’ digital media works make visible personal narratives by revealing hidden realities while simultaneously encouraging public discourse. Her creative work has been cited in Lisa Farrington’s Creating Their Own Image: the History of African-American Women Artists, Oxford University Press and Phyllis Klotman and Janet Cutler’s Struggles for Representation: African American Film/Video/New Media Makers, Indiana University Press. She has exhibited at the Kiasma Museum of Contemporary Art, Helsinki, Finland; FE Gallery and Future Tenant Gallery, Pittsburgh, Pennsylvania; Parsons’ School of Design, New York; MIT List Center for Visual Arts, Cambridge, Massachusetts; 707 Contemporary Gallery, Santa Fe, New Mexico; Studio Museum of Harlem, New York; Carleton University Art Gallery, Ottawa, Ontario; and many international film and video festivals. She is a MacDowell Artists Colony fellow and has received funding from the National Science Foundation, Rockefeller Foundation, New York State Council on the Arts, and the Pennsylvania Council on the Arts. Jennings&#8217; research policy projects focus on the development of pathways to integrate creative digital media practices with science and technology research. She was commissioned by the Rockefeller Foundation to write a report on the state of research and funding for digital media art titled, New Media Arts | New Funding Models. She has advised the National Science Foundation on the development of the interdisciplinary funding programs that embrace creativity. She curated the NSF funded exhibition Speculative Data and the Creative Imaginary: shared visions between art and technology at the National Academy of Sciences Rotunda Gallery in Washington D.C. in 2007. This exhibition was the first major retrospective of contemporary digital media art/research projects at the National Academy of Sciences and in Washington, D.C. Examples of her research, creative digital media projects and student work can be viewed on the www.pamelajennings.org web site.</p>
<p>Jennings’ received her Ph.D. in Human Centered Systems Design from the Center for Advanced Inquiry in Integrative Arts at the School of Computer Science, University of Plymouth, United Kingdom; M.F.A. in Computer Art from the School of Visual Arts; M.A. in Studio Art from the joint International Center of Photography and New York University program; and B.A. in Psychology from Oberlin College.</p>
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		<title>Noriyuki Fujimura</title>
		<link>http://studioforcreativeinquiry.org/previous-fellows/noriyuki-fujimura</link>
		<comments>http://studioforcreativeinquiry.org/previous-fellows/noriyuki-fujimura#comments</comments>
		<pubDate>Wed, 13 Oct 2010 18:54:26 +0000</pubDate>
		<dc:creator>Amisha Gadani</dc:creator>
				<category><![CDATA[previous-fellows]]></category>

		<guid isPermaLink="false">http://studioforcreativeinquiry.org/?p=1604</guid>
		<description><![CDATA[
Noriyuki Fujimura is a Japanese media artist who creates interactive public sculptures which respond to the audience and the environment. With these sculptures, his aim is to restore and renovate the concept and function of ...]]></description>
			<content:encoded><![CDATA[<p><img class="alignnone size-full wp-image-1761" title="nf" src="http://studioforcreativeinquiry.org/wp-content/uploads/2010/10/nf.jpg" alt="" width="148" height="148" /><br />
<a href="http://www.norifujimura.com/" target="_blank">Noriyuki Fujimura</a> is a Japanese media artist who creates interactive public sculptures which respond to the audience and the environment. With these sculptures, his aim is to restore and renovate the concept and function of public space.</p>
<p><a href="http://www.norifujimura.com/art/remote-furniture/" target="_blank"><em>Remote Furnitute</em></a> (1999-),his first major interactive artwork, has shown in various public spaces around Tokyo area. He organized exhibition project <em><a href="http://www.norifujimura.com/research2/public-communication-sculpture/" target="_blank">Public Communication Sculpture</a> </em>(1998-),to show these interactive artworks in public spaces. As a result, the exhibition project was introduced in CAST01 conference at Bonn,Germany (2001) where <em>Remote Furniture</em> won a prize in Deutsche bank&#8217;s student art competition.</p>
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		<title>STUDIO Event Series Presents: the Punto y Raya Festival</title>
		<link>http://studioforcreativeinquiry.org/events/punto-y-raya-festival</link>
		<comments>http://studioforcreativeinquiry.org/events/punto-y-raya-festival#comments</comments>
		<pubDate>Tue, 12 Oct 2010 23:47:53 +0000</pubDate>
		<dc:creator>Golan Levin</dc:creator>
				<category><![CDATA[events]]></category>
		<category><![CDATA[screening]]></category>

		<guid isPermaLink="false">http://studioforcreativeinquiry.org/?p=1151</guid>
		<description><![CDATA[Tuesday October 12, 2010, 8:00pm
McConomy Auditorium, CMU [map]
This event is free and open to the public.
The STUDIO is pleased to bring the Punto y Raya (Dot and Line) film festival to campus on Tuesday, October ...]]></description>
			<content:encoded><![CDATA[<p><strong>Tuesday October 12, 2010, 8:00pm</strong><br />
McConomy Auditorium, CMU [<a href="http://www.cmu.edu/about/visit/campus-map.shtml" target="_blank">map</a>]<br />
This event is free and open to the public.</p>
<p><em>The STUDIO is pleased to bring the <a href="http://www.puntoyrayafestival.com/">Punto y Raya</a></em><em> (Dot and Line) film festival to campus on Tuesday, October 12th. This festival, which has earned the title of “most abstract in the world”, explores the creative possibilities of dots and lines in various spheres of science, art and thought. The Punto y Raya festival features no figuration &#8211; just dots and lines as ends in themselves!</em></p>
<p><a href="http://www.puntoyrayafestival.com/"><img class="alignnone size-full wp-image-1166" src="http://studioforcreativeinquiry.org/wp-content/uploads/2010/10/rayafes.jpg" alt="" width="640" height="385" /></a></p>
<p>Presented by its organizer and curator, Nöel Palazzo of the Barcelona-based artist collective, Moviment d’Alliberament Digital (MAD), <em>Punto y Raya</em> goes back to basics in our representation of space and time to gain an insight into the world beyond perception. Palazzo is a feature film, TV, movie, animation and science fiction writer. Her films have been internationally awarded and she occasionally lectures and writes as a film critic. Palazzo will be present at the screening to introduce and discuss the festival.</p>
<p>Larry Cuba, a featured animator in the <em>Punto y Raya</em> festival, will also be present at the screening to discuss his work. Cuba is a pioneering and well-known computer animator; he worked as John Whitney’s assistant in the early 1970s on classics such as <em>Arabesque</em>, and later produced the well-known “star field” animations for George Lucas’s <em>Star Wars</em>. Cuba currently directs the Iota Center, a Los Angeles based archive and distribution center for computer animation and 20th-century abstract animation.</p>
<p>The <em>Punto y Raya</em> event at CMU formed the premise of a design exercise for Prof. Kristin Hughes&#8217; undergraduate communication design studio in CMU&#8217;s School of Design. Seventeen students spent a week preparing posters for the festival. We&#8217;re proud to present the results, below:</p>
<p><a href="http://studioforcreativeinquiry.org/wp-content/uploads/2010/10/large/pyr_ahmed_samia.jpg"><img class="alignnone size-full wp-image-1455" title="pyr_ahmed_samia" src="http://studioforcreativeinquiry.org/wp-content/uploads/2010/10/pyr_ahmed_samia.jpg" alt="" width="140" height="297" /></a><a href="http://studioforcreativeinquiry.org/wp-content/uploads/2010/10/large/pyr_alie_brown.jpg"><img class="alignnone size-full wp-image-1457" title="pyr_alie_brown" src="http://studioforcreativeinquiry.org/wp-content/uploads/2010/10/pyr_alie_brown.jpg" alt="" width="140" height="297" /></a><a href="http://studioforcreativeinquiry.org/wp-content/uploads/2010/10/large/pyr_cristina_mele.jpg"><img class="alignnone size-full wp-image-1459" title="pyr_cristina_mele" src="http://studioforcreativeinquiry.org/wp-content/uploads/2010/10/pyr_cristina_mele.jpg" alt="" width="140" height="297" /></a><a href="http://studioforcreativeinquiry.org/wp-content/uploads/2010/10/large/pyr_frances_soong.jpg"><img class="alignnone size-full wp-image-1460" title="pyr_frances_soong" src="http://studioforcreativeinquiry.org/wp-content/uploads/2010/10/pyr_frances_soong.jpg" alt="" width="140" height="297" /></a><a href="http://studioforcreativeinquiry.org/wp-content/uploads/2010/10/large/pyr_lara_osterwalder.jpg"><img title="pyr_lara_osterwalder" src="http://studioforcreativeinquiry.org/wp-content/uploads/2010/10/pyr_lara_osterwalder.jpg" alt="" width="140" height="297" /></a><a href="http://studioforcreativeinquiry.org/wp-content/uploads/2010/10/large/pyr_jenny_eishingdrelo.jpg"><img class="alignnone size-full wp-image-1462" title="pyr_jenny_eishingdrelo" src="http://studioforcreativeinquiry.org/wp-content/uploads/2010/10/pyr_jenny_eishingdrelo.jpg" alt="" width="140" height="297" /></a><a href="http://studioforcreativeinquiry.org/wp-content/uploads/2010/10/large/pyr_lauren_cicozi.jpg"><img class="alignnone size-full wp-image-1465" title="pyr_lauren_cicozi" src="http://studioforcreativeinquiry.org/wp-content/uploads/2010/10/pyr_lauren_cicozi.jpg" alt="" width="140" height="297" /></a><a href="http://studioforcreativeinquiry.org/wp-content/uploads/2010/10/large/pyr_liz_martindale.jpg"><img class="alignnone size-full wp-image-1466" title="pyr_liz_martindale" src="http://studioforcreativeinquiry.org/wp-content/uploads/2010/10/pyr_liz_martindale.jpg" alt="" width="140" height="297" /></a></p>
<p><a href="http://studioforcreativeinquiry.org/wp-content/uploads/2010/10/large/pyr_sophia_chan.jpg"><img class="alignnone size-full wp-image-1468" title="pyr_sophia_chan" src="http://studioforcreativeinquiry.org/wp-content/uploads/2010/10/pyr_sophia_chan.jpg" alt="" width="140" height="297" /></a><a href="http://studioforcreativeinquiry.org/wp-content/uploads/2010/10/large/pyr_thea_mann.jpg"><img class="alignnone size-full wp-image-1469" title="pyr_thea_mann" src="http://studioforcreativeinquiry.org/wp-content/uploads/2010/10/pyr_thea_mann.jpg" alt="" width="140" height="297" /></a><a href="http://studioforcreativeinquiry.org/wp-content/uploads/2010/10/large/pyr_sharon_kong.jpg"><img title="pyr_sharon_kong" src="http://studioforcreativeinquiry.org/wp-content/uploads/2010/10/pyr_sharon_kong.jpg" alt="" width="140" height="297" /></a><a href="http://studioforcreativeinquiry.org/wp-content/uploads/2010/10/large/pyr_valerie_umb.jpg"><img class="alignnone size-full wp-image-1470" title="pyr_valerie_umb" src="http://studioforcreativeinquiry.org/wp-content/uploads/2010/10/pyr_valerie_umb.jpg" alt="" width="140" height="297" /></a><a href="http://studioforcreativeinquiry.org/wp-content/uploads/2010/10/large/pyr_victor_ng.jpg"><img class="alignnone size-full wp-image-1471" title="pyr_victor_ng" src="http://studioforcreativeinquiry.org/wp-content/uploads/2010/10/pyr_victor_ng.jpg" alt="" width="140" height="297" /></a><a href="http://studioforcreativeinquiry.org/wp-content/uploads/2010/10/large/pyr_victoria_adams.jpg"><img class="alignnone size-full wp-image-1472" title="pyr_victoria_adams" src="http://studioforcreativeinquiry.org/wp-content/uploads/2010/10/pyr_victoria_adams.jpg" alt="" width="140" height="297" /></a></p>
<p><a href="http://studioforcreativeinquiry.org/wp-content/uploads/2010/10/large/pyr_hanah_ho.jpg"><img title="pyr_hanah_ho" src="http://studioforcreativeinquiry.org/wp-content/uploads/2010/10/pyr_hanah_ho.jpg" alt="" width="297" height="140" /></a></p>
<p><a href="http://studioforcreativeinquiry.org/wp-content/uploads/2010/10/large/pyr_avil_brier.jpg"><img class="alignnone size-full wp-image-1458" title="pyr_avil_brier" src="http://studioforcreativeinquiry.org/wp-content/uploads/2010/10/pyr_avil_brier.jpg" alt="" width="297" height="140" /></a></p>
<p><a href="http://studioforcreativeinquiry.org/wp-content/uploads/2010/10/large/pyr_ahra_cho.jpg"><img class="alignnone size-full wp-image-1456" title="pyr_ahra_cho" src="http://studioforcreativeinquiry.org/wp-content/uploads/2010/10/pyr_ahra_cho.jpg" alt="" width="297" height="140" /></a></p>
<p><em>This event is made possible with additional support from the CMU School of Art.</em></p>
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